News Archive

On Monday, October 1, faculty member Michael Weinman will make a presentation to the Classical Studies and Mathematics programs at Bard College in Annandale-on-Hudson, New York. Drawing on The Parthenon and Liberal Education (published by SUNY Press in March 2018), co-written with Bard College Berlin faculty member Geoff Lehman, the theme of Weinman's talk is: The Pythagorean Harmonics of the Parthenon. In it, he will point to the resonance between the work of Philolaus in number theory, astronomy, and harmonics and central features of the design principles of the Parthenon, in order to show that the Parthenon can be seen as a mediator between the early reception of Ancient Near-Eastern mathematical ideas and their integration into Greek thought as a form of liberal education, as the latter came to be defined by Plato and his followers. 
 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Faculty member Laura Scuriatti recently contributed to the online platform “Mina Loy - Navigating the Avant-garde,” set up by scholars and dedicated to artist, writer & inventor Mina Loy. The platform is an attempt to chart Mina Loy’s navigation of Futurism, Dada & Surrealism, while rethinking the notion of Avant-garde to be more inclusive and to incorporate a feminist point of view.

From the platform’s manifesto:
Rather than attempting to rehabilitate the term “avant-garde,” we offer a new, more inclusive term: en dehors garde. Taking a cue from classical ballet rather than warfare, we propose the term en dehors garde to describe the strategies of writers and artists whose mode of experimentation does not conform to the “martialised,” oppositional stance associated with the historical avant-garde.
“En dehors” means “toward the outside,” implying that artists are turning away from the center or norm, moving in a circular motion, with an eye toward the center. Upon return, the center is transformed, adjusted, and reformed by the arc of the revolution.
Rather than assuming a militant position at the forefront of culture, women, people of color, and queer or disabled artists often came from the outside and circulated on the margins. They rarely enjoyed the power, privilege, or authority derived from membership in the institutions of art. Instead, they worked and moved strategically to transform gendered, racialized literary traditions and visual cultures that excluded or objectified them.
Our proposed feminist theory pivots on the notion of “turning outward,” as we seek to engage YOU—students, scholars, artists, writers, and the general public—in the work of reimagining the avant-garde as a more inclusive en dehors garde. We’re not just proposing a new theory of the en dehors garde; we’re proposing a new method of production.

Scuriatti’s contribution is entitled “Greetings from another side of the avant-garde” and is a visual representation of the exchanges and influences that characterize Loy’s work in the larger context of the European literary avant-garde. The postcard is designed by Irina Stelea. 

You can view Scuriatti’s contribution here>> 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

The paper "As Innovations Drive Economic Growth, Do They also Raise Well-Being?" co-authored by Martin Binder with Ulrich Witt (Max Planck Institute, Jena) will appear in the forthcoming volume Understanding Economic Change – Contributions to an Evolutionary Paradigm in Economics, edited by Ulrich Witt and Andreas Chai (2018, Cambridge University Press). 

From the paper’s abstract:
While there is little doubt that innovations drive economic growth, their effects on well-being are less clear. One reason for this are ambivalent effects of innovations on well-being that result from pecuniary and technological externalities of innovations, argued to be inevitable. Another major reason lies in the fact that, as a result of innovations, preferences can change over time. Under such conditions, a time-consistent measuring rod for changes in well-being is hard to construct. Existing conceptions of well-being are shown not yet to solve the problem in a way that provides an unambiguous answer to the question in the title.

Read the working paper>>

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On October 1, 2018, BCB faculty Michael Weinman will give a lunchtime talk entitled “Arendt after Postmodernity: Humanistic Social Research and Contemporary Political Culture” at the Hannah Arendt Center for Politics and Humanities at Bard College. 

In the presentation Weinman will seek to sketch out two pairs of questions that set out an agenda for research into "life after postmodernity" on the basis of Arendt’s practice of “thinking without banisters.” The first pair is: (A) How, after what Adorno and Arendt identified as 20th-century barbarism, is it possible to articulate a critical assessment of "the Western tradition" that does not amount to rejectionism? (B) Why, can it be argued, is it worthwhile or even necessary to do so? The second pair is: (A) When we do engage the tradition in this way—as did, among others, Kantorowicz and Strauss—how and where do we find the points of continuity between earlier forms and institutions of late-modern civil society not subject to the critique of modern barbarism? (B) On what basis, and through which Weltanschauung, is it possible to offer a robust defense of such forms and such institutions? 

Read more about the talk>>

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On September 17, 2018 faculty member Seraphine Maerz will participate in a workshop on computational social science (CSS) methods organized by the Center for Advanced Internet Studies in Bochum, Germany. The workshop brings together German and international experts to discuss the interplay between the various theoretical perspectives within CSS, their interface with social science theories, and a resulting methodology.

On September 27, Maerz will give a paper co-authored with Carsten Q. Schneider (Central European University, Budapest) at the conference Frontiers of Democracy, held on September 25-28, 2018 at the Goethe University Frankfurt. Entitled “Out of democratic bounds? An automated text analysis of speeches by European heads of government,” the paper surveys thousands of speeches to argue that the language used by some heads of government inside the EU is more similar to the language used by their authoritarian counterparts. 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On September 19, 2018 BCB's Professor of Art and Society Dorothea von Hantelmann will give a lecture titled "The Exhibition. A Lecture Demonstration" at the Museum of Contemporary Art Belgrade.

“We can, and this is the perspective of art history, understand museums and exhibitions as places, as repositories for art objects, which classify and present important treasures of a cultural heritage. Or we can, and this is a more sociological and anthropological approach, see them as institutions that derive their social function from the fact that they carry specific values and concepts into society. My lecture both explores and demonstrates certain aspects of this second perspective. It analyses the cultural format of the museum and the exhibition as a specifically modern ritual in the historical and contemporary context of Western liberalism. Art institutions are deeply connected to core socio-economic parameters of their time, which they symbolically cultivate and ritually enact. Looking at art spaces as a series of decisive moments of transformation, I will pose the question if the transformations of our epoch are asking for a new kind of ritual, after that of the exhibition.” - Dorothea von Hantelmann

The lecture takes place within the series "What Could/Should Curating Do?" which aims to offer new perspectives on the theories and practices of exhibition-making. 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

A new solo show by Egyptian visual artist and BCB visiting faculty Heba Amin opens on September 14, 2018 and runs through November 2, 2018 at the Zilberman Gallery, Berlin. 

Entitled "A Rectilinear Propagation of Thought," the exhibition "addresses the ways in which the colonial imagination has objectified vulnerable bodies, especially women, through the invasive gaze of optical tools. The artworks invoke mechanisms of domination and control through methods of surveying land and systems of surveillance. The exhibition interrogates the politics of technology, particularly on the African continent, and examines the mechanics of observation in relation to technological mediation."

The show is based on a project started by Amin in 2014 which has at its core an 11th century geography text and survey of major trade routes in West Africa - Al-Bakri’s The Book of Roads and Kingdoms. 

Gallery website>> 
Facebook event>> 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

BCB faculty member Martin Binder recently published the article “Smile or Die: Can Subjective Well-Being Increase Survival in the Face of Substantive Health Impairments?” co-authored with Guido Buenstorf (Universität Kassel, University of Gothenburg) in the journal Economics and Human Biology. 

The article addresses the relationship between subjective well-being and life span from a less common angle: subjective well-being and the impact of concrete diseases on survival. Drawing on empirical data from the British Household Panel Survey, the two authors examine whether subjective well-being predicts longer survival in the case of severe health conditions like cancer or heart problems. Once certain methodological pitfalls are avoided, the authors conclude, the data suggests that subjective well-being does not play a role in how specific illnesses decrease survival and the overall effect of subjective well-being in such cases is at best protective rather than curative. 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On September 7, 2018 Professor of Politics Boris Vormann will give a paper entitled “Who pays? Regimes of State-led Urbanization and their Geographical Costs” at the conference “Successful Cities - Crises of Citizenship” taking place at Potsdam University on September 6-8, 2018. 

From the paper’s abstract:
Discussions on cities and citizenship often focus on the level of neighborhoods, local government, and socio-economic relations within cities. As such, questions of exclusion, of diversity and integration, are often posed with view to interpersonal relations between ethnic communities, citizens and municipal state agents. By contrast, a recent literature in urban political economy has emphasized the importance of understanding urbanization as a set of processes that transcend the local scale. This paper seeks to flesh out how questions of citizenship and difference can be informed by an analysis of the political-institutional dimensions of extended urbanization. I use the United States as a context to explore urbanization in such a broader perspective and to point out that historically specific urban regimes are actively shaped by political actors on multiple scales.

Read more about the conference>>

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Berlin – Sara Mardini, a 23-year-old Syrian refugee student and scholarship recipient of Bard College Berlin, was arrested in Greece last Tuesday, August 21, 2018. She was on her way back from Lesbos to Germany to resume her studies after a period of several months’ service as a volunteer rescuing refugees in Greek waters. Sara and Sean Binder, a German citizen and fellow volunteer, who was also arrested, are in detention and have been accused of human trafficking, membership in a criminal organization, spying, and money laundering.

Sara and her sister Yusra Mardini, who participated as one of 10 athletes on the “Refugee Olympic Team” in Rio in 2016, became internationally known because they saved the lives of the other 18 forced migrants in their life raft by swimming their water-logged boat to the Greek coast during their own flight across the Mediterranean in 2015.

“We are in close contact with Sara’s legal counsel and these charges seem more about halting the operations of the NGO in question than about any actions of Sara or her fellow volunteer,” said Dr. Florian Becker, Managing Director of Bard College Berlin. “A long period of imprisonment in Greece awaiting a potential trial would be devastating for Sara and her life plans. We will leave no stone unturned to get Sara released from prison, so that she can spend this time in Berlin and continue her studies, which she has earned with so much difficulty.”

After their arrival in Germany, Sara and Yusra continued to be engaged as volunteers, demonstrating great personal commitment to the interests of refugees. Sara was invited as a speaker by Harvard University and Dartmouth College; her sister spoke before the UN General Assembly and with personalities like Pope Francis and Barack Obama.

Sara Mardini became a student at Bard College Berlin in August 2017 when she was awarded a full scholarship under the Program for International Education and Social Change (PIE-SC). The PIE-SC scholarship program is aimed at promising students from regions of crisis or conflict. Currently there are 30 PIE-SC students enrolled in the two B.A. degrees at Bard College Berlin – 27 Syrians, one Iraqi, one Afghan and one Greek student.

Reactions from the international press and other organizations>>

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Faculty Agata Lisiak published an article titled “Niebo nad Berlinem jest tęczowe” (The sky over Berlin is the color of a rainbow) in the Polish contemporary theater magazine Dialog.

Lisiak was invited by the editors to provide a commentary on the fifteenth anniversary of Berlin’s former mayor Klaus Wowereit’s infamous slogan. In response to the editorial question "Berlin is no longer poor, but is it still sexy?” Lisiak observes that the city remains poor and is now facing several new challenges. Lisiak also unpacks the myth of Berlin's much-hyped “sexiness" and elaborates on the local cultures of resistance and protest.

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On August 29, 2018 Professor of Politics Boris Vormann and Christoph Reaetzsch (Aarhus University) will present their paper "Public Goods and Private Data: A Dialogue on Infrastructures of Publics" at the conference SummerPIT 2018 held at Aarhus University, Denmark. 

From the paper’s abstract:
With more processes of public concern running on private data and proprietary business models, we need to pay more attention to the menial ways in which infrastructures reshape the definition of public goods. What are the new infrastructures of publics and how do they remodel concepts of power, participation and equality? The presentation is a joint exploration of how cities, global networks and digital communication assume infrastructural functions for publics, which are increasingly beyond the control of elected governments and citizens.

SummerPIT 2018 is organized by Aarhus University’s interdisciplinary research centre for Participatory IT, which aims to study how people experience, understand, design, and shape information technology as part of their lived experience.

Read more about the paper>> 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On August 30, 2018 German instructor Andreas Martin Widmann presents his new novel Messias (published by Rowohlt) at a book launch event at the Literarisches Colloquium Berlin.

For his first public reading from the book the author will be joined by fellow Berlin writer Hanna Lemke to talk about the writing process.

The reading will be followed by a drinks reception.

Read more about the event>>

Read more about the novel>>

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Faculty Agata Lisiak and her colleague Łukasz Krzyżowski have contributed a chapter to a collected volume titled Emotion and the Researcher: Sites, Subjectivities, and Relationships, edited by Tracey Loughran and Dawn Mannay, that has just been published by Emerald Press in their series Studies in Qualitative Methodology. 

Lisiak and Krzyżowski’s chapter “With a Little Help From My Colleagues: Notes on Emotional Support in a Qualitative Longitudinal Research Project” explores the strategies and tactics employed by researchers when dealing with emotionally challenging situations, both in the field and in academia in general. The authors discuss interview situations they found particularly emotionally challenging and the different ways they supported each other during and after fieldwork, for instance, when faced with situations in which research participants say things that are racist, Islamophobic, homophobic, xenophobic, classist or misogynist. They reflect on their use of electronic media, especially email and messenger applications, as tools which not only allow them to unpack the emotions that emerge in fieldwork, but also enable them to collaboratively reflect on their own positionalities in the field.

More information about the volume>>  

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On August 22, 2018 Professor of Politics Boris Vormann was a guest on several news shows on German and Austrian media channels to comment on the conviction of Trump aides Manafort and Cohen. 

For Deutsche Welle and the Austrian public broadcaster ORF, Vormann discussed the consequences of the frauds committed by Manafort and Cohen on Donald Trump and his future as President. Vormann commented that US democrats are hesitant to take the impeachment approach for fear of not mobilizing Trump’s supporters before the upcoming congressional elections. 

Watch the interviews below:

• Deutsche Welle News in English (Source: dw.com)
• Deutsche Welle News in German (Source: dw.com)
• The Day with Brent Goff (Source: dw.com)
• Politologe: Trump in der Ecke - ORF

Vormann further analyzed the reaction of the German Minister of Foreign Affairs Heiko Maas to the convictions, who pleaded that Germany needs to articulate a vision of its strategy towards the USA. 

• Trump unter Druck - Brauchen wir eine neue USA-Strategie? - WDR
• Deutschlands neue USA-Strategie: Was ist von den Plänen von Außenminister Maas zu halten? - RBB 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

With lead co-author Isaac Ariail Reed, Associate Professor of Sociology at the University of Virginia, BCB faculty member Michael Weinman has just published "Agency, power, modernity: A manifesto for social theory" in The European Journal of Cultural and Political Sociology.

As the abstract describes: 
 
In this article, we propose a new direction for social theory, based on a distinction between action and agency, a reconsideration of sociological theories of power, and a rereading of the transition to modernity. Drawing on Aristotle, Carole Pateman, Hannah Arendt, and Ernst Kantorowicz, we propose a conceptual model of power centred on the sending and binding of another to be one's agent in the world, and the varying representation of this relation and what it excludes. This approach allows a different understanding of modernity than is offered by accounts of power derived from the work of Pierre Bourdieu and Michel Foucault. With reference to the French Revolution and twentieth and twenty-first century presidential politics in the USA, we manifest the utility of the framework for the construction of a research programme in historical and political sociology.

For a short time, full access to the article is available here>>

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On August 20, the students and instructors in BCB's Language and Thinking Program had the pleasure to welcome filmmaker Jennie Livingston for a special session. 

After a screening of her award-winning documentary, Paris is Burning (1991), filmmaker Jennie Livingston talked to students about her current projects, how filmmaking and the funding of filmmaking have changed since the 1980s to the contemporary era of streaming television, and how to tell your story. One of the most influential documentaries of the last fifty years, Paris is Burning “depicts a New York fashion subculture. Shot in the late 1980s, the film examines how a community of Black and Latino gay and transgender New Yorkers build sustenance, creativity, and family. Exploring ballroom culture – and defining and re-defining words like “house,” “mother,” “shade” “voguing” and “Realness” – Paris is Burning draws a series of incisive character portraits. The movie writes a complex essay on class, race, identity, and the transformative powers of dance and performance.”

More about the film and Livingston’s work can be found here>>

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Faculty member Seraphine Maerz will deliver a paper co-authored with Carsten Q. Schneider (Central European University) at the General Conference of the European Consortium for Political Research (ECPR), which will take place on August 22-25, 2018 at Universität Hamburg.

Entitled "Putting the Money Where Your Mouth Is? Comparing the Discourses of (Illiberal) Democrats and Autocrats Using Automated Text Analysis," the paper compares the public (online) speeches of European heads of government with those of leaders from several authoritarian countries, e.g. North Korea, Saudi Arabia and Russia, in order to asses how far some European governments have already moved their discourses towards such autocracies. Based on their data of over 5000 speeches, Maerz and Schneider illustrate that some heads of government inside the EU use language more similar to that of authoritarian rulers than their democratic peers.

Read the paper’s abstract here 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

A reflection on nationalism and patriotism by faculty member Marion Detjen was recently published on the online platform of Die Zeit. 

In the piece, Detjen begins with the observation that current debates (on any topic) often lead to misunderstandings, falsities, and conflict. She therefore suggests to first and foremost work on clarifying the concepts at stake in a debate and to define how these concepts can be used. 

As an example, she tackles the terms “nationalism” and “patriotism”: Detjen points out that, in the attempt to properly define and rethink these terms, “nationalism” should be regarded as being historically determined (especially in relation to the nation state), while “patriotism” should be regarded as a universal concept (in relation to a community where one feels they belong).

Read the piece here

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Bard College Berlin faculty and Associate Dean Kerry Bystrom gave a lecture at the summer workshop “Global Timescapes: Entangled Temporalities in the Global South,” organized by the Interdisciplinary Centre for Global South Studies and held on July 31 - August 3, 2018 at Tübingen University. 

Bystrom’s paper, Temporalities of the "Border War," used South African photographer Jo Ractliffe's trilogy of exhibitions on apartheid South African military involvement in Angola and Namibia as a jumping off point to discuss the lasting impacts of imperial violence on Southern African peoples and landscapes.

Read more about the Tübingen Interdisciplinary Centre for Global South Studies>> 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Between July 14 and August 11, 2018 Bard College Berlin will host for the second year the Berlin Summer Studio, an intensive program drawing on Berlin’s art world and community of artists. The program brings together 14 students from Bard Annandale, Carnegie Mellon, Smith College, The City College of New York, The New School, and Yale University, who will work very closely with the program’s directors, Kenji Fujita (faculty, Bard Annandale) and Hiroshi McDonald Mori (Artist, Berlin). 

Steered by the 2018 theme, “Memory and Material,” students will explore and question how the languages of form, material, and light inform the manifold narratives of Berlin, and will use their observations as inspiration for creating their own works. The activities include weekly field trips, discussion groups, visits to artists’ studios, sculpture, photography and bookmaking workshops, as well as studio work. 

Read more 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Professor of Migration Studies Agata Lisiak is taking part in the XIX ISA World Congress of Sociology in Toronto, on July 15-21, 2018. 

Lisiak’s paper titled "Reflections on a Mixed Methods Approach to Researching Immigrant Mothering” is part of a session on Creative, Collaborative and Participatory Methods for Researching Racism, Migration and Indigeneity organized by Umut Erel of The Open University and chaired by Elena Vacchelli of the University of Greenwich. The session is hosted by the Research Committee on Racism, Nationalism, Indigeneity and Ethnicity. 

View the full session program here.

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Faculty member Ewa Atanassow will participate in the international workshop “Constitutionalism, Dissent, and Resistance,” which will take place on July 6-7, 2018 at Humboldt University, Berlin. The workshop is part of the Humboldt University and Princeton University project “Constitutionalism under Stress” and is co-organized by scholars from both institutions. 

Atanassow will give a presentation titled "Constitutional Ethos? Reflections on Pluralism and Democracy" in the frame of a panel chaired by Felix Petersen from the Hebrew University of Jerusalem.

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On June 14, 2018 faculty member Marion Detjen took part in the panel “Fußball-WM - Wieviel Patriotismus darf es sein?” organized and broadcast by the German public radio channel WDR5. The panel participants - scholars, researchers and football professionals - discussed nationalism and history in Germany with respect to the 2018 World Cup football matches. 

In her contribution, Detjen focused not only on patriotism in relation to the World Cup, but also on patriotism in general in Germany. She emphasized that the German Willkommenskultur and the recent taking in of over a million refugees are something Germans could be proud of, as much as the German social system, the Mittelstand industry and some other good things that they have been contributing to lately. Nationhood is always constructed, and whether to be proud of it or not depends on the purposes for which it is being constructed, and on the effectiveness and inclusiveness of the construction process. She noted that being proud of Goethe and Bach has, among other things, against it that emigrant writers and artists like Thomas Mann took care of wrenching them from the encroachment by "Germany" once and for all. 

Watch/listen to a recording here 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

The video & mixed media installation Operation Sunken Sea (The Anti-Control Room) by Egyptian artist and BCB arts instructor Heba Y. Amin was selected for the 10th Berlin Biennale for Contemporary Art, which takes place from June 9 to September 9, 2018 at various venues in Berlin. 

Amin’s project puts forth an alternative geography, that of a supercontinent which merges Africa and Europe and in which the distribution of goods and money happen very differently compared to our contemporary reality.  The project is based on historical European colonial proposals to drain the Mediterranean Sea; the narratives are flipped and proposed from the opposite perspective.

"The project Operation Sunken Sea (The Anti-Control Room) (2018) blurs the lines between history, the present, and the future; between truth, fiction, and megalomania. Amin leaves us with an uneasy feeling of insecurity about the kind of a world we are currently inhabiting—and the world we might wish (or not wish) to inhabit," notes Yvette Mutumba, a member of the Biennale’s curatorial team. 

The following Bard College Berlin students and alumni were involved in the production of the installation:
Studio assistance and concept development: Isabella Lee
Photography Assistance: Matthew Praley
Set crew: Andrea Riba, Arthur Yongebloed

Operation Sunken Sea is on view at the ZK/U – Center for Art and Urbanistics.

More information 
Artforum article

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On June 20, 2018 at 5:00pm BCB’s Professor of Migration Studies Agata Lisiak will give a talk entitled "Poza girl power: dziewczyńskie formy oporu" ["Beyond girl power: forms of girl resistance"] at the Museum of Modern Art in Warsaw. 

Organized by Fundacja Bec Zmiana, Lisiak’s lecture will be part of Dr. Ewa Majewska’s public seminar on feminist counterpublics held at the Faculty of Artes Liberales, University of Warsaw.

Read more about the event

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On June 12, 2018 Professor of Politics Boris Vormann gave an interview to the radio station SWR2 on Donald Trump's recent meeting with North Korean supreme leader Kim Jong Un.

Noting the divisive G7 summit, Vormann commented that Trump took the meeting with Kim as an opportunity to leave a historic mark and to demonstrate his foreign policy skills in light of the upcoming congressional elections. Vormann further asked to what extent is Trump's North Korea strategy a sustainable one, given that his foreign policy agenda lacks an overall vision for the long run. 

Listen to the interview

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Guest faculty member and artist April Gertler has recently been awarded the 2018 Project Space and Initiative Prize of the Berlin Senate for the arts project Sonntag, co-founded and co-run with artist Adrian Schiesser. 

Initiated in September 2012, Sonntag is a monthly event which gives “an individual artist a platform to share not only their work, but also their memories and experiences.” The artist exhibits their work in a private apartment, with Gertler and Schiesser preparing each time the artist’s favorite cake. This adds a personal component to the Sunday meetings and creates a connection between the viewers and the artist. Sonntag has worked with 56 artists and besides moving nomadically throughout the city of Berlin, the project has also traveled to 5 other countries. 

The Project Space and Initiative Prize of the Berlin Senate is given annually to 20 project spaces and initiatives run by artists and curators as a reward for their contributions to the Berlin art scene. In 2018 the prize consists of a one time monetary amount of €37,000, which will serve to help Gertler and Schiesser produce a book which will be an overview of the last 6 years of Sonntag. 

Sonntag’s webpage

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Bard College Berlin faculty member Marion Detjen published on June 1st, 2018 an article titled "Vielfalt lässt sich nicht kapern" ["Diversity cannot be captured"] in the national weekly newspaper Die Zeit. 

In this article, Detjen gives a condensed historical account of how "diversity" as a value system has been part of the liberal tradition and how it has been interpreted and misinterpreted since the Second World War. She warns of certain abuses of diversity in the attempt to implement and recognize it, and calls for those in power and for the existing power relations to properly acknowledge diversity, pointing to daily life as a good example of putting diversity into practice. 

Link to full piece

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

“RELICS,” the first solo exhibition in Dresden by BCB’s Director of Studio Arts, John von Bergen, opens at the Zentralwerk “Kabinett” Dresden on June 15 and will run through July 15, 2018.  

The starting point of the exhibition is Bergen’s direct interaction with various objects made at or around Zentralwerk (a cluster of former factories and industrial buildings), as well as with the site’s architecture.

As noted in the description, "this exhibition differs from those displays one may come to expect from an archive or a museum, as this is not a survey of objects for historical or educational purpose, nor any celebration of paraphernalia. There is, on the one hand, an interest to explore the potentially ambiguous relationship one may have with artifacts – relationships that may provoke sentiment, curiosity, fetish, or disdain. On the other hand, this unique space, and its uncanny history, becomes the catalyst for absurd intervention."

The result is a "group of site-specific projects that echo their historical transience while energizing the space with yet another, new chapter of production."

The show’s production benefited from the support and help of BCB students Lena Kück (BA 2018), Tiana Marsh (Arts & Society, Spring 2018), Magnus Hendersen (Arts & Society, Spring 2018), Zoe Lambez (BA 2020), Anna Zakelj (BA 2020), and Rafat Alkotaini (BA 2021).

Exhibition opening times:
Opening Reception: Friday, June 15th, from 7pm
Opening Times: Thursday - Sunday from 5 - 8pm, or by appointment: kabinett@zentralwerk.de

Address:
Zentralwerk “Kabinett”, Riesaer Str. 32, 01127 Dresden

Read more here 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Between June 9 and July 9, 2018 Bard College Berlin hosts for the fourth year in a row the Summer Theater Intensive Program, which brings together students from leading North-American theater, music, and arts programs for an immersive month consisting of movement and performance workshops, as well as regular outings to cultural venues in Berlin. 

Led by Jonathan Rosenberg (Artist-in-Residence at Bard College) and Dawn Akemi Saito (performer and Butoh dancer, winner of the Uchimura Prize), the program will welcome this summer new or returning faculty such as Marco Brosolo (sound and visual artist), Eva Burghardt (dancer and choreographer), Julia Hart (theater director), Helgard Haug (Rimini Protokoll), Yuko Kaseki (Butoh dancer), Anna Kohler (performer and director), Henrik Kuhlmann (dramaturge), Ilia Papatheodorou (She She Pop), Gob Squad (arts collective), Aya Soika (BCB arts history faculty), Nina Tecklenburg (Interrobang, Gob Squad, She She Pop), and Christina Wheeler (singer, composer, and sound artist). 

Through the workshops and courses, students will devise and create original theater works and performances, which will be presented at the end of the program. 

Read more: https://berlin.bard.edu/academics/summer-programs/summer-theater-intensive-program/

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On June 15, 2018, BCB faculty and Professor of Migration Studies Agata Lisiak will give a keynote lecture at the University of Surrey.

Titled “A Tale of Two Cities: Notes on Creative Methods in Research on Migrant Mothering”, Lisiak’s lecture will be part of a one-day seminar “Using Creative and Visual Methods in Comparative Research” funded by the International Journal for Social Research Methodology and organized by EuroStudents.

More details about the seminar

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On May 23rd, 2018 Professor of Politics Boris Vormann was invited by Deutsche Welle’s show “The Day with Brent Goff” to comment on the German Foreign Minister Heiko Maas’ visit to the United States in light of Trump’s exit from the Iran nuclear deal. 

In his commentary, Vormann argues that the purpose of the German FM’s visit was not to make Trump change his mind, but rather to maintain the communication between the two countries open. Vormann adds that Trump’s behavior in the foreign policy agenda and his lack of a long term vision have led to a volatile international situation. In the second part of the interview, he analyzes the cancellation of the US-North Korea summit and what this may imply for Trump’s future moves.   

Watch the entire interview here (source: dw.com)

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Faculty member Michael Weinman was invited to give a presentation in the frame of the Political Theory Research Seminar of the Department of Politics and International Relations, Oxford University, on May 25, 2018. 

Titled "Arendt and the Legitimate Expectation for Hospitality and Membership Today," the presentation draws on Arendt's defense of 'the right to have rights' in response to the problem of statelessness. Weinman discusses how Arendt's claim points to the practical lynch-pin of historical and theoretical tensions. He further argues why any person on earth, regardless of their legal status as a national or resident or non-resident alien, can legitimately expect two things from the political community in which they reside: hospitality and membership.

Read more about the talk  

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

BCB's Professor of Migration Studies Agata Lisiak was invited to present at the international conference “City-making: space, culture and identity,” which takes place on May 17-18, 2018 in Zagreb.

The event is organized by CityMaking — a research project funded by the Croatian Science Foundation and hosted by the Institute of Ethnology and Folklore Research in Zagreb.

In her talk “The Place to Be? Unpacking the Image of Berlin as a Creative and Diverse Metropolis," Lisiak will discus how contemporary myths about Berlin are produced and reproduced, and inquire into their most immediate and long-term repercussions.

Read more about the conference here.

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Bard College Berlin is proud to announce that we recently joined the Multifaith Alliance for Syrian Refugees, and have committed to raising funds and awareness to combat the devastating Syrian crisis. 

The Multifaith Alliance is the nation's leading interfaith response to the worst humanitarian refugee crisis of the 21st century. In partnership with MFA, we are committed to addressing the needs of Syrian refugees today, while planting the seeds for a more peaceful tomorrow. 

Please visit the Multifaith Alliance website, and consider making a donation to help the organization continue its vital work.

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard Graduate Center |

On May 17, 2018 theater instructor Julia Hart’s new theater production “The Hamburg Code” (“Der Hamburger Codex”) premieres at the Lichthof Theater, Hamburg.

This interactive performance is based on philosophical discussion with middle school students about ethical dilemmas. The audience is invited to participate in key decisions that influence what is happening on the stage, thus contributing to “The Hamburg Code,” a set of rules for a good & just life. 

Read more about the play 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

The volume South and North. Contemporary Urban Orientations co-edited by BCB’s Associate Dean and faculty member Kerry Bystrom with Ashleigh Harris (Uppsala University) and Andrew J. Webber (University of Cambridge) was recently published by Routledge India. 

From the book’s description:
This book explores urban life and realities in the cities of the Global South and North. Through literature, film and other forms of media that constitute shared social imaginaries, the essays in the volume interrogate the modes of production that make up the fabric of urban spaces and the lives of their inhabitants. They also rethink practices that engender ‘cityness’ in diverse but increasingly interlinked conglomerations.

In addition to her co-editing work, Bystrom contributed a chapter titled "Ideological disorientation and urban struggle in postwar Luanda: notes on Neto's Mausoleum." BCB's Professor of Migration Studies Agata Lisiak also contributed a chapter on "A sense of disorder: orientation and migration in the 'new' West."

The volume draws on contributions from the conference Cities of the South, Cities of the North held in December 2015 at the ICI Berlin Institute for Cultural Inquiry.

It is part of a special book series initiated by the Literary Cultures of the Global South project based at Tübingen University and directed by Prof. Russ West-Pavlov, and which aims to contribute to the re-writing of cultural and literary history in the specific domain of the literary cultures of the Global South.

Read more about the volume 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Professor of Politics Boris Vormann recently analyzed for Deutsche Welle President Emmanuel Macron's and Chancellor Angela Merkel's meetings with US President Donald Trump in Washington on April 24 and April 27, respectively. 

Regarding the Macron-Trump meeting, Vormann offered his opinion on some of the subjects that the two leaders discussed - the nuclear deal with Iran, the Transatlantic Trade Partnership, as well as a coalition in Syria - and the likelihood that Macron's visit was successful in changing Trump's position. Vormann pointed out that Macron's visit did not aim to bridge the leaders' differences completely, but rather to show President Trump that a compromise is possible.   

Watch the full interview (via dw.com)

Vormann spoke on the subject of the Merkel-Trump talks as a guest on Deutsche Welle’s show "The Day with Brent Goff." He argued that what Merkel has achieved with her visit to Washington is a change of tone in the relation with Trump, and, from this point of view, the visit can be considered a successful one.

Watch the full show

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On April 20, 2018 the German daily newspaper Die Welt published a report by journalist Andreas Rosenfelder on the panel discussion “’Migrant Anti-Semitism' in the German Media Discourse" organized by Bard College Berlin and the Centre March Bloch (where the event was held) on April 18.

The journalist notes that the Chatham House Rule protected the privacy of the speakers and allowed for a freer and more thoughtful conversation. He highlights that the two organizers, journalist and Bard Annandale alumna Emily Dische-Becker and BCB’s faculty member Marion Detjen, focused the discussion on the way “migrant anti-Semitism” is reflected in the German media, and not on this topic as a phenomenon in itself. 

In his opinion, the resulting conversation was very open, and the participants - young Berliners of Arab, Israeli and German descent, some of them BCB students, as well as German journalists and politicians - admitted that the problem does exist and is not just a media construct, with some of the Jewish panelists warning of the danger that “migrant anti-Semitism” is being “instrumentalized.” The journalist’s conclusion deals with the German obsession with anti-Semitism, and how this often intertwines with and affects, as the panelists also pointed out, manifestations of Islamophobia. 

Read the article here 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On April 23-26, 2018 Bard College Berlin representatives Kerry Bystrom (Associate Dean) and Xenia Muth (Civic Engagement Coordinator) participated in the Scholars at Risk (SAR) Network 2018 Global Congress in Berlin, jointly convened by Scholars at Risk, the Alexander von Humboldt Foundation, and Freie Universität Berlin.

The 2018 Global Congress brought together 600 scholars and higher education representatives from 72 countries to discuss the topic The University and the Future of Democracy. The participants not only reflected on the current crisis of liberal democratic societies and how this threatens researchers and academics worldwide, but also highlighted the idea that scholarly community as a whole has a role and responsibility to “develop, explain, and defend” democratic values. Keynote addresses were held by Susanne Baer (LLM, Justice of the Federal Constitutional Court of Germany), Judith Butler (University of California, Berkeley), and Markus Hilgert (Staatliche Museen zu Berlin). 

BCB's Civic Engagement Coordinator Xenia Muth presented in the frame of a panel on welcoming refugee students to German higher education institutions, organized by the German Academic Exchange Service (DAAD). The discussants focused on the situation of undergraduate students who had no access to or had to interrupt their studies in their home country, and who, thanks to programs such as those established by the DAAD, were able to enter universities in Germany and to integrate successfully in the new educational environment. Muth explained BCB’s efforts to enable refugee students to enroll in a BA program through its PIESC scholarships, as well as the college’s use of the DAAD Welcome fund in the past two years to open the campus and its resources to the neighborhood and to migrants.  

Associate Dean Kerry Bystrom was part of a panel about student law clinics and advocacy seminars, in which she presented the work of the Critical Human Rights and Humanitarian Advocacy/Scholars at Risk course held at BCB in the Spring semester 2018.

SAR 2018 Global Congress Press Release
Read more about the SAR 2018 Global Congress 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

BCB’s Professor of Art and Society Dorothea von Hantelmann contributed to the programming of the event series ”A Prelude to the Shed,” which will take place on May 1-13, 2018 in NYC as a pre-opening of the new Manhattan arts center The Shed (scheduled to become fully functional in 2019). 

Conceived as an introduction to The Shed’s mission of nurturing multiple artistic disciplines under one roof, "Prelude to the Shed" is a collaboration between the architect Kunlé Adeyemi of NLÉ Works and the artist Tino Sehgal.

For Prelude, von Hantelmann co-organized with Shed Senior Program Advisor Hans-Ulrich Obrist a series of evening conversations on new institutional models for the 21st century; these talks, which von Hantelmann and Obrist will also moderate, consider “the politics of ritualized gatherings and the role of art and culture in social connectivity.” In addition, Prelude commissioned von Hantelmann to write an essay on new ritual forms for the 21st century, which will be distributed freely during the program.

Prelude will also feature performances and exhibitions by ABRA, Kunlé Adeyemi, Arca, Azealia Banks, William Forsythe, Reggie “Regg Roc” Gray and Tino Sehgal. 

Read more about Prelude

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On Wednesday, April 18, 2018 BCB student Veronika Rišnovská (BA 2020, Slovakia) will offer a Clowning Workshop at Smolny College in St. Petersburg, drawing on her previous work with refugee children in Berlin and Serbia, and also on her successful civic engagement projects implemented at Bard College Berlin in 2016-18. The workshop will teach participants - students from Smolny College and Bard College, Annandale, as well as Get Engaged alumni - to deepen their sense of empathy, improvise and connect with children through innovative approaches, and is supported by the Bard Center for Civic Engagement.

Watch a video on Veronika's Clowning project at BCB

BCB’s presence at Smolny College is further strengthened by students Claire August (BA 2020, USA), Lily Cummings (BA 2018, USA), Alexandria Sisson (BA 2019, USA), and Sabrina Slipchenko (BA 2021, USA), who will give presentations in the frame of the 7th Annual Smolny International Student Conference "Multidisciplinarity in Science and Arts: Challenges of the Future", held on April 19-21st, 2018, and by Danny Dubner (BA 2021, Brazil), who will participate in a Global Citizenship Roundtable in the frame of the same conference. 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On May 19, 2018 the students, faculty, staff, alumni, and friends of Bard College Berlin will celebrate the conclusion of the academic year 2017-2018, in a ceremony honoring the achievements of the college’s seventh BA graduating cohort.  

The ceremony will be held at the Ballhaus Pankow, a historical structure built in 1880 which originally served as an inn and ballroom. 

Bard College Berlin is delighted to welcome Josh Kun, Professor of Communication at the Annenberg School of Journalism and the Department of American Studies and Ethnicity at the University of Southern California, as well as a journalist, essayist, and curator, as the 2018 Commencement speaker. Kun is the spring 2018 Bosch Fellow in Public Policy at the American Academy in Berlin, a 2016 MacArthur Fellow, and the winner of a 2018 Berlin Prize and a 2006 American Book Award. He is an author and editor of several books, including Audiotopia: Music, Race, and America, Tijuana Dreaming: Life and Art at the Global Border, Songs in the Key of Los Angeles, The Tide Was Always High: The Music of Latin America in Los Angeles, and most recently Double Vision: The Photography of George Rodriguez. As an artist and curator, he has worked with SFMOMA, the California African American Museum, The Grammy Museum, The Los Angeles Public Library, the Hammer Museum, The Getty Foundation, among others.

The ceremony will feature a musical introduction by BCB students Adeeb Hadi (BA 2021, Irak), Giovanna Castronari (Academy Year, Germany) and Mohamed Kurdi (BA 2021, Syria). 

Bard College Berlin’s Class of 2018 consists of 25 students from countries such as China, the Czech Republic, Denmark, Egypt, Georgia, Germany, Japan, Norway, Palestine, Serbia, Spain, or the USA. 

The faculty and staff of Bard College Berlin wish to congratulate the graduating students and their families on this momentous occasion. 

Later edit: a transcript of Josh Kun's Commencement address is available here

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Bard College Berlin is delighted to announce it was selected for the second year in a row as one of the ten German universities in the “Eine Uni - ein Buch” program. Funded by the Stifterverband and the Klaus Tschira Stiftung, and organized in cooperation with Die Zeit, “Eine Uni - ein Buch” offers each selected university a 5,000 EUR sponsorship to discuss and debate a book through various events and activities for an entire semester.

The “Eine Uni - ein Buch” application requires universities to designate a book and to conceive ways in which their community will engage with it. Following a campus-wide selection process, BCB’s students, faculty and staff voted on Mary Shelley’s Frankenstein or the Modern Prometheus (1818), considered a culmination of the gothic novel genre as well as the first modern science fiction novel.

With “Frankenstein - It’s Alive!!!”, the Fall 2018 program developed around this book, BCB aims to integrate the reading of the novel into its curriculum and organize a series of public events with partner institutions in Berlin in five thematic directions: Frankenstein and the Arts; Frankenstein and the Sciences; Frankenstein and Politics; Frankenstein and Society; and Mary Shelley. The program aims not only to call to mind the almost uncanny topicality of Mary Shelley’s novel on its 200th anniversary, but also to demonstrate the relevance of Mary Shelley’s biography and personality for current issues like feminism, gender theory, or family dynamics.

Announcement of the 10 sponsorships on the Stifterverband website

Watch BCB’s application video
 

"Frankenstein - It's Alive!!!" - Fall 2018 Program

Overture to Frankenstein - It's Alive!!!
September 21, 7pm
Bard College Berlin, The Lecture Hall, Platanenstr. 98a, 13156 Berlin
With: Jeffrey Champlin, Matthias Hurst, Roman Steindler (BCB)  

Monsters in Politics
October 5, 7pm
Baynatna - The Arabic Library, Breite Str. 36, 10178 Berlin
With: Jeffrey Champlin, Dina Ramadan (BCB)

Max Ernst, Surrealism and the Monster
October 9, 5pm Slivers of the Exhibition and 6pm Presentation  
Sammlung Scharf-Gerstenberg, Staatliche Museen zu Berlin, Schloßstr. 70, 14059 Berlin
With: Geoff Lehman (BCB), Kyllikki Zacharias (Curator Sammlung Scharf-Gerstenberg)

Criminally Insane? The Difficult Birth of Brain Science
October 25, 7pm  
Ulme 35 (Salon), Ulmenallee 35, 14050 Berlin
With: Michael Weinman (BCB), Rodolfo Garau (University of Venice), Hardy Schmitz (Vorsitzender des Vereins Interkulturanstalten Westend e.V.)

Dead Ladies Show - Mary Shelley / Ada Lovelace / Mary Wollstonecraft
November 27, 8pm
Kunsthaus ACUD, Veteranenstr. 21, 10119 Berlin
With: Laura Scuriatti (BCB), Katy Derbyshire (Literary Translator), Florian Duijsens (BCB)  

Soul-Making: Soul-Making. Gayatri Spivak’s “Three Women’s Texts and a Critique of Imperialism” and Mary Shelley's Frankenstein
November 28, 7pm
ICI Berlin (Institute for Cultural Inquiry), Christinenstr. 18-19, Haus 8, 10119 Berlin
With: S. Pearl Brilmyer (University of Pennsylvania/ICI), Nikita Dhawan (University of Gießen), Catherine Toal (Bard College Berlin), Kathy-Ann Tan (Bard College Berlin)

Nature and the Sublime
December 13, 5pm Encounter with the Collection, 6.15pm Panel discussion
Alte Nationalgalerie, Bodestrasse 1-3, 10178 Berlin
With: Ralph Gleis (Head of the Alte Nationalgalerie), Geoff Lehman, Susanne Märtens (BCB), Hans von Trotha (Author)

Download the program as PDF>>

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On April 11, 2018 the Heinrich Böll Foundation in cooperation with Bard College Berlin will host a Transatlantic Breakfast on the topic “Die Krise als Chance” ("The Crisis as a Chance").

With:
Boris Vormann, Bard College Berlin
Christian Lammert, John F. Kennedy Institute for North American Studies, Freie Universität Berlin
Response by: Jana Puglierin, The German Council on Foreign Relations
Moderator: Florian Kommer, Policy Advisor on European Politics, Heinrich Böll Foundation 

The rise of populism and authoritarianism on both sides of the Atlantic is usually met with resignation, as was most recently the case with the Italian parliamentary elections.

But there is also another response to populist tendencies: a mobilization of progressive forces. Movements such as March for our Lives, Pulse of Europe or Women’s March demonstrate that our open societies will not give up the political arena without a fight. 
The discussants will examine the exact causes and national specifics of the crisis to determine whether it could also be understood as something positive and as an opportunity.  

The event is simultaneously a presentation of the volume Die Krise der Demokratie und wie wir sie überwinden [The crisis of democracy and how we can overcome it] (Aufbauverlag, 2017), co-written by Boris Vormann and Christian Lammert, and which will serve as basis for the discussion.  

The language of the event is German
Admission free
Please register by April 9, 2018 at haemmerling@boell.de

Time: Wednesday, April 11, 2018 from 9:00 to 10:30am
Venue: Heinrich-Böll-Stiftung, Schumannstraße 8, 10117 Berlin-Mitte (map)

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

Faculty members Laura Scuriatti and James Harker co-organized a seminar at the Annual Meeting of the American Comparative Literature Association, held at the University of California--Los Angeles (UCLA), on March 29-April 1, 2018. The seminar, "To Be More than Oneself: Literary Challenges to Figurations of Self," brought together an international group of twelve scholars working on the relationship of narrative and self in fiction, (auto)biography, and experimental genres. 

Scuriatti's paper, entitled "Writing with, for, as, Another: Four Modernist Künstlerromane", analyzed four modernist Künstlerromane from the point of view of their strained relationship to autobiography and through Adriana Cavarero's notion of "narratable selves". The paper showed that Carl Van Vechten's Peter Whiffle (1922), Gertrude Stein's The Autobiography of Alice B. Toklas (1933), Mina Loy's Insel (1936) and Robert McAlmon and Kay Boyle's Being Geniuses Together (1920/1930 and late 1960s) present dialogic (self)-portraits of artists, creating their objects and authors as selves which emerge as narrated by, through or as another. This particular narrative structure, the paper argues, is also fundamental for interrogating modernist notions of the artist and of authorship.

Harker presented a paper, "Blended Character in Muriel Spark's The Comforters." Looking to Spark's depictions of impossible, implausible, or flat characters, James argued against the common claim that twentieth-century fiction challenges the coherence of the subject. Starting with the premise suggested by cognitive psychologists that the recognition of character is elemental, James showed how Spark's fiction actually expands the range of literary depictions of character, prompting the construction of emergent forms of self from seemingly irreconcilable sources.

The seminar was supported by grants from the Deutscher Akademischer Austauschdienst (DAAD) and the ACLA.

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On April 7-8, 2018 BCB’s Professor of Migration Studies Agata Lisiak will participate in the international conference “Nationalism, Empire, and State,” organized by the Center for Historical Research at the Higher School of Economics in St. Petersburg, the Andrew Gagarin Center for Study of Civil Society and Human Rights, with support from the Kudrin Foundation for Support of Civil Initiatives.

Lisiak will speak in the frame of a roundtable on “Teaching Nationalism,” joined by colleagues from the American University of Central Asia, and she will draw on her experience at BCB to discuss the particularities of teaching nationalism in a cross-campus setting.

Read more about the conference 

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On April 3rd 2018, the New School's Public Seminar is holding a discussion of the volume The Parthenon and Liberal Education, co-authored by BCB faculty members Geoff Lehman and Michael Weinman. The event will take place at the New School's venue in the Albert and Vera List Academic Center, New York City. 

The event will feature Michael Weinman, who is also a Contributing Editor at PublicSeminar.org, in conversation with Dmitri Nikulin, Professor of Philosophy, New School for Social Research and Mirjam Kotwick, Onassis Lecturer in Ancient Greek Thought and Language, New School for Social Research. 

From the volume's description:
The Parthenon and Liberal Education seeks to restore the study of mathematics to its original place of prominence in the liberal arts. To build this case, Geoff Lehman and Michael Weinman turn to Philolaus, a near contemporary of Socrates. The authors demonstrate the influence of his work involving number theory, astronomy, and harmonics on Plato’s Republic and Timaeus, and outline its resonance with the program of study in the early Academy and with the architecture of the Parthenon. Lehman and Weinman argue that the Parthenon can be seen as the foremost embodiment of the practical working through of mathematical knowledge in its time, serving as a mediator between the early reception of Ancient Near-Eastern mathematical ideas and their integration into Greek thought as a form of liberal education, as the latter came to be defined by Plato and his followers. With its Doric architecture characterized by symmetria (commensurability) and harmonia (harmony; joining together), concepts explored contemporaneously by Philolaus, the Parthenon engages dialectical thought in ways that are of enduring relevance for the project of liberal education. 

Read more about the event

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |

On March 7, 2018 Professor of Politics Boris Vormann published the essay "Trump und die Krise der liberalen Demokratie. Die politischen Folgen der Ungleichheit" ["Trump and the crisis of liberal democracy. Political consequences of inequality"] on the PW Portal, an online platform that publishes analyses, essays, interviews, and reports on current political events.

In the essay, Vormann discusses the shifts that have widened the income gap in the United States; political representatives have addressed these inequalities in an asymmetric way, thus losing the confidence of the general population. Looking at how economic inequality has weakened the democratic mechanism in the US, Vormann argues that this phenomenon is at the core of a common crisis of Western democracies. He warns about the danger of subordinating politics to the market forces, which may further erode the legitimacy of institutional democracy, especially in the US, where Trump’s policies further increase inequality, rather than attempt to fix it. 

Read the full essay

Meta: Subject(s): Bard College Berlin | Institutes(s): Bard College Berlin |