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Andrea Meyer

Germany
PhD in Art History (Freie Universität Berlin)
Technische Universität Berlin

Andrea Meyer is a lecturer at the Art History department of the Technische Universität Berlin. Her area of interest lies in the field of modernism, museum and collection history, art criticism and transatlantic cultural transfer. Since 2014 Andrea has been teaching a series of joint seminars with Bard College Berlin (Art Production in the modern Age, Art and the First World War, Art and National Socialism, Cultures of Display, Collecting Curating Critiquing).

Publications

Books

The Museum is Open. Towards a Transnational History of Museums 1750-1940, hrsg. v. Andrea Meyer u. Bénédicte Savoy, Berlin/Boston 2014.

Museumsgeschichte. Kommentierte Quellentexte 1750-1950, hrsg. von Kristina Kratz-Kessemeier, Andrea Meyer u. Bénédicte Savoy, Berlin 2010

Deutschland und Millet. Zugl.: Berlin, Freie Univ., Diss., 2007, Berlin/München 2009.

Französische Kunst – Deutsche Perspektiven 1870 – 1945. Quellen und Kommentare zur Kunstkritik, hrsg. von Andreas Holleczek u. Andrea Meyer unter Mitarbeit von Friederike Kitschen u. Knut Helms, Berlin 2004 (teils in französischer Übersetzung erschienen in: Perspectives croisées. La critique d'art franco-allemande 1870-1945, hrsg. von Thomas W. Gaehtgens, Mathilde Arnoux u. Friederike Kitschen, Paris 2009).

In guter Gesellschaft. Der Verein der Freunde der Nationalgalerie Berlin von 1929 bis heute, Berlin 1998.

Articles (Selection)

The Journal Museumskunde – "Another Link between the Museums of the World," in: The Museum is Open. Towards a Transnational History of Museums 1750-1940, hg. v. Andrea Meyer u. Bénédicte Savoy, Berlin/Boston 2014, S. 179-190.

with B. Savoy: "Towards a Transnational History of Museums – An Introduction," in: The Museum is Open. Towards a Transnational History of Museums 1750-1940, hg. v.Andrea Meyer u. Bénédicte Savoy, Berlin/Boston 2014, S. 1-16.

with B. Savoy: "Transnationale Museumswissenschaften," in: Experimentierfeld Museum. Internationale Perspektiven auf Museum, Islam und Inklusion, hg. v. Susan Kamel u. Christine Gerbich, Bielefeld 2014, S. 117-131.

with B. Savoy: "Wie national sind Nationalgalerien? Einige Überlegungen zum weltweiten Museumsboom seit 1800," in: Die Gründung der Nationalgalerie in Berlin. Der Stifter Wagener und seine Bilder, hrsg. v. Birgit Verwiebe u. Angelika Wesenberg, Köln/Weimar/Wien: Böhlau 2013, S. 221-235.

"Museumswandel / Museums in Transition," in: A-Z. Begriffe des Ausstellens/Terms of Exhibiting, hrsg. v. Petra Reichensperger, Berlin 2013, S. 261-2, S. 294-5.

"Notre maître à tous nous." Liebermann and Millet, in: Max Liebermann and International Modernism. An Artist's Career from Empire to Third Reich, hrsg. von Marion Deshmukh, Françoise Forster-Hahn u. Barbara Gaehtgens, New York/Oxford 2011, S. 63-77.

Contact
Dr. Andrea Meyer
Art History
Email: a.meyer[at]berlin.bard.edu
 
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