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BA Final Presentations

Tuesday, April 26, 2022 – Monday, May 9, 2022 12:30 pm – 2:30 pm CEST/GMT+2 
This semester's Senior Thesis Presentations are taking place from April 26 - May 9. The presentations are an essential step towards graduation for every senior and they are an established and cherished event in the BCB academic year. 

Tuesday, 26 April, 2022 
  • Gil Gabman — The Effects of Unlimited Vacation Policy on Employees in the Israeli Tech Sector
  • Adam Hardaker — Knowing What You've Done: Self-Assessments and "Green Identity" as Predictors of Environmental Impact
  • Ava Simonds — Illusion and Doubleness: Rousseau's Formulation of Political Rootedness in Emile, or On Education

Wednesday, 27 April, 2022
  • Nicholas Fellows — Habermas's Public Sphere in the Age of Digital Reproducibility: Democratic Deliberation in Shopper's Heaven
  • Yazan Mahboub Alhara — Smart Social Contracts: A Discourse on the Political Philosophy of Decentralized Pacts
  • Maxwell Ennis  — The Ideal Leader on the Threshold of Christianization and Secularization (Tecosca Cormaic and The Prince)
  • Amr Al Jaber — The Future of Money: A Comparison between Central Bank Digital Currencies and Stablecoins 

Thursday, 28 April, 2022
  • Joshua Lucy — Who Watches the Watchmen: Graphic Novel as a Reflection of American Political Life 

Friday, 29 April, 2022
  • Joey Walsh — The Representation of National Politics through the Arts, Architecture, and Industry at the 1937 Paris World's Fair
  • Lejla Zjakic — Awakenings: The New Art Practice in late 1960s Socialist Yugoslavia 
  • Adele Martin — Restitution as a Tool: Decolonizing the Ethnographic Museum
  • Maya Chami — What Power Does Music Have? The West-Eastern Divan Orchestra and Barenboim-Said Akademie as a Musical Institution in the Face of Political Conflicts 

Monday, 2 May, 2022 
  • Liza Tabliashvili — Hidden in Plain Sight: Soviet Imperialism and the Construction of Ethnicity in Soviet Member Republics
  • Emma Morris — “Quod evenit in labyrintho properantibus: ipsa illos velocitas inplicat”: The Maze and Anxiety in Chapter IX of House of Leaves by Mark Z. Danielewski
  • Rafat Alkotaini — Feather and Keffiyeh
  • Angela Li — Truth to Feeling: Authority in Autofiction

Tuesday, 3 May, 2022
  • Khalil Hammod — Three Visions of Surveillance: a Comparative Assessment
  • Amineh Sawan — Gender Roles and Women Political Participation: Pre and Post 2011
  • Ehab Badwi — Syrians in Exile: Challenges of Building a Diaspora Community in Germany
  • Sohaib Al Zoubi — Wait, Compete or Leave to Grow? How Do Different States/Political Systems Deal with Cryptocurrencies and Blockchain
  • Isabel Pisarsky — Neoliberalism Reinvented: Understanding Tactics of Variegated Populist Nationalism
  • Julian Thielman — On The Possibility of Post-Keynesian Neo-Keynesianism: A History of Transformations in The Welfare State, Organized Labor, Technology, and the International Economic Order
  • Lucas Engel — Chinese Debt-Trap Diplomacy in Africa: Fiction of Fact Evaluating the Truth Content of Debt-Trap Allegations and Win-win Rhetoric in Four Resource-rich African Countries
  • Parviz Khyber — When does state-building fail? Comparing Germany and Afghanistan

Wednesday, 4 May, 2022 
  • Owen Salamunovich — Intersectionality in the Face of Commodification: The Underground Music Scenes of Berlin since the 1990’s to Present
  • Ira Vengurlekar — Paulo Freire's Ideas on Critical Pedagogy and Their Implementation: A Case Study of the Waldorf and Krishnamurti Foundation India Schools
  • Enkhbujin Ochirbat — The Economics of NFTs: An Art Market Revolution or a Passing Trend?
  • Noor Ender — Fables of the Mundane: The Mythic Functions of Autofiction

Thursday, 5 May, 2022
  • Skye Eytina — The Change in the Image and Visibility of the Black American Female Rapper
  • Erick Moreno Superlano — Coloniality of Power and the UNHCR: A Critical Analysis of Representational Practices in Venezuela's Caminantes
  • Marija Stefanovska — Unemployment, Job Guarantee, and the EU Framework: An Analysis

Friday, 6 May, 2022 
  • Naama Simon — A Different Model: Reimagining The Family in Tarbut Movement, Israel
  • Samet Güçlü — İkizdere: The Depot of Life
  • Amelia Sheesley — Scents of Beauty: An Investigation into the Aesthetic Experience of Olfactory Art
  • Flora Keene — Reimagining a Future in the Face of Climate Adversity: An Analysis of the Work of Julie Mehretu
  • Blue Zahra Lonergan — The Magical Rite of Imazighen Body Art
  • Jakov Sharevski — Democratic Backsliding in Eastern Europe Post EU Membership (2003-2021)
  • Ahmad Denno — Representation and Political Participation of Citizens with Migration Backgrounds in Germany

Monday, 9 May, 2022
  • Jhonatan Garcia — The Influence of the Drug Cartels in Mexican Politics and Society
  • Daniela Lima da Silva — The real “problem with the favelas”: Questioning state action and social dynamics in Rio de Janeiro’s slums
  • Shreya Shukla — How is Music Used as Resistance to Protest Indian Occupation in Kashmir?
  • Aidan Maloof — Method in Madness? Divining a Foreign Policy Doctrine in the Trump Whitehouse


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Bard College Berlin is institutionally accredited at the national level in Germany by the Wissenschaftsrat.

In the United States, Bard College Berlin is accredited through
Bard College by the Middle States Commission on Higher Education.

Qualifying students receive both a German BA and an American BA. 
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