Event Archive

 

  W16 Kitchen  3:00 pm – 5:00 pm CET/GMT+1
Everything is better in a mug, don’t you agree? Come to the cafeteria where we’ll be making single serve mug cakes. Don’t forget to BYOM (Bring your own Mug)!

  Lecture Hall  2:30 pm – 3:00 pm CET/GMT+1

  The Factory  2:00 pm – 4:00 pm EST/GMT-5
Tap into your inner child and get a little messy with fingerpainting! Join us in the factory for music and vibes, and let your creativity flow. 

Live Information Session with BCB Admissions
5:00 pm – 6:00 pm CET/GMT+1
Please fill out the form below to register and receive the access link to this Admissions event.


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  W15 Cafe and Courtyard  12:00 pm – 2:00 pm EST/GMT-5
Did you know that petting animals has been shown to lower stress hormones? Join us on Tuesday December 13 to meet the four-legged (and many winged) members of the BCB Community. Take a breather and give some pats to the cutest BCB’ers around!

  Cafeteria  6:30 pm – 7:30 pm EST/GMT-5
Kick off completion week with a dinner of breakfast! Your favourite staff and professors will be here to serve you stacks of pancakes and hot beverages. 

  The Factory  5:30 pm CET/GMT+1
Join the BCB yoga club for an hour long yoga practice to move your body and relieve some stress! There will be a limited number of yoga mats available, so if you have your own, please bring one!
 

  Meet at W15 Cafe  1:00 pm – 4:30 pm EST/GMT-5
Take a study break and join Atticus as we explore some of the nature that Berlin has to offer! Bring comfortable shoes, water and perhaps something to snack on. Expect to be out for a few hours including travel time.
 

Hey BCB! Have finals got you stressed or overwhelmed? Join us for a series of events meant to bring some joy and light to our campus on these chilly winter days. All are welcome!

Sunday, December 11, 1:00pm at W15 Cafe
Take A Hike!
Take a study break and join Atticus as we explore some of the nature that Berlin has to offer! Bring comfortable shoes, water and perhaps something to snack on. Expect to be out for a few hours including travel time.

Monday, December 12, 5:30pm at the Factory
Yoga with Sanskriti
Join the BCB yoga club for an hour long yoga practice to move your body and relieve some stress! There will be a limited number of yoga mats available, so if you have your own, please bring one!

Monday, December 12, 6:30pm at the Cafeteria
Nighttime Study Breakfast
Kick off completion week with a dinner of breakfast! Your favourite staff and professors will be here to serve you stacks of pancakes and hot beverages. 

Tuesday, December 13, 12:00-2:00pm at the W15 Cafe and Courtyard
Pet Day at BCB
Did you know that petting animals has been shown to lower stress hormones? Join us on Tuesday December 13 to meet the four-legged (and many winged) members of the BCB Community. Take a breather and give some pats to the cutest BCB’ers around!

Wednesday, December 14, 2:00pm at the Factory
Finger Painting and Music
Tap into your inner child and get a little messy with fingerpainting! Join us in the factory for music and vibes, and let your creativity flow.

Thursday, December 15, 3:00pm, W16 Kitchen
Mug Cake Making
Everything is better in a mug, don’t you agree? Come to the cafeteria where we’ll be making single serve mug cakes. Don’t forget to BYOM (Bring your own Mug)!



 

Wein Salon  8:00 pm CET/GMT+1
Join us at the Wein Salon for the second of two readings from Clare Wigfall's Fiction Writing Workshop.

It is a tradition that the writers in Clare Wigfall's fiction writing workshop give a much-anticipated reading of their work as the finale of their course. Once again, they are returning to the charming Wein Salon in Friedrichshain! This semester we have two groups presenting over two nights for a mini literary salon series. Please join us for these cozy and intimate evenings of beautiful and surprising stories and words written by the students over the course of the semester. All BCB students, alumni, friends, and faculty members are warmly welcome.

Writers presenting:
Elena Chiavazza Prieto, Helene Cunningham, Jess Drapkin, Lex Hill, Nia Kalife de la Garza, Max Mitchell, Oona Montandon, Aapur Sijapati, Nora Stone Roig, Isabella Thulin

E43-0-Dance/Theater Space in the factory  12:00 pm – 5:00 pm EST/GMT-5
This is the first workshop of a series of interactive shadow theater workshops that aim to provide a body-centered and art-based approach to working with oppression. The workshop will take place on Saturday, December 10th and Sunday, December 11th from noon to 5pm.

This workshop will focus on narrating displacement and embodied experiences of forced migration. The workshop depends on interactive techniques developed and based on teachings from Augusto Boal's "Theater of The Oppressed" and shadow work practices based on Carl Jung's concept of the "shadow" using shadow theater as its artistic manifestation. The series is designed to provide a space for people to come together to express themselves and tell their narratives using the tools introduced at the workshop as means of healing and self-affirmation.

To register for the workshop, use this form.

The Factory  5:00 pm – 10:00 pm CET/GMT+1
Join us for our end-of-semester celebration of BCB visual and performing arts! View student work and performances on this very special evening.

Performances will take place in the performance space from 5:30-7:00pm and again from 8:00-9:30pm.
 Participating classes:Found Fragments & Layered Lines: Mixed-Media Techniques For Drawing and Collage
Beginners Black and White Photography Class: The Slow Photo
Your Own Point of View: Introduction to Digital Photography
Performance Practice
Contemporary Art and Urban Development: historical archetypes, present-day case studies, and future scenarios
Sonic Narration: An Introduction to Radio Drama
Queering the Capitalocene: (Eco-)feminist film and video art for earthly survival
Advanced Painting: Oil Paint & After
Finding the Stories: Advanced Photography
Digital Theaters: Performance in Post/Pandemic Times
Bertolt Brecht: The Study and Staging of Epic Theater
Performing Water: Environmental Crisis in Art and Literature
Ceramics I
Dance Lab: Body Space Image. Dance and Visual Arts
The Art of Making Videos

A Virtual Reality Documentary Screening and Panel
P98A Lecture Hall  7:00 pm – 8:30 pm EST/GMT-5
Join us for a virtual reality screening of the documentary Re-educated: Inside Xinjiang’s Secret Detention Camps, including a panel with one of the writers of the documentary, Ben Mauk. This film takes viewers inside one of Xinjiang’s “re-education camps” guided by the recollection of three men who were imprisoned together at a facility in Tacheng.

This event’s purpose is to shine a light on the human rights violations occurring in China and gain support for our campaign to gain visitation rights for Professor Ilham Tohti, a Uyghur professor wrongfully imprisoned by Chinese officials. The ongoing protests across major cities in China represent a larger desire for systematic change from the Chinese people as they demand human rights. This could be a turning point for the Uyghur plight, and acting now may save millions.

  W15 Cafe   12:30 pm – 1:30 pm CET/GMT+1
Join the Student Life Committee for a discussion of current topics relevant to the BCB community. This meeting, topics for discussion will be decided for the Spring 2023 semester. If you've got a topic you'd like covered next semester, let us know by joining us in the W15 café. We hope to see you there!

W15 Cafe  7:00 pm – 8:30 pm EST/GMT-5
Join Sam Zamrik (HAST '21) for a reading from their latest work, Ich bin nicht on BCB campus.

Ich bin nicht was released on October 15.

From the Hanser Berlin website: "Whether in Damascus or in Berlin, no matter what language – writing has always been vital for Sam Zamrik. This volume bears witness to this, with the introduction of a poet who has passed through many hells and lost almost everything, including their own identity: "I am not". But the losses are offset by an untouchable wealth: a language that knows many pitches, from the solemnity of the Song of Songs to heavy metal heaviness."
 
Sam Zamrik, born in Damascus, is a poet, musician and translator. They worked as a band manager and songwriter in the underground music movement New Wave of Syrian Metal. Individual texts have been published by the WIR MACHEN DAS - "Weiter Schreiben" initiative and in various German newspapers such as taz and Tagesspiegel. Sam lives in Berlin. "Ich bin nicht" is their first book of poetry.

Goethestraße 70, 10625 Berlin  4:30 pm – 6:00 pm CET/GMT+1
Join the DEI Office and visit the newly opened Vulva Gallery!

The Vulva Gallery aims to raise awareness around body diversity, inspire and empower individuals by sharing personal stories, and provide information on anatomy and sexual health. By illustrating a wide range of vulvas in all shapes and colors (featuring art from Hilde Atalanta) and opening up a conversation about diversity, body neutrality, and vulva-related topics shows that natural variety is a beautiful thing and that the human body is something to appreciate instead of feeling ashamed about. The exhibition is gender inclusive and encouraging and for individuals with and without a vulva.

”By showing diversity and openly talking about our experiences and insecurities we can change the way we look at our bodies – and the bodies of others”  (The Vulva Gallery)

  Lecture Hall  12:45 pm – 2:00 pm CET/GMT+1

Online  7:30 pm – 9:00 pm CET/GMT+1
Join us for an online lecture presented by IS101 Republic Core, discussing early Greek literature with Professor Glenn W. Most.

The earliest surviving works of ancient Greek literature--the Homeric and Hesiodic epics--all predate drama, philosophy, and the city-state, which were not invented until the following centuries. The origin and development of all three of these institutions, which went on to have a profound influence on all later cultures, were closely intertwined. Professor Most’s reflections will consider their productive and tense interrelations.

RSVP to Tracy Colony at [email protected] to receive the link to this event.
 
Glenn W. Most retired in November 2020 as Ordinary Professor of Greek Philology at the Scuola Normale Superiore di Pisa, and remains a regular Visiting Professor on the Committee on Social Thought at the University of Chicago and an External Scientific Member of the Max Planck Institute for the History of Science in Berlin. He has published books on Classics, on ancient philosophy, on the history and methodology of Classical studies, on comparative literature, cultural studies, and the history of religion, on literary theory and on the history of art, and has published numerous articles, reviews, and translations in these fields and also on such other ones as modern philosophy and literature.

Online  3:00 pm – 4:30 pm CET/GMT+1
In this event, part of the OSUN Transnational Feminism, Solidarity, and Social Justice series, enjoy a talk with filmmaker Maysaloun Hamoud about her award winning 2016 film, Bar Bahar. Bar Bahar tells the story of three distinct Palestinian women struggling to make their own way amidst familial, societal and political tensions.

Maysaloun Hamoud is a Hungarian-born writer and film director who is a Palestinian citizen of Israel. Her film, Bar Bahar (In Between), won the NETPAC Award for World or International Asian Film Premiere at the 2016 Toronto International Film Festival.

alquds.zoom.us/j/94088498153

  The Factory  12:45 pm – 2:00 pm CET/GMT+1
Cazmir's thesis includes a creative component of original photography. These photographs will be on view in the Seminar Room of the Factory from December 6 to December 9.

Lecture Hall   5:30 pm – 7:00 pm CET/GMT+1
FUGITIVE FEMINISM BY AKWUGO EMEJULU

Humanity has always excluded Others on the basis of race and gender. What happens to people who choose to flee, following in the footsteps of those who resisted enslavement? This audacious manifesto draws on the legacies of bell hooks, Audre Lorde, Angela Davis and others to consider the ways in which Black women have been excluded from, struggled to achieve and opted to reject the category of ‘human’. Sociologist Akwugo Emejulu argues that it is only through embracing the status of the ‘fugitive’ that Black women can determine their own liberation. Fugitive Feminism is a call for the collective process of speculative dialogue and a bold new model for action.

This event is part of Agata Lisiak's Transnational Feminism Is for Everybody course.Akwugo Emejulu is Professor of Sociology at the University of Warwick. Her research interests include the political sociology of race, class and gender and women of color's grassroots activism in Europe and the United States. She is the author of several books including Fugitive Feminism (Silver Press, 2022) and Minority Women and Austerity: Survival and Resistance in France and Britain (Policy Press, 2017). She is co-editor of To Exist is to Resist: Black Feminism in Europe (Pluto Press, 2019).

W15 Cafe  12:30 pm – 2:00 pm CET/GMT+1
With Glühwein in one hand and a Sufgania in the other, join us in celebrating the great fusion of Chrismukkah! Gingerbread house competition, Stolen Santa, Dreidel battles, and tree decorations the festivities will be wonderful! And don’t forget to bring a gift for stolen Santa, if you wish to get one!

This event is part of the Consortium on Forced Migration, Displacement, and Education, generously funded by the Andrew W. Mellon Foundation.

Wein Salon  8:00 pm EST/GMT-5
Join us at the Wein Salon for the first of two readings from Clare Wigfall's Fiction Writing Workshop.

It is a tradition that the writers in Clare Wigfall's fiction writing workshop give a much-anticipated reading of their work as the finale of their course. Once again, they are returning to the charming Wein Salon in Friedrichshain! This semester we have two groups presenting over two nights for a mini literary salon series. Please join us for these cozy and intimate evenings of beautiful and surprising stories and words written by the students over the course of the semester. All BCB students, alumni, friends, and faculty members are warmly welcome.

Writers presenting:
Mila Bedi, Anđela Despotović, Hannah Hailu, Annika Julien, Emma Maar Mcgilvray, Mar Parra, Scarlett Ricker, Miyu Sasaki, Langston Stahler, Yixin Wang

*NEW LOCATION* Lecture Hall  5:30 pm – 7:30 pm CET/GMT+1
Russia’s bungled attempt to invade Ukraine in 2022 has laid bare the fragility of its governing model. If Russia fails as a state due to the war in Ukraine, what forms might decolonization take? What could post-Russia Eurasian space look like? Based on intensive fieldwork in Tatarstan and Russia from 1998 to 2006 and recent interviews with people in the Tatar diaspora, Faller will suggest answers to these questions.

Dr. Helen Faller is an anthropologist with expertise in the former Soviet Union. She has conducted long-term ethnographic research in Tatarstan and Kazakhstan and is currently finishing her second book, a memoir about traveling to Central Asia to study dumplings.

This event is part of the Consortium for Forced Migration, Displacement and Education, generously funded by the Andrew W. Mellon Foundation. Co-hosted by the Civic Engagement program and PT 304 "USSR: A Post-Colonial Assessment" seminar. This event is open to the BCB community, including students, staff, faculty, and alumni. To register, please email [email protected]

  W15 Cafe  12:30 pm – 1:30 pm EST/GMT-5
Here is an opportunity for all students, staff and faculty involved with or interested in initiatives combating educational inequity and working towards broader access to education, on or off campus.

Join an exchange meeting with fellows and coordinators of Teach First Deutschland, a non-profit organization here in Berlin dedicated to improving access to education in Germany. It's also an opportunity to find out more about the educational landscape in Berlin and the day-to-day in the city's primary and high schools. You are invited to discuss what we mean when we say "access to education" or "educational inequity", to present your initiatives, to share and develop visions for education in Berlin and the world!

The event is only scheduled for one hour during lunch time - so feel free to bring your lunch!

Register by email to: [email protected]Teach First Deutschland (TFD) is a German non-profit organization founded in 2008 and adapted from Teach For America and Teach First (UK).

Teach First Deutschland is a member of Teach For All, a global network of independent social enterprises working to expand educational opportunity. TFD fellows spend two years in schools in the federal states of Baden-Württemberg, Berlin, Hamburg, North Rhine-Westphalia and Thuringia to improve student-performance. Fellows are trained in a 3-month preparation phase.

Book Presentation and Discussion
Einstein Forum  7:00 pm – 8:30 pm CET/GMT+1
This event, moderated by Ewa Atanassow, will introduce and stimulate a conversation with Konstanty Gebert about his new book, Final Solutions: Genocide Perpetrators and their Work, that was published in Polish earlier this year. Framed by a discussion of 'genocide' as a legal concept, the book offers a global history of mass murder in the past 120 years featuring a broad range of cases in Europe (Bosnia, Holocaust, Ukrainian famine), Asia (Armenians, Cambodia, Uygurs), and Africa (Namibia, Rwanda).

This is a hybrid event. Participants can join at the Einstein Forum in Potsdam or online. Link for online registration.

This event is co-hosted by the Einstein Forum, HI 109 Global History Lab and PT 358 Critical Human Rights. BCB community can join without registration. All other participants will be invited personally.Konstanty Gebert is an eminent Polish writer and publicist. The author of 12 books and thousands of articles, he has taught at Hebrew University, the University of California (Berkeley), Grinnell College, and Warsaw University's Collegium Civitas. As a journalist he has been associated with the daily Gazeta Wyborcza from its foundation, and has served as a war correspondent covering conflicts in Turkey, India and Kashmir, Myanmar, Israel-Palestine, Rwanda, and Bosnia where he worked on the ground with the special UN envoy Tadeusz Mazowiecki. Gebert has also advocated reviving Jewish life in Poland and founded several organizations including the independent Jewish University and the monthly Midrash.

  Lecture Hall  12:45 pm – 2:00 pm CET/GMT+1

W15 Cafe   12:30 pm – 1:30 pm CET/GMT+1
Join the Student Life Committee for a discussion of current topics relevant to the BCB community. We hope to see you there!

W15 Cafe  7:30 pm – 9:00 pm CET/GMT+1
BCB has a living and learning community with a special focus on German language and culture: the “DerDieDas Haus”. Students with an interest in exploring German in their daily lives share a designated floor in one of our residence halls. They use German amongst each other during the week and engage in extracurricular activities in the city.

To find out more about how the projects works, how to apply for a place etc., please join us on
Wednesday, November 30 at 7:30pm in the Café at W15.

Members of “DerDieDas Haus” and the BCB German Program will host an “Offenes Haus” with snacks and drinks.

 

W16 Reading Room  12:00 pm – 1:00 pm CET/GMT+1
If you are thinking of studying abroad but are unsure about how it will affect your degree program, worried you won't moderate on time, or don't know what classes to take, please attend this info workshop! Nick will guide you through the credit transfer process and advise you about moderation, credit recognition, and more.
 

  Lecture Hall  12:45 pm – 2:00 pm CET/GMT+1

This semester's Senior Thesis Presentations are taking place from November 29 - December 9. The presentations are an essential step towards graduation for every senior and they are an established and cherished event in the BCB academic year. 

Tuesday, November 29 | 12:45pm, Lecture Hall
Lilas Alloulou, "Graffiti in Syria: Between the Authoritarian Regime and the Revolution"

Thursday, December 1 | 12:45pm, Lecture Hall
Accad Alsaed, "Reasons of the Immigration of Syrian Jews to the US, Israel and South America between 1922-2022"

Tuesday, December 6 | 12:45pm, The Factory
Cazmir Leenheer, "The Gulf Between You and Me: Levinas' Face-to-Face and the Photographic Encounter"
Note: This presentation includes a creative component of photography, which will be on display in the Factory Seminar Room from December 6-9.

Wednesday, December 7 | 12:25pm, Lecture Hall
Lukas Debeljak, "The End, Again: Apocalypse as Fictional Repetition"

Thursday, December 15 | 2:30pm, Lecture Hall
PLEASE NOTE THE TIME CHANGE
Ezgi Karayel, "The Notion of Solidarity in Community-based Artivism: A Case Study on Gezi Park Protest Art"
 

Online  5:30 pm – 6:30 pm EST/GMT-5
Join us for an online presentation with Bard College Berlin Alum Simon Kastberg (Class of 2021) about paid traineeship opportunities for graduates in the European Union institutions. Simon, who works with EU instititions, will cover the different opportunities available in the Council, the Parliament, and the Commission and go through the various application processes.

The event is aimed at anyone who have an interest in working in the EU-institutions, both current students and alumni.

Zoom Link

W15 Cafe  5:00 pm – 8:00 pm EST/GMT-5
The "Berlin Outsider" class invites you to the Berlin Found Objects (BFO) exhibition on Monday, December 28, at 5pm, at W15 cafe.

The exhibition is part of the Berlin Outsider Museum of Marginality, and will provide a space for creative engagement and exploration of the urban space. The exhibits will be objects that students have come across since their time in Berlin and will include a sound installation, vegetal life, books, typical Berlin cuisine and memes, among others. Snacks and drinks will also be provided.

This event is free and open to the public. Advance registration is not required.

Lecture Hall  4:00 pm – 6:30 pm CET/GMT+1
Among the European genocides of the 20th century, the Holodomor is probably the least known, and the least researched. A famine in 1932-33 that killed up to 7 million Ukrainians is considered an intentionally organised murder, which was brought about by requisitions and brutal mass collectivisation used to starve and smother all Ukrainian resistance against Soviet imperialist rule. The image painted by Soviet media that showed the creation of a paradise on Earth, where class inequality and economical struggle were eliminated, was silent about the price of the coveted communism. So, no foreigner could estimate the scale of the Red terror in the 1930s, when man-made starvation spread all over the territory of Ukraine after Joseph Stalin’s rise to power. 

This event will include the screening of the documentary Hunger for Truth (2018) by Ukrainian director Andriy Tkatch, which interweaves the uncovering of the truth about Holodomor with the devastating war started by the Russian government in 2014 in Eastern Ukraine. Afterwards, we will have an opportunity to discuss, together with Dr Dmytro Bilyi (Ukraine) and Dr Alex Clarkson (Canada), who will join us online, the significance of the Holodomor for today’s culture and the Ukrainian defensive war against Russian aggression. We will also talk about how memory, history, politics, propaganda, and warfare are interconnected, and whether or not it is legitimate to politically exploit the memory of genocide in a conflict that threatens Ukrainians with falling victim to a new genocide in an imperialist continuity.Dr. Dmytro Bilyi — Ukrainian writer, researcher of the Kuban, Doctor of historical sciences, professor. In 1989 he graduated from the Faculty of History of Donetsk State University, worked at the Department of History of Ukraine, defended the dissertation in 1994; in 1997, started to head the Department of History of Ukraine and Ukrainian Studies at Donetsk Law Institute. In 2010 defended his doctoral dissertation. Since 2020 holds the position of the Head of the Holodomor Genocide Historical Research Department of the Holodomor Research Institute in Kyiv, Ukraine.

Dr. Alexander Clarkson — lecturer in German and European & International Studies. Born in Canada, after completing his schooling in Hanover, Germany, Alexander Clarkson studied Modern History at Balliol College, Oxford. After graduating in 2000, he went on to complete his doctorate at the University of Oxford in September 2006. He also taught for a year as a Lecturer in Modern History at New College, Oxford, before joining the European and International Studies Department at King’s College London in 2007.

A Lecture with Catriona Macleod

 
Online  11:00 am – 12:30 pm EST/GMT-5
In this presentation, Professor Catriona Macleod will speak to feminisms in relation to decolonisation in the discipline of psychology. Macleod will use the insights generated in a special issue she co-edited with Sunil Bhatia and Wen Liu, published in Feminism & Psychology, and ground the discussion in the politics of abortion. In the editorial, the authors highlight a number of guiding principles for feminist decolonising psychology. In her talk, Macleod will focus on two in relation to abortion. The first principle is undermining the patriarchal colonialist legacy of mainstream psychological science. Macleod will discuss the devastating effects that a discourse of psychological damage has on women’s access and responses to safe abortion. This discourse, generated for the most part in the US, is paired with an almost complete silence on the psychological consequences of unsafe abortion in restrictive legislative environments in the Global South. Undermining the entrenched nature of this discourse and silence requires significant activist labour, especially when they dovetail with local forms of patriarchal power. The second principle to which Macleod talks is connecting gendered coloniality with other systems of power such as globalisation. By the way of illustration, she talks to the negative effects of the Global Gag Rule, which sees restrictions on abortion being tied to conditionalities of US government aid to Global South countries. As concluded in the editorial, given the complexities of the coloniality and patriarchy of power-knowledge-being, feminist decolonising psychology is fraught with difficulties. It remains, nevertheless, an essential endeavour.

Part of the Transnational Feminism, Solidarity, and Social Justice series from OSUN.

Catriona Macleod is a Distinguished Professor of Psychology, SARChI Chair of Critical Studies in Sexualities and Reproduction at Rhodes University, South Africa, and editor-in-chief of Feminism & Psychology. Professor Macleod’s major scholarly contributions have been in two main areas: sexual and reproductive health and feminist theory in Psychology. She has written extensively in national and international journals in relation to teenage pregnancy, abortion, sexuality education, feminist psychology and postcolonialism. She is the author of the multi-award winning book entitled ‘Adolescence’, Pregnancy and Abortion: Constructing a Threat of Degeneration (Routledge 2010) and three other books. She has received multiple awards, the latest of which is the Lifetime Achievement Award from the International Society of Critical Health Psychology.

Live Information Session with BCB Admissions
5:00 pm – 6:00 pm CET/GMT+1
Please fill out the form below to register and receive the access link to this Admissions event.



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P24 Seminar Room 8  12:30 pm – 1:30 pm CET/GMT+1
This event is part of the Faculty Colloquium series. It is free, open to the public, and does not require registration to attend.

In a speech on the 10th anniversary of his coming to power, Tayyip Erdoğan promised his voters to raise a "religious generation." He reduced the share of secular schools in education, authorized Religious Affairs officials to penetrate all institutions, and supported religious communities. He also restructured social assistance and the health system to promote family ideals. His political discourse has also been consistently and persistently centered on sanctifying the family and thereby supporting the patriarchy. However, surveys and public debate indicate that young people are increasingly abandoning religion. Ayşe Çavdar's research focuses on the outcomes of Erdogan's "religious generation" investment via the experiences of young women raised in conservative families but does not embrace religiosity. She aims to portray the transformation of conservative religious families during the AKP reign from the children's perspective. She argues the AKP created a strict panopticon order over the youth with the help of the family, the religious community, and the school. However, this tight disciplinary mechanism transformed secularization as an escape route for young women. They see secularization as a path for be(coming) themselves, a direction for a life away from the shadow of the family, the state, and the religious community. 
 
Ayşe Çavdar completed her BA degree in Journalism at Ankara University and received her MA in History at Boğaziçi University in Turkey. She finalized her doctoral thesis titled "The Loss of Modesty: The Adventure of Muslim Family from Neighborhood to Gated Community" at the European University of Viadrina in 2014 (supported by the Global Prayers Project initiated by MetroZones). She was a postdoctoral fellow at Käte Hamburger Kolleg - Center for Global Cooperation Research in Duisburg in 2017. She continued her studies as a visiting scholar at Philipps University in Marburg for two years between 2018-2020. Recently, she has been a visiting scholar at Bard College Berlin. Alongside her academic career, Çavdar is also a journalist for three decades, working on diverse political, cultural, and social issues. Recently, her work centered on two new topics. The first one is the nationalist and religious symbolization of the state as an idea(l) and affect. Second, is the focus on the new secularities rising among the youths in Turkey.

Swap Shop  12:30 pm – 2:00 pm EST/GMT-5
All are welcome to come by the Swap Shop (behind P24) on November 24th. Pick up clothes and other goodies before the Swap Shop closes for the winter, with special donations for this event provided by Janina from the AV Lab. There will be hot chocolate and good vibes!

W16 Reading Room  12:00 pm – 1:00 pm CET/GMT+1
In this session, Amber and Nick will share information about the different Erasmus host institutions and give an overview of the grant application process. You don't need to be an EU citizen to benefit from the Erasmus program! All students studying abroad through Erasmus will receive grants!

K24 R11  11:00 am – 12:15 pm CET/GMT+1
Presented by LT151: Romanticism Then and Now, this seminar will be lead by Pascal Ongossi Assamba (Friedrich Schiller University).

For his Ph.D. project, Pascal Ongossi Assamba has been studying the intersection of German Romanticism and colonialism in relation to the national consciousness of Cameroon under the title "ROMANTICISM – COLONIALISATION – NATION BUILDING". He will share his current research conducted within the DFG-funded research unit on "Romanticism as a Model’" at the University of Jena since 2018. The question that lies at the heart of his project is: what was the influence and significance of Romanticism in the cultural encounter with the Other?

6:00 pm – 7:30 pm CET/GMT+1
In her latest book, Changing the Subject: Feminist and Queer Politics in Neoliberal India, Srila Roy maps the rapidly transforming terrain of gender and sexual politics in India under the conditions of global neoliberalism. The consequences of India’s liberalization were paradoxical: the influx of global funds for social development and NGOs signaled the co-optation and depoliticization of struggles for women’s rights, even as they amplified the visibility and vitalization of queer activism. Roy reveals the specificity of activist and NGO work around issues of gender and sexuality through a decade-long ethnography of two West Bengal organizations, one working on lesbian, bisexual, and transgender issues and the other on rural women’s empowerment. Tracing changes in feminist governmentality that were entangled in transnational neoliberalism, Roy shows how historical and highly local feminist currents shaped contemporary queer and nonqueer neoliberal feminisms. The interplay between historic techniques of activist governance and queer feminist governmentality’s focus on changing the self offers a new way of knowing feminism—both as always already co-opted and as a transformative force in the world.

Srila Roy is Associate Professor of Sociology at the University of the Witwatersrand in Johannesburg and 2022 Hunt-Simes Visiting Professor in Sexuality Studies at the University of Sydney. Her long-standing research and teaching expertise is in the area of transnational feminist studies. Her latest books are the co-edited, Intimacy and Injury: in the wake of #MeToo in India and South Africa (Manchester University Press, 2022) and the sole-authored, Changing the Subject: Feminist and Queer Politics in Neoliberal India (Duke University Press, 2022). She is a co-editor of the journal, Feminist Theory, and the recipient of the inaugural FTGS Global South Feminist Scholar Award from the International Studies Association (ISA). At Wits, she leads the Governing Intimacies project, which promotes new scholarship on gender and sexuality in Southern Africa and India, supported by the Andrew W. Mellon foundation. 

W16 Reading Room  1:30 pm – 6:00 pm CET/GMT+1
Celebrating the publication of Free As A Bird, edited by Asli Vatansever and Aysuda Kölemen, "Academic Freedom and Precarity In The Global North" will serve as a book launch and workshop for the project. Following the launch, a workshop will be held from 4:00-6:00pm with academic labor activists from the U.S., U.K., and E.U.

This event is open to the BCB community and any interested external academics. To register for the event, click here.

Funded by the Philipp-Schwartz-Initiative of the Alexander-von-Humboldt Foundation.

W15 Cafe  12:30 pm – 2:00 pm EST/GMT-5
For our fifth Campus Culture Café, we will have a fun workshop with Mouadh Elarbi (Mo) who will provide us with an introduction to Arabic Calligraphy. Everyone is welcome to join us! Learn how you can write your name or anything that comes to mind.

This event is organized with the help of the Consortium for Forced Migration, Displacement and Education (CFMDE), generously funded by the Andrew W. Mellon Foundation.

K24, Seminar Room 11  10:00 am – 4:00 pm CET/GMT+1
Following the German Parliament resolution from 2019, which deemed the Palestinian-led boycott movement (BDS) as antisemitic and prohibited state-funded institutions from collaborating with its supporters, discussions concerning critique of Israeli policies, as well as the nature of racism and antisemitism, have all gained new momentum in German media. The controversies stemming from the cancellation of an event with the Cameroonian philosopher Achille Mbembe in 2020 as well as the criticism of the now infamous Documenta art exhibition in 2022, filled the papers of German feuilleton with fierce debates, often contrasting the national remembrance culture and commitment to combat antisemitism over against global antiracist discourses and historical reckoning of past and ongoing colonial crimes. This workshop will introduce the students to these evolving debates about the German examination of the past, paying particular attention to arguments by proponents and opponents of the notion of singularity in relation to the Holocaust specifically and the antisemitism more broadly. Furthermore participants will practice critical analyses of opinion pieces written on the subject while surveying the wider media landscape in Germany in order to better equip them with an understanding of current political conflicts and the leading media outlets editorial cultures.

Recommended Reading

Comparing Comparisons: From the “Historikerstreit” to the Mbembe Affair- Michael Rothberg https://www.rosalux.de/en/news/id/43395/comparing-comparisons-from-the-historikerstreit-to-the-mbembe-affair  

Furor Over Documenta Highlights a Widening Chasm in Germany  https://www.nytimes.com/2022/08/06/arts/design/documenta-antisemitism.html
 

W15 Cafe  6:00 pm – 9:30 pm CET/GMT+1
LitFest: Writing Between Languages is a multi-day event featuring readers from Berlin-based writers pushing linguistic boundries. On Thursday, November 17, Tomer Gardi and Matthias Nawrat will deliver readings from their work. Both authors were born outside of Germany but now live in Berlin and write in German. Additionally, current BCB students will share their original fiction and translated works.

The evening's activities will take place in the Waldstraße 15 café. The student readings will begin at 6pm. The Gardi and Nawrat readings will begin at 8pm. This event is free and open to the public. No advanced registration is required.

Tomer Gardi

Tomer Gardi, geboren 1974 im Kibbuz Dan in Galiläa, lebt in Berlin. Er studierte Literatur und Erziehungswissenschaft in Tel Aviv und Berlin. 2016 erschien sein Debütroman Broken German. Das Hörspiel zu Broken German (SWR-Produktion, Regie: Noam Brusilovsky) erhielt 2017 den Deutschen Hörspielpreis der ARD. Für seinen dritten Roman Eine runde Sache erhielt Tomer Gardi den Preis der Leipziger Buchmesse 2022. Er schreibt auf Deutsch.

Tomer Gardi was born in 1974 in the Kibbutz Dan in the Galilee. He studied literature and education in Tel Aviv and Berlin. His debut novel Broken German was published in 2016. The radio play for Broken German (an SWR production, directed by Noam Brusilovsky) received the ARD German Radio Play Award in 2017. For his third novel Eine runde Sache, Tomer Gardi received the 2022 Leipzig Book Fair Prize. He writes in German.

Matthias Nawrat

Matthias Nawrat, 1979 im polnischen Opole geboren, emigrierte als Zehnjähriger mit seiner Familie nach Bamberg. Für seinen Debütroman Wir zwei allein (2012) erhielt er den Adelbert-von-Chamisso-Förderpreis; sein zweiter Roman, Unternehmer (2014), war für den Deutschen Buchpreis nominiert. Der traurige Gast (2019) war unter anderem für den Preis der Leipziger Buchmesse nominiert. 2020 erhielt Matthias Nawrat den Literaturpreis der Europäischen Union. 2021 erschien Reise nach Maine, sein fünfter Roman. Er schreibt auf Deutsch.

Matthias Nawrat was born in Opole, Poland, in 1979. When he was ten years old, he emigrated to Bamberg with his family. He received the Adelbert von Chamisso Prize for his debut novel Wir zwei allein (2012); his second novel, Unternehmer (2014), was nominated for the German Book Prize. His fourth novel, Der traurige Gast (2019) was nominated for the Leipzig Book Fair Prize, among others. In 2020, Matthias Nawrat received the European Union Prize for Literature. In 2021, Reise nach Maine, his fifth novel, was published. He writes in German.

P24 Seminar Room 8  4:00 pm – 5:00 pm CET/GMT+1
Join us for an in-person info session on "Applying to Graduate Schools in Germany: What are your options and how to boost your chances” presented by Mr. Matthew Poet from the Hertie School, one of Europe’s top policy schools (Berlin, Germany). In addition, Roman Steindler (BCB '21) will share insights from his experience in applying successfully to MA programs in Political Science in Germany.
 

W15 Cafe  7:30 pm – 9:00 pm CET/GMT+1
LitFest: Writing Between Languages is a multi-day event featuring readers from Berlin-based writers pushing linguistic boundries. On Wednesday, November 16, Isabel Fargo Cole and Rebecca Rukeyser will deliver readings from their work on the U.S. state of Alaska, a place known for its harsh climate, natural beauty, and unforgiving wilderness. Cole's reading will be delivered in German. Rukeyser's reading will be delivered in English.

The readings will take place in the Waldstraße 15 café. This event is free and open to the public. No advanced registration is required.

About the authors:

Isabel Fargo Cole

Isabel Fargo Cole, geboren 1973 in Galena, Illinois, wuchs in New York auf, studierte Literaturwissenschaft, Geschichtswissenschaft und Philosophie an der University of Chicago, bevor sie 1995 nach Berlin zog und an der Humboldt-Universität Russisch und Neuere deutsche Literatur studierte. Sie lebt als Autorin und Übersetzerin in Berlin und veröffentlichte zuletzt die Romane Die grüne Grenze, nominiert für den Preis der Leipziger Buchmesse, und Das Gift der Biene. Ihr Buch über eine Spurensuche in Alaska, Die Goldküste, erscheint im Herbst 2022. Sie schreibt auf Deutsch.

Isabel Fargo Cole, born in 1973 in Galena, Illinois, grew up in New York and studied literature, history and philosophy at the University of Chicago before moving to Berlin in 1995 to study Russian and German literature at Humboldt University. She works as an author and translator in Berlin and recently published the novels Die grüne Grenze, shortlisted for the Leipzig Book Fair Prize, and Das Gift der Biene. Her travel memoir about a trip to Alaska, The Gold Coast, will be published in the fall of 2022. She writes in German.

Rebecca Rukeyser

Rebecca Rukeyser wurde in Davis, Kalifornien, geboren. Sie wuchs in den USA auf und studierte im M.F.A. Programm am Iowa Writers' Workshop. 2015 zog sie nach Berlin. Ihre Texte erschienen in Zeitschriften und Anthologien wie ZYZZYVA, The Massachusetts Review und The Best American Nonrequired Reading. Sie erhielt das erste Arbeitsstipendium des Berliner Senats für nicht-deutschsprachige Literatur. The Seaplane on Final Approach (2022) ist ihr erster Roman. Sie schreibt auf Englisch.

Rebecca Rukeyser was born in Davis, California. She grew up in the U.S. and earned her M.F.A. from the Iowa Writers’ Workshop. In 2015, she moved to Berlin. Her fiction has appeared in such publications as ZYZZYVA, The Massachusetts Review, and The Best American Nonrequired Reading. She is the recipient of the inaugural Berlin Senate grant for non-German literature. The Seaplane on Final Approach (2022) is her first novel. She writes in English.

Live Information Session with BCB Admissions
5:00 pm – 6:00 pm CET/GMT+1
Please fill out the form below to register and receive the access link to this Admissions event.
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Waldstr. 15  4:30 pm – 6:00 pm CET/GMT+1
Please join Dorothea von Hantelmann and Florian Becker 
in conversation with 

Princess Alia Al-Senussi 

on the Art World Ecosystem

Wednesday, Nov. 16 at 4.30 pm at Waldstraße 15
Princess Alia Al-Senussi, PhD, is an active member of the contemporary art world with a focus on cultural strategy and patronage systems. She is a cultural strategist, writer, patron, public speaker and academic. 

Dr Al-Senussi has served as Art Basel's UK and MENA Representative for over a decade and in 2019 she was appointed Senior Advisor to the Ministry of Culture, Saudi Arabia, where she focuses on developing international partnerships whilst working on a variety of projects across the Ministry’s commissions and the Diriyah Biennale Foundation. She is a visiting lecturer at Brown University’s Watson Institute, working with the Middle East Studies Program.

Dr Al-Senussi is currently a member of the Tate Modern Advisory Council (London) and serves as a founding member of the Tate's Acquisitions Committee for the Middle East and North Africa, the Board of 1:54 The African Art Fair, and the Middle East Circle of the Guggenheim, the Middle East Studies Advisory Committee at Brown University as well as the Board of Patrons of Art Dubai, having played an integral role in the founding of the fair. She has a PhD in Politics from SOAS (London), examining the nexus of power and cultural patronage, featuring Saudi Arabia as a case study. She graduated Magna Cum Laude in International Relations (honors) and Middle East Studies from Brown University and holds an MA in Political Science from Brown and an MSc in Law, Anthropology and Society from the London School of Economics. 

W16 Reading Room  12:00 pm – 1:00 pm CET/GMT+1
In this session, Amber and Nick will go into depth about OSUN mobility, the different host institutions, need-based and merit-based funding, as well as the application processes. If you're considering going abroad, please come by!

Lecture Hall  7:30 pm – 9:00 pm CET/GMT+1
A Guest Lecture with Lynn Catterson

The late 1860s saw the first successes of Stefano Bardini’s dealing career as well as the proliferation of professional academic expertise and its concomitant expression in publications. Operating out of Florence, but active all around Europe and across the Atlantic, Bardini (1836 – 1922) built a business that could claim nearly a thousand clients, some 300 employees and which transacted many thousands of objects over the course of his almost sixty year long career. From the early 1870s, he maintained an energetic relationship with Berlin-based Wilhelm von Bode (1845 – 1929), because Bode had an ambitious collecting agenda on behalf of several wealthy collectors and the German museums. Just as important was Bode’s prolific scholarly publication record which laid the foundations for what continues to be the norms for attribution as well as the practice of connoisseurship, most especially regarding Italian Renaissance sculpture—giving currency and legitimacy to all of the Bardini objects which heavily populated the writings of Bode. On the basis of archival material in Florence and Berlin, the lecture identifies several examples of contamination—objects, provenance, literature—while laying out a roadmap for their manufacture, propagation and codification. In doing so, large questions are raised as to pandemic issues of authenticity that have repercussions still today with respect to the canon which is basically intact and rarely challenged.

This event is free and does not require advanced registration.

Lynn Catterson (Columbia Univ., Ph.D., 2002) is an independent researcher and a lecturer at Columbia University. She began with an interest in Italian Renaissance sculpture with a focus on the marketplace and how 15C sculptors satisfied consumer demand for antiquities. Lately, she is working on the art market in 19C Florence from the point of view of production and social network via its preeminent dealer, Stefano Bardini, drawing upon material in the state archive of the Bardini family and business, examining the structure and operational strategies of his vast international business.

Lecture Hall, P98a   7:30 pm – 9:00 pm CET/GMT+1
This event begins at 7:30pm CET (Berlin time).

An innovator in poetics and an anti-Stalinist in politics, Mandelstam was a crucial literary figure through the 20th century and remains so in the 21st, both within and beyond the former Soviet Union. Translator and poet Alistair Noon reads from his three published volumes of translations of Mandelstam’s poetry, discussing the Russian poet’s life, work and context.
Born in Warsaw in 1891, Osip Mandelstam grew up in St. Petersburg. Part of the Acmeist grouping in Russian poetry’s Silver Age, his poetry incorporated influences as diverse as Dante, Futurism and natural science. Increasingly in conflict with the Soviet literary and political establishment, he faced publishing difficulties from the mid-1920s onwards, and was internally exiled to Voronezh in 1934 following a poem insulting Stalin. Rearrested in 1938, he died in a Gulag transit camp in the Soviet Far East later that year.

Translator and poet Alistair Noon reads from his three published volumes of translations of Mandelstam’s poetry, discussing the Russian poet’s life, work and context.
Osip Mandelstam - The Voronezh Workbooks, translated by Alistair Noon, Shearsman Books https://www.shearsman.com/store/Osip-Mandelstam-The-Voronezh-Workbooks-p436965321
Osip Mandelstam - Occasional and Joke Poems, translated by Alistair Noon, Shearsman Books https://www.shearsman.com/store/Osip-Mandelstam-Occasional-and-Joke-Poems-p436964250
Two Verse Essays, Longbarrow Press
https://longbarrowpress.com/current-publications/alistair-noon/

Alistair Noon’s translations of Mandelstam have been published as Concert at a Railway Station: Selected Poems (2018), The Voronezh Workbooks and Occasional and Joke Poems (both 2022; all Shearsman Books). His own poetry has appeared in two collections and a dozen chapbooks, most recently Two Verse Essays (Longbarrow Press, 2022). He lives in Berlin.

The event is open to the BCB community. Registration is not required. 
 


Download: Osip Mandelstam poems and biographical note.pdf

  Online  6:00 pm – 7:30 pm CET/GMT+1
This online session will consist of a conversation and reading about water, politics and power. Sabrina will talk about her ongoing engagement with water and the history of colonialism, focusing on her award-wining play The History of Water in the Middle East (2019) and her most recent memoir These Bodies of Water (2022). The session will continue our dialogue on how the notion of “thinking with water” can encourage alternative knowledge and aesthetic practices. The event is co-organized with Le Mans Université and the Performing Water seminar.
Sabrina Mahfouz is a writer and performer, raised in London and Cairo. Sabrina recently performed her cross-genre show A History of Water in the Middle East at the Royal Court Theatre and was one of the inaugural writers in residence at Shakespeare's Globe Theatre for 20-21, co-writing an adaptation of Ovid’s Metamorphoses. 

Sabrina’s debut non-fiction book is These Bodies of Water: Notes on the British Empire, the Middle East and Where We Meet. Her poetry collection, How You Might Know Me (Out-Spoken Press), was a 2017 Guardian Best Summer Read and she was an essay contributor to the award-winning anthology The Good Immigrant (Unbound). Sabrina has also edited numerous anthologies including The Things I Would Tell You: British Muslim Women Write (Saqi), which was a 2017 Guardian Book of the Year. She is a Fellow of the Royal Society of Literature (FRSL).

Lecture Hall  12:30 pm – 1:45 pm CET/GMT+1
The Involved Campus Talks series has its latest event, which touches upon the history and plight of an ethno-cultural minority hailing from Afghanistan, known as the Hazaras. This talk will be led by your fellow student, Safar Muhammadi, who will shed light on the events leading up to present day Afghanistan. We will be joined by a Pakistani scholar, Dr. Fatima Haideri, founder of the Grief Directory, who will share her insights on their work regarding sectarian violence and the advocacy of rights for those affected by it.

P98a Lecture Hall / W15 Cafe  LitFest: Writing Between Languages | Schreiben Zwischen Den Sprachen is a three-day event celebrating the work of writers working across linguistic and national boundries. 

PROGRAM OF EVENTS:
10 NOVEMBER, 2022
The Vision of Thin-Bodied Wasps: Osip Mandelstam’s Poetry in English Translation
Poet and translator Alistair Noon reads selections from his three published volumes of translations of the works of Osip Mandelstam, an early 20th-century Russian poet and political dissident, and discusses the writer’s life and politics. English-language event.
19:30-21:00, Platanenstrasse 98a, 13156 Berlin, Germany

16 NOVEMBER, 2022
Two Kinds of Alaska: Isabel Fargo Cole and Rebecca Rukeyser
Isabel Fargo Cole is an American writer who publishes work in German and will be reading from her book Die Goldküste. Rebecca Rukeyser is an American writer and the author of The Seaplane on Final Approach. Both writers will read selections from their work on Alaska, a U.S. state known for its rugged terrain and isolation.
English & German language event
19:30-21:30 Waldstraße 15, 13156 Berlin, Germany

17 NOVEMBER, 2022
Broken German and Sad Guests: Tomer Gardi and Matthias Nawrat
Bard College Berlin students will read from their own works of fiction and translations prior to the guest speakers. Tomer Gardi is an Israeli-born writer known for his deliberate use of Radebrechen, or broken German. Matthias Nawrat is a Polish-born writer working in German. Both authors live in Berlin. 
German-language event
18:00-21:30, Waldstraße 15, 13156 Berlin, Germany

This event is free and open to the public, no registration is needed. 

LitFest is sponsored by Neustart Kultur.

About the Speakers:

Isabel Fargo Cole

Isabel Fargo Cole, geboren 1973 in Galena, Illinois, wuchs in New York auf, studierte Literaturwissenschaft, Geschichtswissenschaft und Philosophie an der University of Chicago, bevor sie 1995 nach Berlin zog und an der Humboldt-Universität Russisch und Neuere deutsche Literatur studierte. Sie lebt als Autorin und Übersetzerin in Berlin und veröffentlichte zuletzt die Romane Die grüne Grenze, nominiert für den Preis der Leipziger Buchmesse, und Das Gift der Biene. Ihr Buch über eine Spurensuche in Alaska, Die Goldküste, erscheint im Herbst 2022. Sie schreibt auf Deutsch.

Isabel Fargo Cole, born in 1973 in Galena, Illinois, grew up in New York and studied literature, history and philosophy at the University of Chicago before moving to Berlin in 1995 to study Russian and German literature at Humboldt University. She works as an author and translator in Berlin and recently published the novels Die grüne Grenze, shortlisted for the Leipzig Book Fair Prize, and Das Gift der Biene. Her travel memoir about a trip to Alaska, The Gold Coast, will be published in the fall of 2022. She writes in German.
Rebecca Rukeyser

Rebecca Rukeyser wurde in Davis, Kalifornien, geboren. Sie wuchs in den USA auf und studierte im M.F.A. Programm am Iowa Writers' Workshop. 2015 zog sie nach Berlin. Ihre Texte erschienen in Zeitschriften und Anthologien wie ZYZZYVA, The Massachusetts Review und The Best American Nonrequired Reading. Sie erhielt das erste Arbeitsstipendium des Berliner Senats für nicht-deutschsprachige Literatur. The Seaplane on Final Approach (2022) ist ihr erster Roman. Sie schreibt auf Englisch.

Rebecca Rukeyser was born in Davis, California. She grew up in the U.S. and earned her M.F.A. from the Iowa Writers’ Workshop. In 2015, she moved to Berlin. Her fiction has appeared in such publications as ZYZZYVA, The Massachusetts Review, and The Best American Nonrequired Reading. She is the recipient of the inaugural Berlin Senate grant for non-German literature. The Seaplane on Final Approach (2022) is her first novel. She writes in English.
Donnerstag / Thursday, 17. November

Tomer Gardi

Tomer Gardi, geboren 1974 im Kibbuz Dan in Galiläa, lebt in Berlin. Er studierte Literatur und Erziehungswissenschaft in Tel Aviv und Berlin. 2016 erschien sein Debütroman Broken German. Das Hörspiel zu Broken German (SWR-Produktion, Regie: Noam Brusilovsky) erhielt 2017 den Deutschen Hörspielpreis der ARD. Für seinen dritten Roman Eine runde Sache erhielt Tomer Gardi den Preis der Leipziger Buchmesse 2022. Er schreibt auf Deutsch.

Tomer Gardi was born in 1974 in the Kibbutz Dan in the Galilee. He studied literature and education in Tel Aviv and Berlin. His debut novel Broken German was published in 2016. The radio play for Broken German (an SWR production, directed by Noam Brusilovsky) received the ARD German Radio Play Award in 2017. For his third novel Eine runde Sache, Tomer Gardi received the 2022 Leipzig Book Fair Prize. He writes in German.
Matthias Nawrat

Matthias Nawrat, 1979 im polnischen Opole geboren, emigrierte als Zehnjähriger mit seiner Familie nach Bamberg. Für seinen Debütroman Wir zwei allein (2012) erhielt er den Adelbert-von-Chamisso-Förderpreis; sein zweiter Roman, Unternehmer (2014), war für den Deutschen Buchpreis nominiert. Der traurige Gast (2019) war unter anderem für den Preis der Leipziger Buchmesse nominiert. 2020 erhielt Matthias Nawrat den Literaturpreis der Europäischen Union. 2021 erschien Reise nach Maine, sein fünfter Roman. Er schreibt auf Deutsch.

Matthias Nawrat was born in Opole, Poland, in 1979. When he was ten years old, he emigrated to Bamberg with his family. He received the Adelbert von Chamisso Prize for his debut novel Wir zwei allein (2012); his second novel, Unternehmer (2014), was nominated for the German Book Prize. His fourth novel, Der traurige Gast (2019) was nominated for the Leipzig Book Fair Prize, among others. In 2020, Matthias Nawrat received the European Union Prize for Literature. In 2021, Reise nach Maine, his fifth novel, was published. He writes in German.
 

A book talk and discussion
7:00 pm – 8:30 pm CET/GMT+1
Waldstrasse 15

What are the humanities, and why study humanistic subjects? Considered by many as irrelevant for modern careers and professional success, the humanities seem to be in a perpetual state of crisis. In their new book Permanent Crisis. The Humanities in a Disenchanted Age, Paul Reitter and Chad Wellmon show that this crisis isn’t new—in fact, it is as old as the humanities themselves. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project.

But how does this account of crisis-thinking translate to the context of global migration? How do our perspectives on the humanities and liberal learning shift when looked at through the lens of decolonial history?

Featuring:
Teresa Koloma Beck (Helmut Schmidt Universität)
Paul Reitter (Ohio State University)
Chad Wellmon (University of Virginia)

This event is free and open to the public. No prior registration is required.

Funded by Bard College Berlin and the Consortium on Forced Migration, Displacement and Education, in collaboration with the Core Course on “Plato’s Republic and Its Interlocutors.”

This event is made possible with the support of the Consortium for Forced Migration, Displacement and Education, generously funded by the Andrew W. Mellon Foundation, and is a part of a series of events on issues concerning Forced Migration, Displacement, and Education.

  W15 Cafe  12:30 pm – 2:00 pm EST/GMT-5
In our Campus Culture Café event we will have a talk about the women leading protests in Iran. Everyone is welcomed to join us to hear more about what is going on currently and how we can stand in solidarity. It will be a space where one can share, ask and learn more about how the origin of the protests, how women are fighting for their freedom of choice and how important it is to all of us.

This event is organized with the help of the Consortium for Forced Migration, Displacement and Education (CFMDE), generously funded by the Andrew W. Mellon Foundation.

W16 Reading Room  12:00 pm – 1:00 pm CET/GMT+1
If you are thinking of studying abroad but are unsure about how it will affect your degree program, worried you won't moderate on time, or don't know what classes to take, please attend this info workshop! Nick will guide you through the credit transfer process and advise you about moderation, credit recognition, and more.

For students unable to attend this event, a second workshop will take place on November 30.

The Factory  7:00 pm – 9:00 pm CET/GMT+1
In this workshop, we will explore the devising techniques used to create the show 'Not a Girl Not Yet a Woman'. We will begin with a physical warmup (so movement clothes are essential), which will transition into a Viewpoints exploration, and the creation of vignette-style compositions. We will then explore some of the techniques used to generate devising material out of movies and pop culture, and combine pieces of the work into a final composition. The aim is to share techniques of generating new materials, and hopefully it will be a delightful evening!

Space is limited. To RSVP for this event, please contact Nina Tecklenburg at [email protected].

About Talia Kracauer
Talia Kracauer is an American performer and theatre-maker based in London. She completed her BA in Humanities at Bard College Berlin before moving to London and completing an MFA in Advanced Theatre Practice from the Royal Central School of Speech and Drama. After training at Central, she became a founding member of London-based company Punkt Collective. She has performed with her collective in Daughter of Hell (Yard, 2019) and Punkt Presents Penelope (Lion and Unicorn Theatre, 2020). Talia performed in Big Boots Theatre Company’s Moonlight Strangers (CPT, 2019), and Jermyn Street Theatre’s In Dreams We Wake (2020). In 2022, she became a founding member of a new company, Popsie Theatre, currently working on Not a Girl Not Yet a Woman for Camden People's Theatre, which will be performed in December. She enjoys making physical-theatre, comedy and autobiographical work. Her practical thesis studied ensemble and sports team training, mentored by Ira Brand.

W15 Cafe  12:30 pm – 1:30 pm CET/GMT+1
Join the Student Life Committee for a discussion of current topics relevant to the BCB community. We hope to see you there!

Sammlung Scharf-Gerstenberg  6:30 pm – 8:00 pm CET/GMT+1
Syria under Assad, Afghanistan under the Taliban, Russian-occupied areas in Ukraine and many others parts of the world are settings of atrocious war crimes and crimes against humanity that can never be atoned for. 

They represent a raw challenge to those who seek to advocate for the victims and their cause in the most impactful and widespread manner possible. How to visualize the sufferings? How to show the assaults? Is it even possible and permissible to do so? 

Sociologist Teresa Koloma Beck, together with displaced students and alumni/ae from Bard College Berlin, will discuss the complexities of showing such material and shaking the complacency of audiences that are co-responsible for the acts of torture, murder and rape committed by criminal regimes.

This free event is organized as a part of the GOYA - Yo lo vi / Ich sah es / I saw it series series and will take place at the Sammlung Scharf-Gerstenberg. Food and drink will be provided. For more information on the exhibition, the Eine Uni -- ein Buch initative, and other related events, visit the exhibition's main page.

Omar Haidari graduated from Bard College Berlin in 2021 with a degree in Humanities, the Arts, and Social Thought and currently works for the NGO Aseel. He is from Afghanistan.

Aisha Khurram studies Economics, Politics, and Social Thought at Bard College Berlin. She is from Afghanistan.

Limo Kinder study Humanities, the Arts, and Social Thought at Bard College Berlin. They are from Ukraine. 

Prof. Dr. Teresa Koloma Beck is a sociologist who focuses her research on conflict, violence and globalisation. She teaches at the Helmut Schmidt Universität in Hamburg.

Ameenah Sawan graduated from Bard College Berlin in 2022 with a BA degree in Humanities, the Arts, and Social Thought and is now enrolled at the SOAS University of London. She is from Syria.

W15 Cafe  7:00 pm – 8:00 pm CET/GMT+1
On November 1st at 7:00pm in the W15 Cafe, Amber Kepple Jones and Nick Fellows will be hosting the Bard College Berlin study abroad mix and mingle. Students visiting from abroad, BCB students who have studied abroad in the past, as well as students interested in studying abroad are all invited to kick back with a glass of wine and get to know each other. Snacks and beverages will be provided. We look forward to seeing you there!

Centre for British Studies  5:00 pm – 6:00 pm CET/GMT+1
Kit de Waal was born in Birmingham to an Irish mother and a Caribbean father. Her debut novel My Name Is Leon (2016) was an international bestseller. It was shortlisted for the Costa First Novel Award and won the Kerry Group Irish Novel of the Year Award in 2017. In 2022 it was adapted for television by the BBC. Her other works include the novels The Trick to Time and Becoming Dinah, a collection of short stories Supporting Cast, (2020) and an anthology of working-class memoir Common People (2019). Her memoir Without Warning & Only Sometimes was published in August 2022. Kit is a founder of her own TV production company, Portopia Productions, and the Big Book Weekend, a free digital literary festival. Kit is a Fellow of the Royal Society of Literature and Professor and Writer in Residence at Leicester University.

Kit will be reading from Without Warning & Only Sometimes and from the introduction to the Common People anthology.

This reading will be chaired by Professor Gesa Stedman, Chair British Literature and Culture here at the Centre for British Studies, Humboldt-Universität zu Berlin and Professor Catherine Toal, Dean at Bard College Berlin.

If you wish to take part, please register at [email protected]. Please state clearly if you are either taking part in person or online and that you are registering for this particular event. A Zoom link will be forwarded to you nearer the time.

This event will take place at the Centre for British Studies, Mohrenstr. 60, 10117 Berlin. It is free and open to the public. This event is a cooperation between the Centre for British Studies, Bard College Berlin, Literary Field Kaleidoscope and is a part of the Consortium for Forced Migration, Displacement and Education event series funded by the Andrew W. Mellon Foundation. 

 

K24 Seminar Room 11  12:30 pm – 1:30 pm CEST/GMT+2
The BCB Internship Program gives you the opportunity to gain an off-campus workplace experience in a field that interests you. You can work 10-13h/week in an internship while also exploring various questions regarding work in the internship seminar taught by Agata Lisiak and Florian Duijsens. Most internships are generally unpaid, but you can earn academic credits through the internship seminar.

If you are a current or upcoming third-year student and curious about BCB’s Internship Program and the opportunity to gain practical experience alongside your studies while interning for an organization/individual in Berlin, please save the date.

P98A  6:00 pm – 7:30 pm CEST/GMT+2
This event is centered on the topic of forced migration, and what it means to loose and to build a home. BCB student Precious Chukwukezie is the short film's protagonist and was part of the collaborative film making process, along with master students of social and cultural anthropology at Freie Universität Berlin. After the film screening on campus, the audience is invited to stay for a Q&A and discussion round, moderated by BCB student Alex Ribeiro. Anyone is welcome to share their own perspectives and experiences as part of the discussion.

The film is about Precious, a young Nigerian woman who has just arrived in Berlin after fleeing from Kyiv, Ukraine, and the way Precious herself crafts her definition of home in the new city. In the film Precious deals with important issues such as racism and trauma, but also dreams, friendships and the definition of a place to call “home”. The collaborative nature of the project is of particular importance to the four film-makers, Martina Bernasconi, Theresa Elisabeth Thuß, Zofia Janiszewska, and Precious Chukwukezie. The reflection about their positionalities and the topic of agency is central to their work. All four were involved in every step of the creation of the artistic product, from the choice of theme, to how and where to film, to editing.

For additional information about the film and the filmmakers, please see the attached PDF.

This event is open to the public. Attendees can register by emailing [email protected]. Those who do not register in advance are welcome to attend, though space is limited and preference will be given to those who registered.

The event is part of the Consortium for Forced Migration, Displacement and Education, generously funded by the Andrew W. Mellon Foundation.


Download: Film description.pdf

Bard College Berlin  This Fall, a series of events focusing on the ideas of forced migration, displacement, and education will take place at Bard College Berlin. These events vary from lectures to film screenings to hands-on events and more, hosted by a variety of Bard College Berlin faculty and featuring many guest speakers.

This event series is made possible with the support of the Consortium for Forced Migration, Displacement and Education, generously funded by the Andrew W. Mellon Foundation.

Events in this series:

Friday, October 14, 6:00-7:30pm
Involved Campus Talk: Precious film screening and discussion
Platanenstrasse 98A
This event is centered on the topic of forced migration, and what it means to loose and to build a home. BCB student Precious Chukwukezie is the short film's protagonist and was part of the collaborative film making process, along with master students of social and cultural anthropology at Freie Universität Berlin. After the film screening on campus, the audience is invited to stay for a Q&A and discussion round, moderated by BCB student Alex Ribeiro. Anyone is welcome to share their own perspectives and experiences as part of the discussion. This event is free and open to the public.

Tuesday, November 1, 5:00pm
Readings from Kit de Waal, author of Without Warning and Only Sometimes 
Centre for British Studies, Mohrenstr. 60
Kit de Waal is a British-born author of Caribbean and Irish descent. Her debut novel, My Name Is Leon (2016) was an international bestseller. It was shortlisted for the Costa First Novel Award and won the Kerry Group Irish Novel of the Year Award in 2017. In 2022 it was adapted for television by the BBC. Her other works The Trick to Time and Becoming Dinah, Supporting Cast, and Common People. Her memoir Without Warning & Only Sometimes was published in August 2022. Kit is a founder of her own TV production company, Portopia Productions, and the Big Book Weekend, a free digital literary festival. Kit is a Fellow of the Royal Society of Literature and Professor and Writer in Residence at Leicester University.

Kit will be reading from Without Warning & Only Sometimes and from the introduction to the Common People anthology. This event is free and open to the public. It is also organized in collaboration with the Centre For British Studies and Literary Field Kaleidoscope.

Sunday, November 6, 12:00-2:00pm
A Decolonial Walking Tour of Berlin-Wedding Led by Abdel Amine Mohammed
This is a closed event funded by CFMDE for students enrolled the course PT160: Transnational Feminism Is for Everybody.

Wednesday, November 9, 7:00-8:30pm
Permanent Crisis. The Humanities in a Disenchanted Age
Waldstrasse 15
What are the humanities, and why study humanistic subjects? Considered by many as irrelevant for modern careers and professional success, the humanities seem to be in a perpetual state of crisis. In their new book Permanent Crisis. The Humanities in a Disenchanted Age, Paul Reitter and Chad Wellmon show that this crisis isn’t new—in fact, it is as old as the humanities themselves. The self-understanding of the modern humanities didn’t merely take shape in response to a perceived crisis; it also made crisis a core part of its project. This event is free and open to the public.

Thursday, November 17, 12:30-1:45pm
Syrian Prison Narratives
Platanenstrasse 98A lecture hall
This event features a talk with scholar Anne Marie McManus, a fellow at the Forum Transreigonale Studien. McManus oversees The Prison Narratives of Assad’s Syria: Voices, Texts, Publics (SYRASP), a five-year research project sponsored by the European Research Council. This event is free and open to the public.

Friday, December 2, 5:30-7:30pm
Is Russia Over? A Discussion with Dr. Helen Faller
Waldstrasse 15 Cafe
Russia’s bungled attempt to invade Ukraine in 2022 has laid bare the fragility of its governing model. If Russia fails as a state due to the war in Ukraine, what forms might decolonization take? What could post-Russia Eurasian space look like? Based on intensive fieldwork in Tatarstan and Russia from 1998 to 2006 and recent interviews with people in the Tatar diaspora, Faller will suggest answers to these questions. Co-hosted by the Civic Engagement program and PT 304 "USSR: A Post-Colonial Assessment". This event is free and open to the BCB community, including students, staff, faculty, and alumni. To register, please email [email protected].
 

 A Workshop in Two Parts
October 13: 12:00pm - 6:30pm
October 14: 9:30am - 5:15pm 
Click here for full schedule

Universities are often thought of as places of learning and places of research, but less often as places of solidarity. We believe that access programmes for displaced learners create spaces of solidarity and community from which to think about opening up the university.

This two-part workshop explores what solidarity with those who have experienced displacement, including asylum seekers and refugees, might mean for teaching, research and the university generally. It does so from the level of the student, teacher, and institution (as well as the interlinkages between the three). Focusing on solidarity naturally entails thinking beyond the borders of the university, to communities, organisations and grassroots initiatives, and how those, in turn, feed back onto institution, teacher and student experiences.

We ask, in what ways does solidarity flow in and through the classroom? How do teachers understand the intersections of pedagogy and solidarity? What kind of solidarity can we expect universities to offer (especially in hostile contexts)?

Panel Hosts include: Professor Kerry Bystrom and Dr. Jeffrey Champlin

Organized in cooperation with Central European University, University of East London, Open Learning Initiative, and Open Society University Network

Sammlung Scharf-Gerstenberg  6:30 pm – 8:00 pm CEST/GMT+2
Laura López Paniagua (contemporary art) and Geoff Lehman (Renaissance art), both art historians and lecturers at Bard College Berlin, will engage in a conversation with the audience as well as the exhibited works about the role and impact of Goya’s oeuvre.

This free event is organized as a part of the GOYA - Yo lo vi / Ich sah es / I saw it series series and will take place at the Sammlung Scharf-Gerstenberg. For more information on the exhibition, the Eine Uni -- ein Buch initative, and other related events, visit the exhibition's main page.
 

Live Information Session with BCB Admissions
5:00 pm – 6:00 pm CEST/GMT+2
Please fill out the form below to register and receive the access link to this Admissions event.


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W15 Café  5:30 pm – 6:30 pm CEST/GMT+2
The meeting will be an opportunity for students to connect with each other, discuss issues, and share resources related to ADHD. There will also be planning for future meetings, initiatives, and body doubling sessions. Anyone is welcome to attend regardless of if they have an official ADHD diagnosis.

For more information please contact Atticus Kleen or Claire Bradley-Ferrall.

ICI Berlin  7:00 pm – 8:30 pm CEST/GMT+2
Organized by Laura Scuriatti (Bard College Berlin) and Annalisa Volpone (CEMS, Centre for European Modernism; University of Perugia).

This is an event organized by Bard College Berlin and the Centre for European Modernism Studies (CEMS) at the University of Perugia in cooperation with the ICI Berlin and with the support of the Jan Michalski Foundation and the Embassy of Ireland.

The event will be opened by the Ambassador of Ireland Dr. Nicholas O’Brien.


The year 2022 marks the centenary of the publication of James Joyce’s Ulysses, but also the 50th anniversary of two important political events in Ireland: the referendum with which Irish citizens formally approved Ireland’s entry into the European Economic Community, and the passing of the European Communities Act by the Irish Parliament, which marked the formal acceptance of this entry. Currently — post-Brexit — Ireland’s geopolitical situation and its belonging to the EU seem all the more central for Ireland’s own future and for the solidity of the European project: the aim of this reading and discussion is to look at the present situation through Joyce’s oeuvre and its impact on contemporary Irish literature.

In Joyce, Europe is treated as a kind of Foucauldian heterotopia, a combination of other spaces both disturbing and reassuring, which compel the reader to an ongoing process of reassessment of the very notion of national culture and cultural belonging. It is an idea of Europe that continues to change and transform against the author’s tumultuous cultural-political context. Joyce’s peculiar polyglossia points to a European cultural dimension and a linguistic code beyond national boundaries, while strongly acknowledging those different cultures and the intricate relationships on which they are based.

The event will delve into the works of contemporary Irish authors Nuala O’Connor and Adrian Duncan, the relationship between Irish and European literature, and the relationship between Irish literature and Europe as a cultural, transnational, and plurilinguistic site. O’Connor and Duncan will read passages from their most recent publications and debate the significance of Joyce’s legacy for contemporary Irish literature.

This discussion is accompanied by the two-day conference Joyce and the Idea of Europe at Bard College Berlin, focusing on the notion of Europe as a complex cultural and geopolitical space of exchange, which emerged in James Joyce’s works.

Register for this event here. Participants may choose to attend the event in-person at ICI Berlin or virtually through a real-time livestream.

Nuala O’Connor’s fifth novel NORA (New Island), about Nora Barnacle and James Joyce, was a Top 10 historical novel in the New York Times and is the One Dublin One Book choice for 2022. Nuala has curated the current exhibition at MoLI – Love, Says Bloom. She is editor at flash fiction e-journal Splonk.

Adrian Duncan is an artist and award-winning writer based in Ireland and Berlin. His debut novel Love Notes from a German Building Site was published in 2019. It won the 2019 John McGahern Book Prize. In 2020 he was shortlisted for the Dalkey Literary Awards Emerging Writer. Duncan’s second novel A Sabbatical in Leipzig was published in 2020. It was shortlisted for the Kerry Novel of the Year Award. His third novel, The Geometer Lobachevsky, was published in April 2022.

W15 Café  7:00 pm – 9:00 pm CEST/GMT+2
BCB BRAVE is hosting our first event of the semester on Friday, October 7th from 19:00-21:00 in the W15 Cafe!

At this event, students will get a chance to meet and get to know the BRAVE Peer Advisors as well as the RAs. There will be food and drinks, self care packages for all attendees, and a sex toy raffle. Everyone is welcome and encouraged to join us!

There will also be a baking event on October 6th from 17:30-18:30 in the K24 kitchen where we will make baked goods for the main event on October 7th!

No registration is needed for this event.

Live Information Session with BCB Admissions
5:00 pm – 6:00 pm CEST/GMT+2
Please fill out the form below to register and receive the access link to this Admissions event.



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Conference and Public Reading
Joyce and the Idea of Europe
Bard College Berlin, 7-8 October 2022

A two-day conference organized by Laura Scuriatti (Bard College Berlin) and Annalisa Volpone (CEMS, University of Perugia) in collaboration with the ICI Berlin and with the support of the Jan Michalski Foundation and the Embassy of Ireland.

Keynote speakers:
Prof. Luisa Passerini (European University Institute)
Prof. Ástráður Eysteinsson (University of Iceland)

Panelists: Antonio Bibbò (University of Trento), John McCourt (University of Macerata), Tekla Mecsnóber (University of Groningen), Claudia Olk (Ludwig-Maximilians-University Munich), Laura Pelaschiar (University of Trieste), Catherine Toal (Bard College Berlin), Dirk Vanderbeke (Friedrich-Schiller-University Jena), Annalisa Volpone (CEMS, University of Perugia). 

2022 marks the centenary of the publication of Joyce’s Ulysses, the work that more than others challenges the very idea of Europeanness. The conference centres on the exploration of how Joyce’s corpus of works offers a complex notion of Europe as a geopolitical and cultural space of exchange. Set against contemporary existential threats to a shared notion of Europe, this conference intends to revisit Joyce’s vision of European identity, one distinct from a notion of European cosmopolitanism, which is often associated with European modernism and to Joyce himself. The notion of Europe will be explored from the perspective of Joyce’s polyglot style, of his attempts to mediate Irish and European cultures to one another as a journalist and intellectual, of his reflections on nationalism, imperialism and the consequential colonialism.  

In Joyce's corpus Europe is treated as a kind of Foucaultian heterotopia, a combination of other spaces both disturbing and reassuring, which invite the reader to an ongoing process of reassessment of the very notion of culture and cultural belonging. Joyce's works propose an idea of Europe that continues to change and transform against the author’s tumultuous cultural-political context.


Please email Laura Scuriatti ([email protected]) and Annalisa Volpone ([email protected]) if you wish to attend the conference.

A public reading with Irish authors Nuala O'Connor and Adrian Duncan will take place at 7.00 pm at the ICI Berlin, as part of the conference. Please register here for the event. 

CONFERENCE PROGRAM

Venue: Bard College Berlin - Lecture Hall, Platanenstr. 98A, 13156 Berlin

Friday, 7 October 2022

9.00-10.00 Registration and coffee
10.00-10.30 Welcome address

10.30-12.00 Keynote

Prof. Luisa Passerini (European University Institute)
Europe and Europa: The Heritage of Myths for a Critique of Euro-essentialism and Euro-skepticism

(Chair Annalisa Volpone)

12.00-13.30 Lunch break

13.30-15.00 Session 1 
Irishness and Nationalism 

John McCourt (University of Macerata)
Ernest   Boyd and the Essential Irishness  of Joyce's European Vision

Catherine Toal (Bard College Berlin)
The People Who Mistook a Bank for a Parliament: Joyce and the Fights of European Nationalism

(Chair Laura Scuriatti)

15.00-15.30 Coffee break

15.30-17.00 Session 2 
Joyce and European Culture

Antonio Bibbò (University of Trento):
Who's He When He's Abroad? Joyce and the Irish in Italy

Claudia Olk (Ludwig-Maximilians-University Munich):
Shakespearean Legacies in Joyce and Beckett

(Chair Francesco Lupatelli)

19.00 ICI Berlin (Christinenstr. 18-19, Haus D-10119 Berlin)
Reading “After Joyce: Rethinking Contemporary Irish Literature in Europe” with Nuala O’Connor and Adrian Duncan 
https://www.ici-berlin.org/events/after-joyce/ 
https://berlin.bard.edu/news/events/after-joyce-rethinking-contemporary-irish-literature-in-europe
Organized by Bard College Berlin and the Centre for European Modernism Studies (CEMS, University of Perugia), in collaboration with the ICI Berlin and with the support of the Jan Michalski Foundation and the Embassy of Ireland.

Saturday, 8 October

9:00-10.30 Keynote

Prof. Ástráður Eysteinsson (University of Iceland)
Europe Ends Here: Borders, Continents, Islands
 
(Chair Laura Scuriatti)

10.00-11.00 Coffee break

11.00-12.30 Session 3 
Europe and Characters

Dirk Vanderbeke (Friedrich-Schiller-University Jena)
The European Background of Leopold and Molly Bloom

Laura Pelaschiar (University of Trieste)
Joyce's Watery European Women

(Chair Annalisa Volpone)

12.30-14.00 Lunch break

14.00-15.30 Session 4 
Migration and Exile 

Tekla Mecsnóber (University of Groningen)
Mutable Linguistic Landscapes and Migrant Nationalisms in Joyce and Europe

Annalisa Volpone (CEMS, University of Perugia)
Euro pra nobis:  Isolation and Connectivity  in Joyce’s Idea of Europe

(Chair Sara Sullam)

15.30-16.00 Coffee break

16.00-17.00 Final discussion


 

Lecture Hall, P98a, Zoom   7:30 pm – 9:00 pm CEST/GMT+2
Since its first performance in Athens around 442 B.C.E. Antigone has been read in light of its many philosophical and political themes. In this lecture given by Prof. Dr. Tracy Colony, the character of the chorus is identified as an integral element within the tragedy. Moreover, the role of the chorus is shown to be crucial for approaching the philosophical and political implications of Antigone both in its original context and for today. This lecture is a hybrid event in the Core course IS101 “Plato’s Republic and its Interlocutors.” Space in the lecture hall is limited and only for those enrolled in this course.

If you are not in the Republic Core and would like to join the lecture, please contact Tracy Colony at [email protected] for the zoom link.

W15 Cafe  12:30 pm – 1:30 pm CEST/GMT+2
Join the Student Life Committee for a discussion of current topics relevant to the BCB community. We hope to see you there!

Lecture Hall  5:30 pm – 7:00 pm CEST/GMT+2
Want to know more about studying abroad options at BCB? Students in their third year of study may take part in a number of exchange programs, including with OSUN member schools, the Erasmus program, and more! To ask questions and hear from students that have returned from exchange programs in the past year, attend this info session at 5:30pm on Wednesday, October 5th. 

Further questions about this event or general inquiries about study abroad should be directed to Amber Kepple Jones at [email protected].

Scharf-Gerstenberg Collection (Sammlung Scharf-Gerstenberg)  3:00 pm – 4:30 pm CEST/GMT+2
Geoff Lehman, art historian and lecturer at Bard College Berlin, will give a guided tour of the Goya exhibition GOYA Yo lo vi - Ich sah es - I saw it at the Sammlung Scharf-Gerstenberg on Saturday, October 1 at 3 p.m.

The exhibition is a cooperation between Bard College Berlin and the Sammlung Scharf-Gerstenberg, with a beautiful contribution by Vala Schriefer, a 4th year student at the college, whose series The Atlas of the Stranger is also on view. 

Please be at the Sammlung Scharf-Gerstenberg at 2.45 p.m. 

The tour on October 1 is limited to 20 people, first come first served. In case you would like to attend please RSVP to Charlie Squire at [email protected] before Friday, September 30 at 3 p.m. 

 

Lecture Hall, P98a   7:30 pm – 9:30 pm CEST/GMT+2
An outstanding work of Soviet cinematography, "Commissar" is notable for its artistic qualities as much as for its troubled history. Shot on the occasion of the 50th anniversary of the October Revolution, and featuring some of the brightest stars of Soviet cinema, the film was immediately suppressed and shelved by the KGB for two decades while its maker, Aleksandr Askoldov was expelled from the Party, exiled from Moscow, and banned from working on feature films for life. First released under Gorbachev, "Commissar" won the Silver Bear - Special Jury Prize at the 38th Berlin International Film Festival in 1988.

Set in Ukraine during the Civil War that followed the October Revolution, "Commissar" tells the story of Klavdia Vavilova, a female commander of the Red Army, who finds herself pregnant. Forced to request a leave from military service, Vavilova takes shelter in the home of a poor, three-generation Jewish family who, by helping her deliver her baby boy, push her to reconsider the claims of motherhood and civilian life. Thinking across multiple divides (sexual, political, ethnic, religious), the film is a poetic rumination on the meaning of human life and the challenges of revolutionary politics.

A graduate of Moscow Lomonosov University and the Gorky Institute of World Literature, Aleksandr Yakovlevich Askoldov (1932-2018) worked as an administrator for the USSR Ministry of Culture and for Goskino’s Feature Film Production, before enrolling to study film direction with Leonid Trauberg. His first film Commissar (1967) was banned for more than 20 years due to Askoldov's refusal to change important aspects of the film (notably the main character's Jewish identity), which put an end to his career as a director in the USSR.

Lecture Hall  12:45 pm – 1:45 pm CEST/GMT+2
This fall semester, Dr. Ahmad Ghani Khosrawi will offer Bard College Berlin students a special, 2 ECTS credited reading group dedicated to the works and legacy of renowned Persian poet Jalaluddin Rumi. Topics covered will include a close reading of selected works, his biography, his religious and spiritual dimensions and the globalization of his poetry.

The group will kick off with an introductory lecture on Rumi's biography by Dr. Khosrawi, which is open to the entire BCB community and also serves as the first in the faculty colloquium series this semester!

W15 Cafe  12:30 pm – 1:30 pm CEST/GMT+2
Don't miss this one stop shop full of BCB resources and information. Meet representatives from Study Abroad, Health and Wellness, Careers and Internships, Civic Engagement, Diversity, Equity, & Inclusion, the Learning Commons, and more. Stop by to get your questions answered and to receive more information about all that BCB has to offer.

W15 Cafe  12:00 pm – 2:00 pm CEST/GMT+2
Bringing together BCB students, staff and faculty, "Campus Café" is for all of us who want to find ways to stay connected in person, and to learn from each other about ongoing initiatives, clubs, events, career services, DEI and civic engagement opportunities. There is so much going on on campus, it cannot fit onto any bulletin board.
We take Rosh Hashana, the Jewish New Year, as occasion to kick off the Campus Café meetings this semester.

The Factory  4:00 pm – 6:00 pm CEST/GMT+2
This event is to educate people on the long history of the ballroom scene to the contemporary scene right now in Berlin. There will be an exhibition where people can walk through for half an hour, then there will be a presentation. To put this all into practice, a Vogue workshop will be given by a prominent member of the Berlin Ballroom Scene. Depending on its success, we would like to continue workshops throughout the semester.

W15 Cafe  1:00 pm – 2:00 pm CEST/GMT+2
Disastrous floods now cover nearly one-third of Pakistan, causing billions of dollars in damages to crops, houses, and other buildings, and severely impacting the lives of 33 million people, many of whom have been displaced from their homes. Come join your peers and the Civic Engagement team in a discussion over at the W15 Cafe on climate change awareness, and learn about how you can help the relief efforts in Pakistan!

This event is part of the Involved Campus Talks series.

Outside the Akademie der Kuenste on Pariser Platz (by Brandenburger Tor)  5:45 pm – 8:00 pm CEST/GMT+2
As part of the class 'Berlin Outsider', historian and activist Nathaniel Flakin will lead an (Anti)Colonialism walking tour through Berlin. This event is open to the entire BCB community.

The tour will meet just outside the Akademie der Künste on Pariser Platz (by Brandenburger Tor) at 5:45pm on Wednesday, 21 September. After walking around Mitte, the tour will go to Wedding, and you can travel up there by bike or U-Bahn. The tour will be end just before 20:00 at U-Bhf Rehberge. 

For those not in enrolled in the class, there's a 10 euro suggested donation. You can also check out Nathaniel's Revolutionary Berlin: A Walking Guide, which was released this year by Pluto Press. If you'd like to attend, please RSVP by email to [email protected] to reserve your place.
 

Online Event  5:30 pm – 7:00 pm CEST/GMT+2
In April 2019, during the early days of a mass sit-in in Khartoum calling for the fall of the alBashir regime, this image of Alaa Salah, a young Sudanese woman reciting poetry, went viral. Within days, the photo appeared in prominent media outlets, including The New York Times, which argued that images such as this “derive their power in part from the sheer quotidian nature of the individual, armored not in defensive gear or in depersonalizing military garb but in the clothes of the everyday.” Taking this image as a starting point, Sara Abbas looks at feminist activism during the ongoing revolution in Sudan, situating it within the history of women’s struggles since independence. Highlighting the shifts that are taking place in how women, especially young women, conceive of the “political”, Abbas argues that devoid of an intersectional lens, such images serve to depoliticize struggles for gender justice, and obscure more than they show.

Sara Abbas is a political scientist and current recipient of the “inequalities” fellowship at the Open Society Foundations. She is researching and writing a manuscript on the imaginations and collective practices that have arisen in the sit-in spaces (protestor camps) during Sudan’s ongoing revolution. Sara is a contributor to Diversity on Common Ground: Ten perspectives on contemporary feminism (2020) and A Region in Revolt: Mapping the recent uprisings in the Middle East and North Africa (2020).

Live Information Session with BCB Admissions
5:00 pm – 6:00 pm CEST/GMT+2
Please fill out the form below to register and receive the access link to this Admissions event.



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W15 Cafe  12:30 pm – 1:30 pm CEST/GMT+2
Join the Student Life Committee for a discussion of current topics relevant to the BCB community. This meeting, topics for discussion will be decided for the Fall 2022 semester. If you've got a topic you'd like covered this semester, let us know by joining us in the W15 café. 

Student Life Committee meetings are open to everyone at BCB, and are an opportunity for us to come together as staff, faculty, and students to discuss issues that are important to our community. 
 

K24, Seminar Room 11   12:30 pm – 1:45 pm CEST/GMT+2
Collaborations, including international ones, such as those supported by OSUN,  can produce much excitement, but also some uncertainty and anxiety regarding communication and expectations. With the help of some intercultural techniques and positioning exercises, we can start a process of reflection on the privileges and blind spots we might be unaware of, and how those can influence our academic collaborations. This session will offer some tools to take the first step in becoming a more "ethical" research partner.

Humboldt University   Workshop on Tactics for Resistance and Advocacy in Authoritarian Spaces: Turkey, Hungary, Poland and beyond
15 September 10:00-17:30, 16 September 9:30-12:30 

The past decade has seen a spectacular rise of new forms of authoritarianism in Europe and its surrounds, rooted in a global triumph of neoliberalism and relying on modes of populist democratic legitimation (see Brown 2018; Sajó, Uitz, and Holmes 2021; Vormann and Lammert 2019; Wiatr 2019). This workshop asks what can be done to resist this process–especially in locations where authoritarianism transformation has already greatly narrowed the space for independent civil society and media, and protest runs the risk of jail sentences, criminal investigations or worse.

We look specifically to the intertwined fields of law and culture. This is not only because regimes at the center of our analysis–in Turkey, Hungary and Poland–have combined the use of lawfare and the attempt to capture the judiciary as a last check on authoritarian rule with a specific scripting of acceptable narratives about national identity, values and futures and a policing of acceptable voices (Wiatr 2019). But it is also because legal and cultural institutions and practices remain only partially captured (Moustafa 2014). Domestically and through transnational networks they offer avenues for advocacy and resistance when other paths may seem closed.

Bringing together interdisciplinary scholars from the fields of law, politics, performance, literature and visual art, with a focus on the countries mentioned above, this workshop will explore the following questions: How are legal discourses and institutions being used to counter-hegemonic ends? Are there examples and tactics that are already circulating, or which can be shared? Beyond the courtroom narrowly conceived, which “fora” (Weizman 2014; Keenan 2014) should we be looking at? What does it do to broaden the scope for resistance and recognize its aesthetic dimensions? In what ways can writers and artists effectively counter authoritarian scripts? What alliances are needed with legal and political actors and institutions, domestically and internationally? Further, how does one negotiate the need to speak out versus the risks of doing so?

Workshop participation possible by pre-registration only Kerry Bystrom [email protected] or Zeynep Kıvılcım [email protected]. 

 

Online Event  2:00 pm – 3:00 pm CEST/GMT+2
Learn about the OSUN student mobility opportunities for graduate and undergraduate students available at participating institutions within the OSUN network. OSUN student mobility is a tuition exchange study abroad opportunity with scholarships available through the application.

Cafeteria Garden (Rain location: W16)  12:30 pm – 1:30 pm CEST/GMT+2
The Involvement Fair is your chance to meet the student clubs and organizations and find out how to get involved this semester. Several campus resources will also have tables where you can learn more about the services they offer.

Friday, September 2

1.00 PM – 3.00 PM Contemporary German Politics, Tour led by Aaron Allen
Meeting Point: Brandenburg Gate

What are the challenges and opportunities confronting modern day German politics? This tour will offer key insights into the institutions and decisionmakers influencing the current Ampelkoalition. Participants will visit Berlin’s government district which will include (but is not limited to) sightseeing the Reichstag (and the adjacent parliamentary buildings), the Bellevue Palace, the Chancellery, and the Bundesrat.

Saturday, September 3

11.00 AM – 1:30 PM South Berlin/ West Asia: The "Middle East" in Neukölln, Tour led by May Zeidani Yufani
Meeting Point: U7/U8- Hermannplatz near the golden statue
To Register: Please email May at [email protected]
 A post orientalist walk through Neukölln: all the way on the other side of Berlin lies a little neighborhood called (North) Neukölln. A lot of strange and unfamiliar things happen there (or maybe they remind us of home?). We will take a walk (long one, so come with comfortable shoes!) through the busy streets, taste some of what it has to offer and hear (only a bit) of it's very interesting, sometimes weird, history. Join me in getting to know my side of Berlin!
11.30 AM – 2.00 PM Floating University Tour, Tour led by Faiza Lynar
Meeting Point: We meet at U Südstern (subway station) at
11.30am. http://shorturl.at/cjLR3
To Register: Please email Faiza at [email protected]

The Civic Engagement team is inviting you to Floating University tour with one of the members. Floating University Berlin exists since 2018 and is all about urban practice on and in the rainwater retention pool of former Berlin Tempelhof airport. It's a "natureculture learning site", a laboratory for urban experiments and international exchange on urban development and many other things. People go there to learn from each other. The focus is on transdisciplinary learning and mediation, especially of disciplines that traditionally have little contact with each other, such as urban development and dance, water management and visual arts, architecture and waste management. Floating University is not floating and it's not a university, it's not an easy place to describe and best explored during a visit. So come along!
More info: https://floating-berlin.org/


8.00 PM – 10.00 PM Sunset walk up to the Flakturm at Humboldthain, Walk led by Dorien Schoemaker
Meeting Point: Gesundbrunnen Bahnhof (outside, next to the Curry Baude stand)

On the ruins of a bunker built in the 2nd world war, there is a beautiful view over Berlin, as it's on top of a hill. Now it's a great place for watching the sunset together with friends, and unwind a little after a long day. After the sun has set, there is plenty of time to continue the night & discover Berlin's nightlife further!


Sunday, September 4

10.00 AM – 6.00 PM From Potsdam to Nikolassee, Day trip led by Miksa Gáspár
Meeting Point: Front of the Cafeteria

Join this day-trip and explore the wonderful town of Potsdam and the pleasant water of Nikolassee with me. We will visit the castle of Potsdam, will grab something in the city center for lunch and then head to the Nikolassee for a late-afternoon dip. Sunscreen, comfy shoes and water bottle are recommended, the good mood is guaranteed. (In case of bad weather, we will visit the museum at Wannsee instead).


12.00 PM – 3.00 PM Memorial of the Socialists, Tour led by Frances Grimm
Meeting Point: U-Bahnhof Lichtenberg
https://goo.gl/maps/wz3W5D1c5jsvjgPW6

This tour invites all students new and old to visit the final resting place of the leaders of Berlin's November Revolution (Rosa Luxemburg and Karl Liebknecht) and other famous German socialists. We will discuss the exciting history of the revolution as well as read some of Luxemburg's most famous writings. The starting point will be U-Bahnhof Lichtenberg, from where we will make our way to Zentralfriedhof Friedrichsfelde.


12.00 PM – 5.00 PM Berlin Graffiti Tour, Tour led by Yensen LeBeau
Meeting Point: Courtyard of W15 and K30

Berlin is notoriously one of the most "bombed" cities in Europe, which in the lingo means it's a hotspot of graffiti, tagging, and street art. Come tour what the east has to offer as we travel from campus down to the Spree with stops along the way, take a loop around Friedrichshain, and get a taste of both the incredible art and the history of Berlin's graffiti scene. Complete with a lesson in the basics of street art back on campus, it's sure to be a blast.
 

 

6:30 pm – 8:00 pm CEST/GMT+2
The Welcome Reception is an opportunity for the BCB community to come together after the first day of classes, welcome our new community members, and reconnect with one another.

Sammlung Scharf Gerstenberg  10:00 am – 6:00 pm CEST/GMT+2
For the third time, Bard College Berlin has won the award "Eine Uni ein Buch," an initiative supported by several German foundations. The book we picked is Goya's "Los Desastres de la Guerra," a series of prints published in book format that depict the atrocities of the Napoleonic Wars in Spain. The themes are frightfully contemporary and relevant. Together with the Scharf Gerstenberg Collection BCB organized the exhibition of Goya's works and an events program that reflects on topics such as war, migration and exile.

The exhibition shows around three dozen original prints and all four print cycles by Goya, including "La Tauromaquia" (1814-1816) and "Los Disparates" (1819-1823). The exhibition will run from August 19 to November 6, 2022. 

Events:

Conversation
Goya’s Unsparing Anti-Heroism, A Conversation With Laura López Paniagua and Geoff Lehman
Wednesday October 12 at 6.30 p.m.
Laura López Paniagua (contemporary art) and Geoff Lehman (Renaissance art), both art historians and lecturers at Bard College Berlin, will engage in a conversation with the audience as well as the exhibited works about the role and impact of Goya’s oeuvre.

Panel Discussion
Real Talk: Showing What Cannot / Should Not Be Shown, A Panel Discussion
Wednesday November 2 at 6.30 p.m.
Sociologist Teresa Koloma Beck together with displaced students and alumni/ae from Bard College Berlin will discuss the complexities of showing images of war crimes to shake audiences out of their complacency. Omar Haidari (Afghanistan) graduated from BCB in 2021 and works for the NGO Aseel. Aisha Khurram (Afghanistan) studies at BCB. Limo Kinder (Ukraine) studies at BCB. Teresa Koloma Beck, conducts research on conflict, violence and globalization and teaches at the Helmut Schmidt Universität in Hamburg. Ameenah Sawan (Syria) graduated from BCB in 2022 and is enrolled at the SOAS University of London.

Film Screenings
September 29, 6:30pm - Goya oder der arge Weg der Erkenntnis (Konrad Wolf) [German-language only]
October 26, 6:30pm - Goya in Bordeaux (Carlos Saura) [Spanish language with German subtitles]
November 30, 6:30pm - Goya's Ghosts (Miloš Forman) [English language with German subtitles]

Students may visit the exhibit and all events for free at the Sammlung Scharf-Gerstenberg if they present their student ID at the front desk. To attend the film screenings for free, RSVP by email to Bendetta Roux ([email protected]) at least 24 hours in advance of the screening and bring your student ID to the event.

Eine Uni – ein Buch is an initiative of the Stifterverband and the Klaus Tschira Foundation in cooperation with DIE ZEIT.

  10:15 am – 12:30 pm EDT/GMT-4

 

6:30 pm – 8:00 pm CEST/GMT+2
Performers can sign up in advance here. Sign-ups on the night of are also possible.

 

  Bard College Berlin  1:00 pm – 1:45 am CEST/GMT+2
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

Theater event 
7:00 pm – 8:30 pm CEST/GMT+2

"You're a woman, Shel!" she cried. 
"You're a man, Orlando!" he cried. 
Never was such a scene of protestation and demonstration as then took place since the world began. 

The students of TH 137 Adapting Novels for the Stage: Virginia Woolf's Orlando warmly invite you to a presentation of short scenes and theatrical adaptations inspired by Orlando that they've been working on throughout this semester. All BCB students, friends, and faculty members are warmly welcome. 

5:00 pm – 8:00 pm CEST/GMT+2
The beginning and advanced BCB photography classes will be presenting two one-day exhibitions at WIRWIR Project Space.

FA108 Beginners Digital Photography: Your Own Point of View
Individual photo projects from five different points of view by Lucie Bégard, Evangelia Dalton, Roman Foudon, Carlotta Garrione, Aria Hadžiosmanović, Jacco Hoogvliets, Eva Ingver Gimenez, Charlie Kahn and Zofia Polak will be presented.

FA323 Inside / Outside – Documentary Photo Essays (Advanced Photography)
A presentation of personal photo essays by Kais Alshaar, Harmony Baker, Maxwell Ennis, Yuang Huang, Daniel Kovacs, Cristina Paz, Dina Ramzi, Qais Sangarkhail and Selo Uğuzeş

Instructor: Carla Åhlander

6:00 pm – 9:00 pm CEST/GMT+2
Photography Exhibition
at WIRWIR Project Space | Stuttgarter Str. 56, 12059 Berlin-Neukoelln

The beginning and advanced BCB photography classes will be presenting two one-day exhibitions at WIRWIR Project Space.

Classes
FA106 Beginners Black and White Photography Class: The Slow Photo
The presented work culminates a semester-long in-depth study of beginning darkroom photography.
A presentation of selected photographs by the following students will be on view: Nicolas Chiriboga, Anna von Rosenstiel, Jiayao Gao, Gracie Kuppenbender, Miriam Lubin, Rose, Nadis, Cristina Paz, Liz Sullivan and Elma Talic

FA304 Merging the Photo with the Book Form (Advanced Photography)
The exhibited books showcase a range of techniques and styles of the book form.Fiona French, Fredrike Giron-Giessen, Caroline Goudsmit, Zoe Knable, Zachary Ngin, Bindi Peluce, Glória Nogueira, Lily Taggart and Natalie Viebrock

Instructor: April Gertler

Exhibition event - panel - workshops - film screening
4:00 pm – 11:55 pm CEST/GMT+2
(a pitch = a voice, a register, a throw, a gradient/slope/difference/angle, also a ploy/sales pitch, a turf/field/space; bad luck)

The great sociologist Stuart Hall has theorized diaspora as "a land of no return": a land where new discursive interstitial spaces are created, "weaving the differences"; where lots of presences can be detected, where translations happen, previously silenced truths emerge, power relations are reordered, and hybridity becomes identical with culture. This, as a consequence and result of the movement of human bodies, may sound playful. But the moving bodies and the minds have to work on the ruins of imperialisms and nationalisms of all sorts, threatening the globe. The diasporic pitch asks to negotiate identity and find a voice on the rubbles of a battlefield, from which the flames can strike at any time.  

The artistic projects in this exhibition want to show both: some of these ruinations, in the wars, the refugee bureaucracy, the business of the international NGO’s etc., and some of these interstitial spaces, where life and death at and across inhumane borders can be communicated.
The accompanying program explores the broader implications: A panel with the philosopher Omri Boehm and the sociologist Teresa Koloma Beck will discuss the potentials of radical universalism and the duty to civil disobedience. Student-led workshops will draw attention to new “diasporic pitches” by BCB’s Afghani student-activists and by Ukrainian young artists. There will be Ukrainian pottery-making, and there will be Afghan burgers, and drinks and Slovenian Potica, and the night will close with a screening of Diana El Jeiroudi’s acclaimed documentary film “Republic of Silence”. 
The event and the exhibition are part of an OSUN network course between Bard College Berlin, Universidad de los Andes, Bogotá, and University of Witwatersrand, Johannesburg. Our partner classes will join the event via Zoom. 

Venue: 
Callie’s 
Lindower Str. 20
Wedding, 13347 Berlin

Program:
4.30 pm Opening of the Exhibition
5 pm Guided Tour
6 pm Welcome and Drinks
6.30 pm “Radical Universalism” - Keynote lecture by Omri Boehm (New School for Social Research, New York) with response by Teresa Koloma Beck (Helmut Schmidt University, Hamburg), moderated by Sam Zamrik (poet and BCB Alumni)
8 pm Food and Drinks
9 pm Screening of “The Republic of Silence” (2021) by Diana El Jeiroudi

Participants:
Omri Boehm (New School for Social Research, New York)
Andjela Despotović (Bard College Berlin)
Ava Dubbelboer (Bard College Berlin)
Jeanne Dupuy-Saint-Martin (Bard College Berlin)
Lily Ellerbrock (Bard College Berlin)
Michaela Foster (Bard College Berlin)
Omar Haidari (BCB Alumni)
Lena Kocutar (UdK, BCB Alumni)
Anastasia Kolesnyk (Odessa/Berlin)
Teresa Koloma Beck (Helmut Schmidt Universität, Hamburg)
Aisha Khurram (Bard College Berlin)
Victoria Martinez (UdK, BCB Alumni)
Jacopo Mavica (Bard College Berlin)
Julia Mazal (Bard College Berlin)
Bruno Oliveira (São Paulo, Brazil)
Vala Schriefer (Bard College Berlin)
Lejla Zjakic (Bard College Berlin) 
Sam Zamrik (FU Berlin, BCB Alumni)
Larysa Zolotova (Odessa/Berlin)
 
This event was organized and curated by Marion Detjen (Bard College Berlin) and Dorothea von Hantelmann (Bard College Berlin) with María Carri (CCS Bard College Annandale) and helped funded by the Open Society University Network.

  4:00 pm – 6:00 pm CEST/GMT+2
Open class-room presentation of the “Animism” class (Andreas Weber)
With presentations by:
Grace Kahn
Moeko Yamada
Anirudh Sathish
Daniel Kovacs
Simone Kyle
Lila O’Connell
Selo Uǧuzeş
Eva Ingver Gimenez
Jacopo Mavica
Grace Muellner
Kaitlyn Woodburn
Hazar Kolancali
 

  12:30 pm – 4:30 pm CEST/GMT+2
12:30 Prof. Dr. Clara Weinhardt: "The rise of Brazil, India and China and special rights for developing countries in the WTO"

13:00 Dr. Steffen Murau: "The Evolution of the Offshore US-Dollar System. Past, Present, and Four Possible Futures"

13:30 Dr. habil. Andreas Kruck: "Rising Powers and Private Standards in the Global Political Economy"

14:00 Dr. Lukas Haffert: “Mechanisms of Persistence in International Political Economy: the Case of German Inflation Aversion”

14:30 Dr. Mirjam Dageförde: “Failing representation in Europe? Citizens’ perspective”

16:00 Dr. Kai Koddenbrock: “The Global Political Economy of financial policy space”

Each presentation is ca. 20 minutes long. 

5:30 pm – 8:35 pm CEST/GMT+2
You are cordially invited to a student exhibition and joint reading exercise with author, art curator, photographer, filmmaker, political theorist, and professor of Modern Culture and Media at Brown University Ariella Aïsha Azoulay on Art and Power.

The artistic research projects in this exhibition are inspired by and working from Azoulay’s proposition in her book Potential History: Unlearning Imperialism (Verso, 2019) that it is not possible to decolonize the museum without decolonizing the imperial knowledge production and the technologies that make it possible. Azoulay argues that gestures of repatriation and reparation are inadequate if they persist to function within and uphold the histories, institutions and epistemologies that persevere today and are entrenched in ongoing imperial practices.
 
As part of the creative research component of the course Art and Power (AR191) taught by Prof. Hanan Toukan, students will unravel the intricacies of practices rooted in imperialism by demonstrating their creative research on topics such as colonialism and museums; nationalism and imperialism, state-building and art; Cold War and post 9/11 cultural diplomacy; art and the global economy, decolonizing museum initiatives, as well as migration, art and borders; curatorial politics, and more. 

Alongside the exhibition students and interested members of the Bard community are invited to read and think with Azoulay about ways to unlearn imperialism and write a new (potential) history of the world.

Drinks and light refreshments will be served.  

This event is generously funded by the Mellon Consortium on Forced Migration, Displacement and Education

  Bard College Berlin  1:00 pm – 1:45 am CEST/GMT+2
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

May is Mental Health Awareness Month
Bard College Berlin  12:30 pm – 1:30 pm CEST/GMT+2
In honor of Mental Health Awareness Month we will host an Information session concerning Accommodation. Everything you wanted to know and never had the time to ask about Disability Accommodations, both academic and residential!

  Bard College Berlin  7:30 pm – 9:30 pm CEST/GMT+2

  A Science & Religion Project Talk
7:30 pm – 9:00 pm EDT/GMT-4
Nineteenth-century emergentism promised to mediate between mechanism and vitalism — that is, between the assumption that processes of the living are reducible to Newtonian physics and the claim that they require non-physical life forces or souls. Soon dismissed as neo-vitalist, it was re-habilitated in the 1970s through sciences of complexity, chaos, and self-organization. While emergence has become a popular notion that is mobilized in a host of different theories, disciplines, and contexts, its function remains highly ambiguous, oscillating between neo-vitalism and neo-mechanicism. Focusing on Ilya Prigogine, an influential protagonist and popularizer of the sciences of self-organization in the 1970s and 80s, and with a brief comparison to Francisco Varela, co-inventor of the notion of autopoiesis, the seminar explores some aspects of emergence’s bifurcation and multistability, including its relation to time and eternity, non-dualist thought, and the attempt to explain the mysteries of life and consciousness.

Christoph F. E. Holzhey is the founding director of the ICI Berlin Institute for Cultural Inquiry, which he has directed since 2006. He received a PhD in Theoretical Physics from Princeton University in 1993 with a dissertation on the entropy and information loss of black holes. At Columbia University, he studied German Literature and wrote a dissertation on paradoxical pleasures in aesthetics (PhD 2001). Returning to Germany, he was a postdoctoral research fellow at the Max Planck Institute for the History of Science in Berlin (2001-03) and at the Universität Siegen (2003-06) in the VW-project ‘Mystik und Moderne’. He has directed the interdisciplinary projects Tension/Spannung, ERRANS, and Reduction at ICI Berlin and (co-)edited several interdisciplinary volumes, including Biomystik: Natur – Gehirn – Geist (2007), Tension/Spannung (2010), Multistable Figures: On the Critical Potential of Ir/Reversible Aspect-Seeing (2014), De/Constituting Wholes: Towards Partiality Without Parts (2017), and Weathering: Ecologies of Exposure (2020).

This event is part of a series of seminars organized by the BCB Science & Religion Project, a part of the Oxford-led project "New Horizons for Science and Religion in Central and Eastern Europe" with support from the Templeton Foundation.

9:00 pm – 11:00 pm CEST/GMT+2
It is a tradition that the writers in Clare Wigfall's fiction writing workshop give a much-anticipated reading of their work as the finale of their course. Once again, they are returning to the charming Wein Salon in Friedrichshain! Please join us for a cozy and intimate evening of beautiful and surprising stories and words written by the students over the course of the semester. All BCB students, friends, and faculty members are warmly welcome.

Writers presenting: 
Dash Charlesworth
Leyla Cubukcuoglu
Johannes Furtwängler
Luiza Garcia Zanardi
Meizhong Hu
Simon IvčevićFelix LeVequeKai Parcher-CharlesIsaac StewartSarah Wolbach

Location: Schreinerstr. 59, 10247 Berlin

How to engage with your neighbor-hood?
Bard College Berlin  11:00 am – 1:00 pm CEST/GMT+2
A workshop introducing intercultural and intergenerational Communication skills.
Especially when volunteering with people of different generations and cultural backgrounds, challenges can become very apparent. In the workshop, we will get a glimpse into the world of interpersonal communications and learn a trick or two on how we can communicate more efficiently, and maybe more important, peacefully. We will try to improve our mindful speaking abilities, develop effective communication skills and improve intergenerational communication.

5:30 pm – 9:00 pm CEST/GMT+2
Please join us to celebrate the end-of-semester practicing arts events: Open Studios and Performance Factory. 

Upstairs in the factory will be presentations of painting, drawing, collage, and video works, while the downstairs rooms are dedicated to performance and dance.

Outside you can see a display of models from the model-making class.

Drinks and refreshments will be served - almost like in pre-pandemic times.
 

  12:30 pm – 2:00 pm EDT/GMT-4
The situation of women and girls in Afghanistan has been steadily deteriorating since the Taliban takeover of the country. Girls’ access to education is heavily curtailed, robbing a generation of girls and young women of a basic right and future opportunities. We are honored to invite you to a talk with Afghan scholar Ahmad Ghani Khosrawi, which will also focus on possible ways forward by pointing out what people in Europe and Germany can and ought to do in response. In the second half of the event, participants have the opportunity to ask questions and engage in a conversation with Dr. Khosrawi and some of BCB’s Afghan students.
Dr. Ahmad Ghani Khosrawi is the former Dean of the Humanities and Literature Faculty of Herat University, where he also founded the German Department. He got his PhD from JMI University in New Delhi, India, and is currently a researcher at Bard College Berlin. Dr. Khosrawi is a scholar, humanitarian, and author published in several countries.

Snacks and drinks will be served at the event.
 

  BA4 students must submit the title of the thesis and the name of the supervisor and of the second reviewer to the Examination Board for approval at the end of week 13 in semester 1 of the 4th academic year.


Download: Declaration_of_BA_Thesis_Title.pdf Declaration of BA Thesis Title

P24, Seminar Room 8 & Online  7:30 pm – 8:30 pm CEST/GMT+2
In this session we’ll cover both traditional and non-traditional job-hunting strategies to help you build your network and work your way into an exciting career.

4:45 pm – 5:45 pm EDT/GMT-4
Paul Festa's section of the LT326 writing workshop invites you to join them for a critique of student work and Q&A with Louisa Hall on Thursday, 5 May 2022 at 16:45 CET. The course will have read Chapter Two of her 2018 novel Trinity, seven linked stories whose common thread is the figure of J. Robert Oppenheimer.

Louisa Hall grew up in Philadelphia.  She is the author of the novels Speak and The Carriage House, and her poems have been published in The New Republic, Southwest Review, and other journals.  She is a professor at the University of Iowa, and the Western Writer in Residence at Montana State University.

  Bard College Berlin  1:00 pm – 1:45 am CEST/GMT+2
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

Bard College Berlin  1:00 am – 1:50 am CEST/GMT+2
Networking in a global network: Join to identify unique ways to connect across the Bard and OSUN global networks. Explore career and graduate school opportunities, student engagement initiatives and calls for proposals. 

  Bard College Berlin  7:30 pm – 9:30 pm CEST/GMT+2

P24_SR8 & Online  6:30 pm – 7:30 pm CEST/GMT+2
Hear from Bard Alumni Andreas Knab how he turned his liberal arts degree into a career and ask him questions on how he got started in Berlin and is now the Director of the Center for the Future at the Factory Berlin.

Online Lecture Series
3:00 pm – 4:30 pm CEST/GMT+2
The last two decades have registered an outstanding wave of naked protests globally.  In Africa, the proliferation and hypervisibility of that which is erroneously called genital cursing can be explained by multiple factors, including the power of the digital sphere and the intensification and multiplication of negative biopolitical conditions. This lecture traces the historical trajectory of mature women’s insurrectionary disrobing and examines its recent deployment during moments of socio-political duress. Thirdly, I meditate on the impact of the sharing affordances of Internet media to reframe the terms of the debate around women’s agency. As news and images of the gesture travel outside of their original site of performance, the women’s agency takes on new forms. Diverging, thus, from the longstanding logic that frames the women as endlessly empowered and empowering, I propose that we think of their agency as naked, in the keys of instability and openness. 

Naminata Diabate is an associate professor of comparative literature at Cornell University. A scholar of gender, sexuality, and race, taking her archives literary fiction, cinema, visual arts, and digital media, her most recent work has appeared in a monograph, peer-reviewed journals, and collections of essays, including Nka: Journal of Contemporary African Art (2020), Routledge Handbook of African Literature (2019), African Literature Today ALT 36 (2018), Critical Interventions (2017), Research in African Literatures (2016), and Fieldwork in the Humanities (2016). Her book, Naked Agency: Genital Cursing and Biopolitics in Africa was published by Duke University Press in 2020 and awarded the African Studies Association 2021 Best Book Prize. This year, she holds the Ali Mazrui Senior Research Fellowship at the Africa Institute of Sharjah in the United Arab Emirates, working on two monographs, “The Problem of Pleasure in Global Africa” and “Digital Insurgencies and Bodily Domains.”

This lecture series is jointly curated by faculty involved in Transnational Feminism, Solidarity, and Social Justice, a new project that offers a sustainable platform for students and professors from OSUN colleges to engage in rigorous academic work, express themselves freely, inspire each other through art, and work closely with local and international initiatives to further the feminist agenda for social justice. 

Other lectures in the Transnational Feminism, Solidarity, and Social Justice lecture series:  March 1, 4:00 pm CET: Poulami Roychowdhury, Capability and Incorporation: Pathways to Redress in the Aftermath of Violence April 26, 3:00 pm CET: Tatsiana Shchurko, From Harlem to Tashkent: Rethinking Histories of Socialist Internationalism for Transnational Feminist Solidarities May 3, 3:00 pm CET: Kristen R. Ghodsee, Red Valkyries: Feminist Lessons From Five Revolutionary WomenFor information on the Transnational Feminism, Solidarity, and Social Justice lectures from Fall 2021 >>

Online lecture series
3:00 pm – 4:30 pm CEST/GMT+2
Red Valkyries explores the history of socialist feminism in Eastern Europe. By examining the revolutionary careers of five prominent socialist women active in the nineteenth and twentieth centuries—the aristocratic Bolshevik Alexandra Kollontai; the radical pedagogue Nadezhda Krupskaya; the polyamorous firebrand Inessa Armand; the deadly sniper Lyudmila Pavlichenko; and the partisan turned scientist turned global women’s activist Elena Lagadinova—Kristen Ghodsee tells the story of the personal challenges faced by earlier generations of socialist and communist women.

None of these women was a ‘perfect’ leftist. Their lives were filled with inner conflicts, contradictions, and sometimes outrageous privilege, but they still managed to move forward with their own political projects through perseverance and dedication to their cause. Always walking a fine line between the need for class solidarity and the desire to force their sometimes callous male colleagues to take women’s issues seriously, these five women pursued novel solutions with lessons for today's activists.

Kristen R. Ghodsee is an award-winning Professor of Russian and East European Studies and a Member of the Graduate Group in Anthropology at the University of Pennsylvania. Her articles and essays have also been translated into over twenty languages and have appeared in publications such as Dissent, Foreign Affairs, Jacobin, The Baffler, The New Republic, Quartz, NBC Think, The Lancet, Project Syndicate, Le Monde Diplomatique, Die Tageszeitung, The Washington Post, and the New York Times. She is also the author of eleven books, including: Second World, Second Sex: Socialist Women's Activism and Global Solidarity during the Cold War (Duke University Press, 2019) and Why Women Have Better Sex Under Socialism: And Other Arguments for Economic Independence (Bold Type Books, 2018 and 2020), which has already had fourteen international editions. Her most recent book is Taking Stock of the Shock: Social Impacts of the 1989 Revolutions, co-authored with Mitchell A. Orenstein and with Oxford University Press in 2021. She is also the host of the podcast, A.K. 47 - Forty-seven Selections from the Works of Alexandra Kollontai.

This lecture series is jointly curated by faculty involved in Transnational Feminism, Solidarity, and Social Justice, a new project that offers a sustainable platform for students and professors from OSUN colleges to engage in rigorous academic work, express themselves freely, inspire each other through art, and work closely with local and international initiatives to further the feminist agenda for social justice. 

Other lectures in the Transnational Feminism, Solidarity, and Social Justice lecture series:  March 1, 4:00 pm CET: Poulami Roychowdhury, Capability and Incorporation: Pathways to Redress in the Aftermath of Violence April 26, 3:00 pm CET: Tatsiana Shchurko, From Harlem to Tashkent: Rethinking Histories of Socialist Internationalism for Transnational Feminist Solidarities May 4, 3:00 pm CET: Naminata Diabate, Naked Agency / Protest: Between the Occult and the Internet For information on the Transnational Feminism, Solidarity, and Social Justice lectures from Fall 2021 >>

Online Event  7:30 pm – 8:45 pm CEST/GMT+2
Discover different career paths to go after graduation: how to find and apply for internships, traineeships & entry level jobs? Where to find MA or PhD programs and scholarships for it? What is a voluntary social year (FSJ)? How could you find funding for your own art project or business idea? And who and how can one apply for unemployment?
 

6:00 pm – 7:00 pm CEST/GMT+2
Alex Ross, author of The Rest Is Noise: Listening to the Twentieth Century and Wagnerism: Art and Politics in the Shadow of Music, will be answering questions about musical and critical works on the syllabus listed below.

Alex Ross has been the music critic of The New Yorker since 1996. His first book, The Rest Is Noise: Listening to the Twentieth Century, published in 2007, won a National Book Critics Circle Award and the Guardian First Book Award, and was a finalist for the Pulitzer Prize. An essay collection, Listen to This, appeared in 2010. His third book, Wagnerism: Art and Politics in the Shadow of Music, was published in 2020.  Ross has received the George Peabody Medal, an Arts and Letters Award from the American Academy of Arts and Letters, the Belmont Prize in Germany, a Guggenheim Fellowship, and a MacArthur Fellowship.

7:30 pm – 9:00 pm CEST/GMT+2
Eugene Jarecki is an Emmy and Peabody award-winning director of dramatic and documentary subjects who has twice won the Grand Jury Prize at the Sundance Film Festival, first in 2005 for WHY WE FIGHT and again in 2012 for THE HOUSE I LIVE IN. His other films include the Emmy award-winning REAGAN (HBO, 2011), THE TRIALS OF HENRY KISSINGER (BBC/Sundance, 2002) and FREAKONOMICS (Magnolia, 2010). In 2002, Jarecki wrote and directed the dramatic feature THE OPPONENT for Lions Gate Films. 

A public intellectual on domestic and international affairs, Jarecki has been named a Soros Justice Fellow at the Open Society Institute and a Senior Fellow at Brown University's Watson Institute for International Studies. He has appeared on The Daily Show with Jon Stowart, Charlie Rose, The Colbert Report, FOX News, CNN, and many other outlets, while also being featured in the New York Times, the Washington Post, the Financial Times, the New Yorker, Vanity Fair, and GQ, among others. As Founder and Executive Director of The Eisenhower Project, a public policy group dedicated to promoting greater public understanding of the forces that shape U.S. foreign and defense policy, he published the 2008 book The American Way of War: Guided Missiles, Misguided Men, and a Republic in Peril (Simon & Schuster). He is also the creator of Move Your Money, a 2010 online video that sparked a national movement to shift personal banking away from "too big to fail" banks into community banks and credit unions in 2010. To date, more than 4 million Americans have "moved their money." 

Mentored in his youth by legendary filmmaker Melvin Van Peebles, Jarecki worked as a stage director before turning to film. When he was 21, his first short film Season of the Lifterbees was selected for screening at the Sundance Film Festival. Since then, he has continued to receive wide critical acclaim as both a dramatic and documentary director in film and television. "Combining the skills of journalist and poet," writes Variety writes, "Eugene Jarecki sets the gold standard for political documentaries." 

Often motivated by his outrage at areas of corruption, exploitation, or injustice in contemporary life, Jarecki's films combine compassion with rigorous inquiry, weaving story, emotion, and penetrating analysis into a human tapestry of unforgettable sounds and images.

  An Internship Seminar (IS331) Talk
2:00 pm – 3:30 pm CEST/GMT+2
For artists who are living the life they have always dreamed of, it’s easy to keep forgetting that. And if dreams are the easiest access we have to our inner selves, our subconsciousness, that part of our being is the most interesting for artists, since art also allows for experiences that can't be described in words. Our biggest challenge, then, lies in balancing our dreamy state of being with the state of being that has to run a label, recording studio, and get projects through funding processes.

Kaan Bulak is a composer and pianist who writes music, performs on stage with his ensemble and creates sonic experiences. Along the way, Kaan has started releasing electronic music and played live sets in clubs. In 2017 he was able to gather commissions by classically oriented institutions and moved over to classical stages to perform with his ensemble, as a soloist with symphony orchestras, and solo concerts. For electronically augmenting the grand piano, he co-designed a radial loudspeaker specifically for classical concert halls. With such speaker concepts and his label Feral Note, which focuses on music between electronic and acoustic sounds, his aim is to bring underground sounds, artists, and attitudes to classical stages.

  Bard College Berlin  1:00 pm – 1:45 am CEST/GMT+2
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

  Bard College Berlin  7:30 pm – 9:30 pm CEST/GMT+2

W16, Reading Room & Online  12:30 pm – 1:30 pm CEST/GMT+2
No matter if you are looking for a mini job, an internship, or a job for the time after graduation, job apps are omnipresent in our contemporary digital world. But what are the most common job apps in Germany? What are their up- and downsides? Learn more about different platforms, how to use them, and what might be different about them in Germany.

Join in person or remotely: https://meet.google.com/cab-dwca-gjf

12:30 pm – 1:30 pm CEST/GMT+2
In this campus talk, Prof. Ahmed Hmeedat will discuss the historical linearity of the Palestinian cause, as well as the importance of art and architecture in representing Palestine, reshaping political reality, and resistance. While acknowledging that art has aided the Palestinian cause, he believes that transitioning to aesthetic themes that emphasize the re-imagination of a better future will have a bigger impact on the decolonization process than investing in commemoration art. He'll address questions like, what does grievability in art mean? and to what extent does Palestinian art need grievability in the international art world?Ahmed Hmeedat holds a BA degree in International Law from Al-Quds Bard College in East Jerusalem (the only liberal arts college in the Middle East), also holds another an LL.M. in American Legal System from Syracuse University College of Law in Upstate New York; as well as a rich experience working in immigration law field (business and humanitarian immigration) and non-profit organizations in the United States.
 
He is also an artist who contributed to establishing the first Palestinian museum in Washington D.C., the Museum of the Palestinian People, in 2019. The opening co-exhibit, “Re-imagining A Future in Palestine” has featured some of Ahmed’s artwork. Ahmed is a self-taught artist who experiments with a variety of media, including watercolors, acrylic, oil, ink, and charcoal. Hmeedat’s art expresses the plight of the refugees and reminds people that the Nakba is an ongoing reality for Palestinians. His recent work, Searching for the Blue has been featured by Symposeum Magazine in the United States. 
 
Now, Ahmed works at Al-Quds Bard College- East Jerusalem, as Recruitment and Communication Officer, also teaches as an instructor in the Human Rights and International Law Program. His current spring course is Resistance, Art of Activism and Human Rights.

A Science & Religion Project Series Talk
7:30 pm – 9:00 pm CEST/GMT+2
The knowledge-making practices to which Europeans gave the name “science” became closely entangled with European colonization. In India, British colonizers found systematic forms of knowledge making that they deprecated as inferior to European science, while simultaneously converting them into European objects of knowledge to assist colonization. This process resulted in the development of “colonial sciences”, different knowledge forms brought together for purposes of colonial governance and resource extraction. What were the indigenous knowledge forms that the British encountered in India? How did they map onto the English word science? Did the making of the colonial sciences affect developments in post-colonial Indian science and technology? This lecture will consider these questions in order to understand what “science” means in India today.

Minakshi Menon is historian of science who studies natural knowledge making in colonial South Asia. She is a member of Research Group Krause at the Max Planck Institute for the History of Science, where she leads a Working Group on the seventeenth-century Dutch herbal the Hortus indicus malabaricus. She is currently working on a book manuscript with the working title Empiricism’s Empire: Natural Knowledge Making, State Making and Governance in East India Company India (1784-1840). She recently edited a special issue of the journal South Asian History and Culture on “Indigenous Knowledges and Colonial Sciences in South Asia” (2022).

A Science and Religion Talk
7:30 pm – 9:00 pm CEST/GMT+2
The most celebrated author in the history of German letters, Johann Wolfgang von Goethe, considered the investigation of nature to be his true calling. And while some aspects of his scientific project can easily be dismissed as romantic (his polemic against Newton’s theory of light), others were obviously ahead of their time (his work on comparative anatomy, of which Darwin took notice). But is there a meaningful connection between Goethe’s poetic talent and his approach to nature? What role can intuition play in a discourse dominated by well-defined concepts? What was Goethe’s contribution to scientific debates concerning teleology and mechanism? analysis and synthesis? induction and deduction? This session will inquire into the relation between science and poetry by comparing a scene from Goethe’s Faust I, in which Mephistopholes discusses natural science, with Goethe’s own reflections on the natural world.
 
Ross Shields has been a guest professor at Bard College Berlin since 2019. In Fall of 2022 he will join the Institute for Cultural Inquiry in Berlin to develop a project on Wittgenstein’s theory of linguistic models. He is currently working on a monograph titled The Critique of Pure Feeling: Goethe Reading Kant.
 

Online lecture series
3:00 pm – 4:30 pm CEST/GMT+2
In 2006, Esther Cooper Jackson, a renowned Black civil rights activist, social worker, and leftist thinker, participated in a community event in Harlem. Among many things, she also talked about her Cold War-era political activism and underlined that “more and more of us need to become internationalist.” What does this statement mean for transnational feminist solidarities today? How to pick up on Esther Cooper Jackson’s call thoughtfully and ethically? What are the prospects to engage with histories of socialist internationalism for social justice struggles today? To engage with these questions, I return to alternative histories of transnational feminist solidarities rooted in practices of socialist internationalism. Today, many past solidarities associated with the Soviet Union and socialist internationalism have been excluded from transnational feminist inquiry and devalued. However, our current ongoing context of the pandemic, rise of the global right, imperial violence, and authoritarian politics make obvious the transnational interdependencies and raise concerns about the possibility of feminist solidarity and care between distant communities. To approach the contemporary urgencies, I look at the link between past radical struggles in the U.S. and the former second world. In this way, I focus on alternative geographies of connection, togetherness, and solidarity that appear marginal, insignificant, or invisible for conventional historiographies and traditional geographic arrangements. For this talk, I will address why to study the various histories of socialist internationalism and what significance these stories can have for contemporary transnational feminist solidarities.

Tatsiana Shchurko is a researcher and queer feminist activist from Belarus. In 2021, she completed her PhD in the Department of Women’s, Gender, and Sexuality Studies at The Ohio State University. Her dissertation explores hidden or unclaimed histories of socialist internationalism for their relevance today. Specifically, Tatsiana explores the relations between Black women and state socialist women and “sister cities” solidarities to reevaluate how internationalist ideas and transnational mobility play a fundamental role in producing a sense of agency and resistance to global injustices.

This lecture series is jointly curated by faculty involved in Transnational Feminism, Solidarity, and Social Justice, a new project that offers a sustainable platform for students and professors from OSUN colleges to engage in rigorous academic work, express themselves freely, inspire each other through art, and work closely with local and international initiatives to further the feminist agenda for social justice. 

Other lectures in the Transnational Feminism, Solidarity, and Social Justice lecture series:  March 1, 4:00 pm CET: Poulami Roychowdhury, Capability and Incorporation: Pathways to Redress in the Aftermath of Violence May 3, 3:00 pm CET: Kristen R. Ghodsee, Red Valkyries: Feminist Lessons From Five Revolutionary Women May 4, 3:00 pm CET: Naminata Diabate, Naked Agency / Protest: Between the Occult and the Internet For information on the Transnational Feminism, Solidarity, and Social Justice lectures from Fall 2021 >>

12:30 pm – 2:30 pm CEST/GMT+2
This semester's Senior Thesis Presentations are taking place from April 26 - May 9. The presentations are an essential step towards graduation for every senior and they are an established and cherished event in the BCB academic year. 

Tuesday, 26 April, 2022  Gil Gabman — The Effects of Unlimited Vacation Policy on Employees in the Israeli Tech Sector Adam Hardaker — Knowing What You've Done: Self-Assessments and "Green Identity" as Predictors of Environmental Impact Ava Simonds — Illusion and Doubleness: Rousseau's Formulation of Political Rootedness in Emile, or On Education
Wednesday, 27 April, 2022 Nicholas Fellows — Habermas's Public Sphere in the Age of Digital Reproducibility: Democratic Deliberation in Shopper's Heaven Yazan Mahboub Alhara — Smart Social Contracts: A Discourse on the Political Philosophy of Decentralized Pacts Maxwell Ennis  — The Ideal Leader on the Threshold of Christianization and Secularization (Tecosca Cormaic and The Prince) Amr Al Jaber — The Future of Money: A Comparison between Central Bank Digital Currencies and Stablecoins 
Thursday, 28 April, 2022 Joshua Lucy — Who Watches the Watchmen: Graphic Novel as a Reflection of American Political Life 
Friday, 29 April, 2022 Joey Walsh — The Representation of National Politics through the Arts, Architecture, and Industry at the 1937 Paris World's Fair Lejla Zjakic — Awakenings: The New Art Practice in late 1960s Socialist Yugoslavia  Adele Martin — Restitution as a Tool: Decolonizing the Ethnographic Museum Maya Chami — What Power Does Music Have? The West-Eastern Divan Orchestra and Barenboim-Said Akademie as a Musical Institution in the Face of Political Conflicts 
Monday, 2 May, 2022  Liza Tabliashvili — Hidden in Plain Sight: Soviet Imperialism and the Construction of Ethnicity in Soviet Member Republics Emma Morris — “Quod evenit in labyrintho properantibus: ipsa illos velocitas inplicat”: The Maze and Anxiety in Chapter IX of House of Leaves by Mark Z. Danielewski Rafat Alkotaini — Feather and Keffiyeh Angela Li — Truth to Feeling: Authority in Autofiction
Tuesday, 3 May, 2022 Khalil Hammod — Three Visions of Surveillance: a Comparative Assessment Amineh Sawan — Gender Roles and Women Political Participation: Pre and Post 2011 Ehab Badwi — Syrians in Exile: Challenges of Building a Diaspora Community in Germany Sohaib Al Zoubi — Wait, Compete or Leave to Grow? How Do Different States/Political Systems Deal with Cryptocurrencies and Blockchain Isabel Pisarsky — Neoliberalism Reinvented: Understanding Tactics of Variegated Populist Nationalism Julian Thielman — On The Possibility of Post-Keynesian Neo-Keynesianism: A History of Transformations in The Welfare State, Organized Labor, Technology, and the International Economic Order Lucas Engel — Chinese Debt-Trap Diplomacy in Africa: Fiction of Fact Evaluating the Truth Content of Debt-Trap Allegations and Win-win Rhetoric in Four Resource-rich African Countries Parviz Khyber — When does state-building fail? Comparing Germany and Afghanistan
Wednesday, 4 May, 2022  Owen Salamunovich — Intersectionality in the Face of Commodification: The Underground Music Scenes of Berlin since the 1990’s to Present Ira Vengurlekar — Paulo Freire's Ideas on Critical Pedagogy and Their Implementation: A Case Study of the Waldorf and Krishnamurti Foundation India Schools Enkhbujin Ochirbat — The Economics of NFTs: An Art Market Revolution or a Passing Trend? Noor Ender — Fables of the Mundane: The Mythic Functions of Autofiction
Thursday, 5 May, 2022 Skye Eytina — The Change in the Image and Visibility of the Black American Female Rapper Erick Moreno Superlano — Coloniality of Power and the UNHCR: A Critical Analysis of Representational Practices in Venezuela's Caminantes Marija Stefanovska — Unemployment, Job Guarantee, and the EU Framework: An Analysis
Friday, 6 May, 2022  Naama Simon — A Different Model: Reimagining The Family in Tarbut Movement, Israel Samet Güçlü — İkizdere: The Depot of Life Amelia Sheesley — Scents of Beauty: An Investigation into the Aesthetic Experience of Olfactory Art Flora Keene — Reimagining a Future in the Face of Climate Adversity: An Analysis of the Work of Julie Mehretu Blue Zahra Lonergan — The Magical Rite of Imazighen Body Art Jakov Sharevski — Democratic Backsliding in Eastern Europe Post EU Membership (2003-2021) Ahmad Denno — Representation and Political Participation of Citizens with Migration Backgrounds in Germany
Monday, 9 May, 2022 Jhonatan Garcia — The Influence of the Drug Cartels in Mexican Politics and Society Daniela Lima da Silva — The real “problem with the favelas”: Questioning state action and social dynamics in Rio de Janeiro’s slums Shreya Shukla — How is Music Used as Resistance to Protest Indian Occupation in Kashmir? Aidan Maloof — Method in Madness? Divining a Foreign Policy Doctrine in the Trump Whitehouse

Online Event  7:30 pm – 9:00 pm CEST/GMT+2
This is a short introduction on options and possibilities to stay in Germany after graduation. We will look at work permits, seeking-work permits, continuing study permits etc. However, be aware, this is only informational, BCB cannot actually help you to apply for a permit if you are no longer enrolled.

5:30 pm – 8:00 pm CEST/GMT+2
We cordially invite you to the public presentation and exhibition of art works from this year’s graduating cohort.

For the first time at BCB, graduates had the opportunity to add a creative component to their final thesis project. The outcomes of this creative research include painting, creative writing, olfactory art and performance.

Please join us in celebrating this special occasion!
Works by Amelia Sheesley, Amineh Sawan, Flora Keene, Leijla Zjakic, Rashana Shabazz.

a series of workshops, talks, and info sessions
7:30 pm – 8:30 pm CEST/GMT+2
BCB Careers and Civic Engagement are once more teaming up for a two-week "From Passion to Profession" program. This program focuses on practical guidance in preparation for post graduation as well as turning one's passion into a career. 

Upcoming events: April 21, 730 pm CET: Xenia Muth & Faiza zu Lynar, Funding & Fundraising April 25, 7:30 pm CET: Greta Fortwengel, Visa Session April 27, 12:30 pm CET: Elena Esser, Job Apps May 2, 7:30 pm CET: Judith Weber, Post-Grad Options in Germany & Abroad May 5, 1:00 pm CET: Xenia Muth & Faiza zu Lynar, OSUN Networking for your Career and Engagement  May 5, 7:30 pm CET: Tina-Marie Joaquim, How to Find a Job

Bard College Berlin  7:30 pm – 8:30 pm CEST/GMT+2
Brainstorm and get information on fundraising strategies! Join to find out where to get started with funding for your project idea.
This is a hybrid event, drop by in W16 or join online.

  Online Event  1:00 pm – 2:00 pm CEST/GMT+2
The topic of this open Student Life Committee meeting is CONNECTIONS TO PANKOW:

Here are some questions to guide our conversation:
How do we connect with our neighbors? In Pankow and in Berlin?
How can we build relationships with the people near campus, through events, community projects, etc.

1:00 pm – 2:30 pm CEST/GMT+2
What are Critical Muslim Studies (CMS)? How can CMS inform your academic journey including research and practice?

In a post-migration Europe, what can we learn from critical theories that find their origins outside of the eurocentric worldview? How can theories of emancipation be implemented to create safe spaces for self-critic and self-development for marginalized groups? Is it possible without betraying the origin of the tradition and belief? Without being instrumentalized in one's own essentialization?

This talk will highlight how Hasnaa Mukhtar accidentally got introduced to CMS and how it positively influenced, shaped, and informed her doctoral research on gender-based violence in Muslim communities and advocacy for the intervention and prevention of the issue.

Hasnaa Mokhtar is the Postdoctoral Associate at Rutgers University’s Center for Women’s Global Leadership. She holds a Ph.D. from Clark University and her dissertation focused on narrative power and the invisible trauma of gendered violence in Kuwait. She is a scholar, researcher, and activist, with expertise on the Arabian Gulf, focusing on narratives of Muslim survivors of gender-based violence. Hasnaa’s writings have been published in mainstream media and in academic journals. Previously, Hasnaa served as the executive director of the Center for Nonviolent Solutions in Worcester, MA, and more recently as the special program director at Peaceful Families Project.

This event is in partnership with the Consortium on Forced Migration, Displacement and Education and is funded by The Andrew W. Mellon Foundation.  

  Bard College Berlin  1:00 pm – 1:45 am CEST/GMT+2
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

  Bard College Berlin  7:30 pm – 9:30 pm CEST/GMT+2

  Bard College Berlin  1:00 pm – 1:45 am CEST/GMT+2
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

  Bard College Berlin  7:30 pm – 9:30 pm CEST/GMT+2

 

8:00 pm – 9:30 pm CEST/GMT+2
Food will be served after Maghreb prayer (approx. 8 pm) in the garden behind K24. In case of bad weather the event is postponed.

Let’s come together and celebrate Ramadan, sharing our traditions from back home and creating new ones. We will be preparing some food together from 6 pm in the kitchen of K24 for those who are interested (please let us know if you are coming so we can keep in line with the Corona regulations). 

Afterward, we will enjoy the evening hanging out, socializing, and of course with Iftar and food. There will be vegan and meat options. We will take care of the food basics and drinks. You just need to show up!

With this Iftar, we would like to celebrate openness and acceptance of individual relations to spirituality and tradition. All are invited No matter if you are practicing, less-practicing or non-practicing, or non-Muslim.

Looking forward to seeing you all...
 

  Bard College Berlin  1:00 pm – 1:45 am CEST/GMT+2
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

  Info & Exchange Meeting on Current Volunteer Options for Refugees from Ukraine
(in person/online meetup)
Bard College Berlin  12:00 pm – 1:00 pm CEST/GMT+2
Description:The war in Ukraine has been going on for nearly 6 weeks. Millions of people have had to flee their homes, thousands are arriving in Berlin every day. Some have contacts in Germany, others are facing a completely unknown and uncertain future and need to rely on local support.
Many people in Berlin, including BCB students, faculty and staff, have been active in support of people affected by the war over the past weeks. We invite the BCB community to get together to exchange experiences and ideas for meaningful engagement and consider options for getting involved.

  Info & Exchange Meeting on Current Volunteer Options for Refugees from Ukraine
(in person/online meetup)
7:30 pm – 8:30 pm CEST/GMT+2
The war in Ukraine has been going on for nearly 6 weeks. Millions of people have had to flee their homes, thousands are arriving in Berlin every day. Some have contacts in Germany, others are facing a completely unknown and uncertain future and need to rely on local support. 

Many people in Berlin, including BCB students, faculty and staff, have been active in support of people affected by the war over the past weeks. We invite the BCB community to get together to exchange experiences and ideas for meaningful engagement and consider options for getting involved.

  Bard College Berlin  7:30 pm – 9:30 pm CEST/GMT+2

A guest lecture hosted by the Science and Religion Project
7:30 pm – 9:00 pm CEST/GMT+2
The current discourse on diversity and its evaluation has not one root, but many. It ties together developments in the fields of biology and bioethics, aesthetics and economy, law and global justice. Somehow the concept ‘diversity’ has managed, in particular in the arena of politics, to bring the heterogenous problems associated with these diverse fields under one heading. An important background for this success story is the rich cultural history of ‘diversity’. It comprises ancient narratives about divine creation, paradise and Noah’s ark as well as political ideas of cultural pluralism, egalitarianism and non-hierarchical representation of individuals. In his talk, Toepfer will focus on the Christian elements in this long history. They refer, among other things, to a more respectful attitude toward animals than the Romans had in ancient times, to debates about the emergence of a “diversity” of ecclesiastical orders, each with different rules (diversitas statutorum), in Medieval times, and the “diversity images” in the physico-theological context of Early Modern times that put the logic of diversity into the visual sphere by showing an egalitarian, non-hierarchical representation of diverse living things.
 Georg Toepfer is co-director of the research area “Lebenswissen” at the Leibniz-Center for Literary and Cultural Research (ZfL) in Berlin. He studied biology and philosophy and received his diploma in biology from the University of Würzburg, his PhD in philosophy from the University of Hamburg and a post-doctoral degree (habilitation) in philosophy from the University of Bamberg. His principal area of research is the history and philosophy of the life sciences, with a special focus on the the transfer of concepts between biology and other fields. Major publication: Historisches Wörterbuch der Biologie. Geschichte und Theorie der biologischen Grundbegriffe (3 vols., Metzler 2011). This event is part of a series of seminars organized by the BCB Science & Religion Project, a part of the Oxford-led project "New Horizons for Science and Religion in Central and Eastern Europe" with support from the Templeton Foundation.

Hybrid Lecture Series
7:30 pm CET, the Factory and Online
7:30 pm – 9:00 pm CEST/GMT+2
Raphael Moussa Hillebrand will talk about his unusual background and education as a dancer in hip hop, about his choreography, working with children and difficult groups, his international projects, and about his work as a politician. Raphael is the first person of color to receive the prestigious German Dance Award (2020) recognizing his unique contributions in the fields of hip-hop, choreographic innovation, and community integration. Born in Hong Kong to German and West African parents, raised in Berlin, Raphael came to dance through B-Boy battles (Winner of Battle of the Year, 2006) and hip hop practice. He has a masters in choreography from the Ernst Busch Hochschule (HZT) and works regularly with/for the German Goethe Institute on international projects. He has choreographed “Der Rap des Niebelungen”, toured extensively, and is deeply engaged with Die Urbane — the political party in Germany intent upon using the positive energy in hip hop to help foster a culture that supports the best in each individual, to challenge high vs low culture, and to redefine freedom in the context of urban spaces.

This event is part of the lecture series: "Dance and Community Building: Utopian Practice in the 21st Century" which is funded by the Mellon Consortium on Forced Migration, Displacement and Education.

Join on zoom >>

Info Session
12:30 pm – 2:00 pm CEST/GMT+2
The BCB Internship Program gives you the opportunity to gain an off-campus workplace experience in a field that interests you. You can work 10-13 hours/week in an internship while also exploring various questions regarding work in the internship seminar taught by Asli Vatansever and Florian Duijsens. Most internships are generally unpaid, but you can earn academic credits through the internship seminar. If you are a current or upcoming third-year student and curious about BCB’s Internship Program and the opportunity to gain practical experience alongside your studies while interning for an organization/individual in Berlin, please save the date and join us!

  Bard College Berlin  1:00 pm – 1:45 am CEST/GMT+2
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

Bard College Berlin  7:30 pm – 9:30 pm CEST/GMT+2
Join the screening and discussion of "2040": A film investigating numerous solutions that can contribute towards climate mitigation and imagining what a future would be like where they have been implemented at scale.

With the contribution of course participants of this semester's "Civic Engagement" course (student contact for this event: Jeanne).

Online Event  7:30 pm – 9:00 pm CEST/GMT+2
What do I want from my career?
What are my core values?
What activities do I most enjoy, professionally or in my free time?
What are my interests?
What are my strengths and aptitudes? Soft skills and hard skills?
Do I want to specialize in certain technical skills or take on a management role?
etc.

Learn more about how to join the UN, GIZ, Foreign Service, or work for the Goethe-Institute. Or are you planning to create your own business or NGO and follow your creative and artistic profession?

  Bard College Berlin  7:30 pm – 9:30 pm CEST/GMT+2

Share your idea and win a food container!
Bard College Berlin  12:30 pm – 2:00 pm CEST/GMT+2
The food industry is a major contributor to climate change. At the same time, climate change is likely to diminish continued progress on global food security through production disruption. Limiting our own household's food waste is a first step in response to this global issue that anyone can take. Posters and flyers on tips on limiting food waste will be put up around campus to raise awareness of how everyone can be more mindful when food shopping, how to store food correctly, and recipes on how to limit our food waste.

Take part in our ideas competition on campus by sharing a tip for more sustainable food consumption. The best four ideas will be rewarded with a nice food container!

With the contribution of course participants of this semester's "Civic Engagement" course (student contact for this event: Lovisa).

The "Limiting Food Waste Ideas Competition" is part of the Climate Week at BCB, that was prompted by the Worldwide Teach-In on Climate and Justice on March 30, 2022. It is an invitation to a joint reflection and discussion of the global challenges posed by changing climate, identifying both how we and the societies we live in contribute to the climate disaster, and what are possible local & personal responses to address it.

Bard College Berlin  12:30 pm – 2:00 pm CEST/GMT+2
Clothing swap events encourage us to develop a greater awareness of what we actually need and use, and to circulate the clothes we have in our community. They present a way of changing our wardrobe without leaving a carbon footprint. We also see Tuesday's event as an opportunity to discuss consumption patterns in our society and how the fashion industry is contributing to climate change.

The Clothing Swap is part of the Climate Week at BCB, that was prompted by the Worldwide Teach-In on Climate and Justice on March 30, 2022. It is an invitation to a joint reflection and discussion of the global challenges posed by changing climate, identifying both how we and the societies we live in contribute to the climate disaster, and what are possible local & personal responses to address it.

an Info Session
7:30 pm – 9:00 pm CET/GMT+1
Come to this info session to learn the proper and most effective way to write a cover letter.

An Online Talk
7:00 pm – 8:00 pm CET/GMT+1
Fred Abrahams is presenting a talk and conversation on documenting violations and seeking justice in the Ukrainian war. 

Fred Abrahams is Associate Program Director at Human Rights Watch in Berlin, responsible for training HRW's research staff, developing research methodology, and supervising work by the Crisis & Conflict and Technology & Human Rights divisions. He has documented human rights and laws-of-war violations in places such as Albania, Bangladesh, Iraq, Kosovo, Lebanon, Libya, Sri Lanka, Syria and Israel, Gaza and the West Bank. Abrahams has a bachelor's degree in German and International Studies from Washington University and a master's in International Affairs from Columbia University's School of International and Public Affairs. He previously taught at Columbia University and The New School in New York and is currently offering the BCB course "Making the Case: Human Rights Research and Reporting."

  Online Event  1:00 pm – 2:00 pm CET/GMT+1
The topic of this open Student Life Committee meeting is COMMUNICATION.

Here are some questions to guide our conversation: What channels of communication exist? How do we share information in these channels? Can we streamline our email communication? If so, how? How do students receive and process information about happenings at the college, events, important information, etc.? Is there a difference between information on the public website vs an internal one? What role do community spaces play in communication of campus information? What solutions can we find for Covid-19 and for the Cafeteria space? How do we engage in conversations around difficult topics?

  Bard College Berlin  1:00 pm – 1:45 am CET/GMT+1
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

Factory Performance Space  9:00 am – 12:15 pm CET/GMT+1
BCB students are invited to join Nina Tecklenburg's class Postdramatic and Contemporary Theater in Berlin for an open workshop with the performance collective Henrike Iglesias.

“MY DEAR BELLY” - Theater collective Henrike Iglesias invites BCB students to a three-hour theatrical experiment involving sound, live video, writing and performance, using those tools to work on topics like beauty, body positivity and self-love. Malu and Marielle, two members of Henrike Iglesias, will do their best to rebuild a rehearsal space for our students, in which they can try out some of the strategies the collective has been using to generate scenes for their shows. Throughout the workshop the students will get the opportunity to perform themselves and/or support others in working on their scenes. No previous knowledge needed, only open minds and hearts. 

The workshop will take place in the factory performance space. Participation is limited to a total of 14 students. 

HENRIKE IGLESIAS, a theater collective based in Berlin and Basel, has been working together since 2012. Henrike’s permanent crew includes Anna Fries, Laura Naumann, Marielle Schavan, Sophia Schroth, Eva G. Alonso and Malu Peeters. They understand pop cultural and mass media phenomena as a mirror of social conditions and grievances and have made it their mission to illuminate them from feminist perspectives. Together and in smaller constellations, as well as with various collaborators they do performance theater, installations, parties and much more, if you ask. 
 
MARIELLE SCHAVAN, born in Düsseldorf in 1991, has studied creative writing and Inszenierung der Künste und der Medien at the University of Hildesheim and now works as a performer, dramaturg and writer and also does social work. 

MALU PEETERS, born in The Netherlands in 1984, studied Composition and Image & Sound at the Royal Conservatory of The Hague and makes (spatial) sound and music for performing arts, XR installations, radio and experimental film.

  Bard College Berlin  7:30 pm – 9:30 pm CET/GMT+1

  Bring poetry from your culture and share it with the community
Bard College Berlin  7:00 pm – 9:00 pm CET/GMT+1
For this years' Weeks Against Racism we have planned a poetry night for students to share a piece of their culture with the community. Bring a piece of writing of your choice and read it at W15. It can be in any language and on any topic of your choosing. Feel free to also bring a snack from your country. We will have a discussion together about the poetry and learn more about where the members of this community come from. There will be drinks and pizza and a celebration of our diversity!
If you are interested in coming, please register and feel free to submit your piece of writing if you would like it to be printed.

 

A Global Modernisms Lecture
4:00 pm – 5:15 pm CET/GMT+1
During the first half of the twentieth century, an epochal period defined by two world wars, fascism, and the British empire’s disintegration, a set of intertextual lyric routes circulate between Bengali, Spanish, and Portuguese-language poets (although none of them could read the other’s poetry in the original language). These “lyric routes” between the peripheral but high modernist metropoles of Buenos Aires, Calcutta, Havana, Mexico City, and Santiago are pivotal in reshaping key aesthetic debates and poetic experiments reflexively cognizant of the limits of European discourses of Westphalia and “civilization.” Moreover, the often playful translations of verse from a previous translation, rather than the language of the original text, render new poetic forms and philosophies of language for critical concern.

This lecture focuses on the specter of Rabindranath Tagore’s verse and celebrity in Latin America during a pivotal moment of world decolonization during the interwar period. As intellectual, art, and literary historians demonstrate, not just Tagore’s Nobel Prize recognized oeuvre and prose-poem Gitanjali, but a number of earlier writings, dramatic plays, doodles, and paintings come to yield enormous influence on major Latin American poets, philosophers, and intellectuals. Yet the translations and incorporations of Tagore’s poetic-philosophy by Gabriela Mistral, Pablo Neruda, Jose Lezama Lima, Victoria Ocampo, and (eventually) Octavio Paz are not mere passive translations but offer a critical reservoir of lyric transculturation registering a specifically modernist disenchantment with European modernity. At stake in this comparative framing is not just a story of reception between South Asia and Latin America, but critical reconfigurations of the political ideals of universality as world-making through poesis.

Munia Bhaumik is the Program Director of Mellon Social Justice Curricular Initiatives at the University of California, Los Angeles and an award-winning scholar of comparative literature, politics, and law. Her research and teaching critiques racial and gender inequities as well as the multiple social factors impacting whose lives count before the law. Dr. Bhaumik received her PhD in Comparative Literature from the University of California, Berkeley before joining the faculty at Emory University in Atlanta where she engaged with new Asian/Latinx immigrant and African American community voting rights alliances in the South, while also developing a vibrant undergraduate degree program in comparative literature and critical theory. Based on her research about noncitizens as the “uncounted,” data and democracy, as well as on poetry as political action across the Global South, she received the prestigious Stanford Humanities Center, Herman Melville Society, and Cornell Society for the Humanities faculty awards. Prior to entering academia, Dr. Bhaumik also spent a decade as a primarily Spanish-speaking labor/community organizer on the staff of leading progressive organizations in Los Angeles shaping national debates about social justice through direct action. Equally motivated by the humanities as by social movements, particularly the ethical dilemmas communities-of-color are mobilizing in this global (post)metropolis, her work brings to attention research protocols in alliance with the demands for abolition and noncitizen citizenship as well as multilingual, queer, migrant, worker, healthcare, and Black equal rights.

This is the third lecture in the Global Modernisms lecture series.  Global Modernisms is a collaboration among OSUN institutions that focuses on modernism’s transnational exchange, aiming to open up the modernist canon and integrate approaches to teaching and research on modernism.

  Bard College Berlin  1:00 pm – 1:45 am CET/GMT+1
Join us for a drop-in conversation during lunch break to chat about the Open Society University Network (OSUN) and the opportunities it provides for students. Financial support for thesis research, project grants, student conferences and much more is available to students in the global OSUN network. https://opensocietyuniversitynetwork.org/opportunities/

  Bard College Berlin  7:30 pm – 9:30 pm CET/GMT+1

  Bard College Berlin  7:30 pm – 9:00 pm CET/GMT+1
With Spring Break approaching, you may be wondering:
-How can I have an awesome trip without awesome amounts of funds?
-What is the difference between Interrail and Eurail, and should I even care?
-Where am I supposed to sleep?
-How do I travel solo?
-How do I stay safe/stay healthy/convince my mother that I won't be kidnapped?

We have answers! Welcome to Euro Travel on the Cheap with Tina, who has traveled 55+ countries on a budget and takes personal satisfaction in finding flights for less than €20.

At this session, we'll talk magic flight deals, the pros and cons of group tours, and all the poorly advertised Deutsche Bahn and VBB tickets you never knew about.

St. Maria Magdalena  6:00 pm – 7:00 pm CET/GMT+1
Bard College Berlin Class "Berlin, City of Music: A History of Western Classical Music Made in the Hauptstadt" is hosting an evening of musicality for the community.  The students will give a lecture-demonstration followed by a concert performed by BCB Faculty Paul Festa.  
All are welcome.  Entry free. Optional donations for Ukrainian refugees taken at the door.

6:00 pm: History and Analysis –
by: Chibuzo Ezekwenna, Emily James, Jiayao Gao, Naama Simon, Tymoteusz Schodowski

6:30 pm: Paul Festa Concert
violin, Partita #2 in d minor for solo violin by J.S. Bach, 1720

  2:00 pm – 7:00 pm CET/GMT+1
On behalf of OSUN’s Transnational Feminism, Solidarity, and Social Justice project we would like to warmly invite all OSUN students and faculty to a two-part workshop on collaborative research and teaching.

On Day One, we will hear three research presentations by OSUN faculty: Aysuda Kölemen (Bard College Berlin) will unpack the discourse and practice of everyday motherhood in contemporary Turkey, Elena Kim (American University of Central Asia) will share her research on child marriage, and Allison McKim (Bard College) will reflect on the workings of race, gender, and drugs in the era of mass incarceration. After the presentations, we will split into break-out rooms to discuss our colleagues' work in more detail and explore how these individual research projects can be enriched by questions from different disciplines and geographical locations. After a short break, we will hear from two academic teams who are recipients of OSUN collaborative research grants: Angela Serrano (Universidad de los Andes), Magda Hinojosa and Camila Páez (both Arizona State University) will present their project titled “Tackling Gendered Labor Exploitation: Splits and Paths for Labor Unions and Feminist Movements in Latin America” and Haley McEwen (University of the Witwatersrand), Aiko Holvikivi and Tomás Ojeda Güemes (both London School of Economics) in collaboration with Billy Holzberg (King’s College London) will share their plans for an upcoming roundtable on “Transnational Anti-Gender Politics”. These two presentation will likewise be followed by discussion in break-out rooms.

Day Two will focus on teaching practices. We will kick off the workshop with three presentations on selected texts we are considering to assign in our network collaborative courses next academic year: Srila Roy (University of the Witwatersrand) will present on Angela Davis' Women, Race, and Class and Sara Salem's On Transnational Feminist Solidarity: The Case of Angela Davis in Egypt, Alys Moody (Bard College) on He-Yin Zhen’s “On the Question of Women’s Liberation” and her other selected writings, and Elena Kim (American University of Central Asia) and Agata Lisiak (Bard College Berlin) on Audre Lorde's Notes from a Trip to Russia. After discussing these readings in detail, we will move on to a more general discussion on possible texts, assignments, approaches, tools, connections, formats, and more that could help us to engage collaboratively with feminism, the arts, and social justice.   

Workshop will be hosted on Zoom.  

  1:00 pm – 2:30 pm CET/GMT+1
Join the Open Society University Network to learn how you could study abroad this Fall with OSUN institutions from Dhaka to Bogota and Berlin to Bulgaria.
 
Representatives from the following participating OSUN institutions will be present:
·      Al-Quds University - Bard College of Arts and Sciences
·      American University in Bulgaria
·      American University of Central Asia
·      Bard College Annandale
·      Bard College Berlin
·      Bard Globalization and International Affairs
·      BRAC University, Dhaka Bangladesh
·      Central European University, Vienna
·      Universidad de los Andes
·      University of the Witwatersrand

Please find the Zoom link in your emails.
 

Lecture, The Factory and online
7:00 pm – 8:30 pm CET/GMT+1
What lies in between theory and aesthetics? Situatedness and migration? Sounding and listening? Performing and perception? The Universal Self and the Colonial Other? What understandings transpire in imagining beyond social imaginations of racial, national, cultural, gender, or disciplinary borders and boundaries? What knowledges emerge through hearing? How can processes of soundings and listening transform us towards a postmigrant society? In this artist-talk, meLê yamomo speaks about his biography and philosophy as an artist-scholar migrating between continents, cultures, artistic practices, and academic disciplines.
 
meLê yamomo has lived in Lucena City, Los Baños, Metro Manila, Seoul, Bangkok, Warwick, and Munich, and now inhabits Amsterdam and Berlin researching, teaching, and creating performance/theatre and sound/music. He is an Assistant Professor of Theatre, Performance, and Sound Studies at the University of Amsterdam, the author of Sounding Modernities: Theatre and Music in Manila and the Asia Pacific, 1869-1946 (Palgrave Macmillan, 2018), and project leader and principal investigator of the projects »Sonic Entanglements« and Decolonizing Southeast Asian Sound Archives (DeCoSEAS). meLê is a resident artist at Theater Ballhaus Naunynstrasse where his creations Echoing Europe, sonus, and Forces of Overtones are on repertoire. meLê also curates the Decolonial Frequences Festival and hosts the Sonic Entanglements podcast. In his works as artist-scholar, meLê engages the topics of sonic migrations, queer aesthetics, and post/de-colonial acoustemologies. 

Open to the BCB community in person at The Factory.
To join online, please contact BCB Events.

This talk is part of the OSUN funded Research Creation Project.

Facebook >>

Hybrid Lecture Series
The Factory and Online
7:30 pm – 9:00 pm CET/GMT+1
Royston Maldoom is a pioneer in the field of Community Dance. He has initiated and worked at sustaining projects in Europe, Africa, South America, and Palestine. His work with 250 school children and the Berlin Philharmonic with Sir Simon Rattle, documented in the film Rhythm is It, inspired a generation of educators and fostered extensive funding for dance-artist residencies in the schools in Berlin. He has received an Order of the British Empire and a Bundesverdienstkreuz from the German government in recognition of his untiring work, along with numerous other international awards. Royston’s autobiography, Tanz um dein Leben (Fischer Verlag) was on the Spiegel bestseller list for over 23 weeks. He is a sought-after lecturer and workshop leader. Along with an overview of his projects, we will talk about the challenges he has faced in working with children and is currently facing in Palestine, and we will discuss his theories about "categories and strategies” to help define the word Community.

Royston trained at the Royal Ballet in London. His choreographies have been performed by Dance Theater of Harlem, Scottish Ballet, Ballet San Marcos (Peru). His group, Mercury Dance, won Bagnolet choreographic competition in Paris. Royston has created large-scale community-based projects for the London Symphony Orchestra, Ulster Orchestra, and the Scottish Symphony Orchestra.

This event is part of the lecture series: "Dance and Community Building: Utopian Practice in the 21st Century" which is funded by the Mellon Consortium on Forced Migration, Displacement and Education.

Join on zoom >>

Caste: Suture of Oriental and Occidental Mesh
Online Event  3:45 pm – 5:15 pm CET/GMT+1
Dr. Suraj Yengde is one of India’s leading scholars and public intellectuals. Named as one of the "25 Most Influential Young Indian" by GQ magazine and the "Most influential Young Dalit" by Zee, Suraj is an author of the bestseller Caste Matters and co-editor of award winning anthology The Radical in Ambedkar. Caste Matters was recently featured in the prestigious "Best Nonfiction Books of the Decade" list by The Hindu. Caste Matters is being translated in seven languages. 

Suraj holds a research associate position with the department of African and African American Studies. Suraj's recent appointment was Senior Fellow at the Harvard Kennedy School, a non-resident fellow at the Hutchins Center for African and African American Research, and was part of the founding team of Initiative for Institutional Anti-Racism and Accountability (IARA) at Harvard University. He has studied in four continents (Asia, Africa, Europe, North America), and is India’s first Dalit Ph.D. holder from an African university (University of the Witwatersrand, Johannesburg). He is an International Human Rights attorney by qualification from India and the UK.

Suraj has published over 100 essays, articles, and book reviews in multiple languages in the field of caste, race, ethnicity studies, and labor, migration in the global south. Currently, he is involved in developing a critical theory of Dalit and Black Studies. He has been nominated for India's highest literary award "Sahitya Akademi" and is a recipient of the "Dr. Ambedkar Social Justice Award" (Canada, 2019) and the "Rohit Vemula Memorial Scholar Award" (2018).

Suraj has worked with leading international organizations in Geneva, London, and New York. He is a co-convener of Dalit-Black Lives Matter symposium and the Dalit and Black Power Movement. He runs a monthly Ambedkar Lecture Series at Harvard. He is an associate editor of Southern Journal of Contemporary History.

His talk will discuss Dalit public and print sphere of the 19th – 20th century, the formation of Dalit consciousness and anti-Brahminism, the census and the role of the British in mismanaging this very important phase, and a critical take on postcolonial and subaltern scholarship. 
 

  Bard College Berlin  7:30 pm – 9:30 pm CET/GMT+1

  Students wishing to transfer credit towards the Bard College Berlin BA program should first consult their Academic Advisor. After this initial consultation, students should contact the Registrar’s Office for further information on the process and to formally request credit recognition. The semester deadline for requesting the transfer of credit is the end of week 5.  Students transferring to the BA program at the College must also follow this procedure in order to receive formal recognition of their previous university studies. 

  Bard College Berlin  7:30 pm – 9:30 pm CET/GMT+1

Online Event  9:10 pm – 11:00 pm CET/GMT+1
Although Italy's colonial empire had been small and short-lived, today numerous material traces - street names, monuments, buildings etc. - can be found in Italian public spaces. By marking physical locations on a digital map, the project Postcolonial Italy aims at making historical knowledge available to a large audience to stimulate a public debate on Italy's silenced colonial past. Material traces are not only geographically captured, but also - and this is crucial - historically contextualized. The map intends to recall the manifold connections between Italian public spaces and the colonial and fascist past, which often remains absent from collective memory.

This event is offered by Bard College, Annandale, as part of the Modernism and Fascism: Cultural Heritage and Memory course in cooperation with Bard College Berlin through Global Modernisms, an OSUN Network Collaborative Course.

Affiliations: Daphné Budasz (European University Institute, Florence), Markus Wurzer (Max Planck Institute for Social Anthropology, Halle/Saale)

Daphné Budasz is a PhD researcher at the department of History and Civilization of the European University Institute (EUI) in Florence. She studied history at Lausanne University and at Queen Mary University of London. She also completed a professional master degree in public history at Université Paris-Est Créteil. Daphné has worked for the French magazine L’Histoire and as an assistant curator for the House of European History in Brussels.
Her current PhD research deals with the history of race, cross-cultural intimacy and Indian migration in British East Africa (1895-1923). Besides her research, she is involved in several public history projects. She is notably one of the founders of the French public history organisation La Boîte à Histoire.

Markus Wurzer is historian and postdoctoral researcher at the Max Planck Institute for Social Anthropology in Halle an der Saale. He studied history and German language and literature at the Universities of Graz and Bologna. He was a research assistant and lecturer at the Department of History at the University in Graz as well as a university assistant at the Department of Modern and Contemporary History at the University in Linz. His research has taken him to the Austrian Historical Institute in Rome, the International Research Centre for Cultural Studies (IFK) in Vienna, the European University Institute (EUI) in Florence, Harvard University in Cambridge/MA and the European Academy (EURAC) in Bolzano/Bozen. He is co-coordinator of www.postcolonialitaly.com and member of the Steering Committee of “Evidence and Imagination – Special Editions”. Wurzer has received numerous prizes for his work, including the 2016 award of the Dr. Alois Mock Europa-Stiftung for his MA thesis and the 2019 award of the Theodor Körner Fonds for his dissertation. In his PhD thesis he focused on Italy’s colonial enterprise against Ethiopia (1935-1941) in visual culture and family memories. Drawing on the photographs of Italy’s German-speaking soldiers from the province of Bolzano/Bozen as a case study, the thesis explored private photographic practices, the construction and diffusion of colonial (and fascist) visual culture, and followed its persisting traces in family memory until the present day.

Online Lecture Series
4:00 pm – 5:30 pm CET/GMT+1
Gender-based violence is a heavily politicized issue in India with diverse organizations supporting women’s legal claims. Meanwhile, law enforcement personnel are both sexist and have limited abilities to enforce the law. How do women claim rights within these conditions? How do rights negotiations impact gender inequality, legality, and state authority? Using participant observation and in-depth interview data, Roychowdhury shows how women are compelled to demonstrate “capability” when they claim rights against violence. Law enforcement personnel respond favorably to women who mobilize collective threats and do the work of the state themselves, while ignoring women who are meek and docile. They incorporate “capable” women into regulatory functions, urging them to complete case processing duties, negotiate extra-legal settlements, and deploy violence. The talk urges listeners to reconsider existing theories of law and gender-based violence, arguing that the study of India may house insights for how law enforcement relates to survivors in other parts of the world.

Poulami Roychowdhury is Assistant Professor of Sociology at McGill University. Her research focuses on politics, law, and gender. She has published in a range of journals, including the American Journal of Sociology, Law & Social Inquiry, Gender & Society, and Signs. In this lecture, she will be talking about her recent book, Capable Women, Incapable States: Negotiating Violence and Rights in India, published with Oxford University Press in 2021.

This lecture series is jointly curated by faculty involved in Transnational Feminism, Solidarity, and Social Justice, a new project that offers a sustainable platform for students and professors from OSUN colleges to engage in rigorous academic work, express themselves freely, inspire each other through art, and work closely with local and international initiatives to further the feminist agenda for social justice. 

  1:00 pm – 2:00 pm CET/GMT+1
The topic of this open Student Life Committee meeting is COMMUNITY.

Here are some questions to guide our conversation: How can we build community as BCB? How do we encourage students to be involved, to start clubs, to attend events? How can we work around the barriers to being in-person from COVID and the need for community gathering spaces? How do we combat the feelings of isolation from the pandemic? What do we want our community to look like? What are our community values? How do we make sure everybody feels included and is treated equally?

 

Online Lecture Series
Transnational Feminism, Solidarity, and Social Justice builds on the inspiring accomplishments of recent courses and initiatives offered at various OSUN colleges and universities and acknowledges the importance of transnational feminism as a toolkit for social-justice activism.

Transnationalism has been a key element of socialist and intersectional feminist movements from their very inception. In the early twentieth century, Clara Zetkin and Alexandra Kollontai worked together closely to advocate for the rights of women workers everywhere. African-American poet, teacher, and activist Audre Lorde connected with her peers across the world – including Black women in Germany – to jointly develop strategies for survival and battle sexual, racial, and class oppression. More recently, scholars and activists Cinzia Arruzza, Tithi Bhattacharya, and Nancy Fraser, in their Feminism for 99%, have built on the accomplishments of the International Women’s Strike (2017) and mobilized for feminist solidarity across borders.

Transnational Feminism, Solidarity, and Social Justice seeks to develop the promising connections available via OSUN to foster feminist collaborations in academia and beyond. It offers a sustainable platform for students and faculty from OSUN institutions to engage in rigorous academic work, inspire each other through artistic practice, and work closely with local and international initiatives to further the feminist agenda for social justice. 

Partners:
Participating faculty come from disciplines ranging from political science through law to media studies and literature: Al-Quds Bard College  American University of Central Asia (Elena Kim, Mokhira Suyarkulova) Bard College (Allison McKim, Alys Moody) Bard College Berlin (Cassandra Ellerbe, Aysuda Kölemen, Agata Lisiak) University of the Witwatersrand (Srila Roy) Off-University (Nevra Akdemir, Carmel Christy)Upcoming lectures: March 1, 4:00 pm CET: Poulami Roychowdhury, Capability and Incorporation: Pathways to Redress in the Aftermath of Violence April 26, 3:00 pm CET: Tatsiana Shchurko, From Harlem to Tashkent: Rethinking Histories of Socialist Internationalism for Transnational Feminist Solidarities May 3, 3:00 pm CET: Kristen R. Ghodsee, Red Valkyries: Feminist Lessons From Five Revolutionary Women May 4, 3:00 pm CET: Naminata Diabate, Naked Agency / Protest: Between the Occult and the Internet For information on the Transnational Feminism, Solidarity, and Social Justice lectures from Fall 2021 >>

Project leader: Agata Lisiak (Bard College Berlin)

Project assistant: Liza Tabliashvili (Bard College Berlin)

Global Modernisms

Global Modernisms is a collaboration among OSUN institutions that focuses on modernism’s transnational exchange, aiming to open up the modernist canon and integrate approaches to teaching and research on modernism. The Project is led by BCB Faculty Prof. Dr. Laura Scuriatti and Prof. Dr. James Harker, with colleagues from the American University in Beirut, Bard College in Annandale, and the Universidad de Los Andes in Bogotá.

Daphné Budasz and Markus Wurzer: Public Spaces and the Material Presence of Empire's Memory in Italy
Tuesday, March 1, 2022
9:10 pm – 11:00 pm CEST

Although Italy's colonial empire had been small and short-lived, today numerous material traces - street names, monuments, buildings etc. - can be found in Italian public spaces. By marking physical locations on a digital map, the project Postcolonial Italy aims at making historical knowledge available to a large audience to stimulate a public debate on Italy's silenced colonial past. Material traces are not only geographically captured, but also - and this is crucial - historically contextualized. The map intends to recall the manifold connections between Italian public spaces and the colonial and fascist past, which often remains absent from collective memory.

This event is offered by Bard College, Annandale, as part of the Modernism and Fascism: Cultural Heritage and Memory course in cooperation with Bard College Berlin through Global Modernisms, an OSUN Network Collaborative Course.

Daphné Budasz is a PhD researcher at the department of History and Civilization of the European University Institute (EUI) in Florence. She studied history at Lausanne University and at Queen Mary University of London. She also completed a professional master degree in public history at Université Paris-Est Créteil. Daphné has worked for the French magazine L’Histoire and as an assistant curator for the House of European History in Brussels.
Her current PhD research deals with the history of race, cross-cultural intimacy and Indian migration in British East Africa (1895-1923). Besides her research, she is involved in several public history projects. She is notably one of the founders of the French public history organisation La Boîte à Histoire.

Markus Wurzer is historian and postdoctoral researcher at the Max Planck Institute for Social Anthropology in Halle an der Saale. He studied history and German language and literature at the Universities of Graz and Bologna. He was a research assistant and lecturer at the Department of History at the University in Graz as well as a university assistant at the Department of Modern and Contemporary History at the University in Linz. His research has taken him to the Austrian Historical Institute in Rome, the International Research Centre for Cultural Studies (IFK) in Vienna, the European University Institute (EUI) in Florence, Harvard University in Cambridge/MA and the European Academy (EURAC) in Bolzano/Bozen. He is co-coordinator of www.postcolonialitaly.com and member of the Steering Committee of “Evidence and Imagination – Special Editions”. Wurzer has received numerous prizes for his work, including the 2016 award of the Dr. Alois Mock Europa-Stiftung for his MA thesis and the 2019 award of the Theodor Körner Fonds for his dissertation. In his PhD thesis he focused on Italy’s colonial enterprise against Ethiopia (1935-1941) in visual culture and family memories. Drawing on the photographs of Italy’s German-speaking soldiers from the province of Bolzano/Bozen as a case study, the thesis explored private photographic practices, the construction and diffusion of colonial (and fascist) visual culture, and followed its persisting traces in family memory until the present day.

Dr. Suraj Yengde: Caste: Suture of Oriental and Occidental Mesh
Thursday, March 10, 2022            
3:45 pm – 5:15 pm CEST
Dr. Suraj Yengde is one of India’s leading scholars and public intellectuals. Named as one of the "25 Most Influential Young Indian" by GQ magazine and the "Most influential Young Dalit" by Zee, Suraj is an author of the bestseller Caste Matters and co-editor of award winning anthology The Radical in Ambedkar. Caste Matters was recently featured in the prestigious "Best Nonfiction Books of the Decade" list by The Hindu. Caste Matters is being translated in seven languages. 

Suraj holds a research associate position with the department of African and African American Studies. Suraj's recent appointment was Senior Fellow at the Harvard Kennedy School, a non-resident fellow at the Hutchins Center for African and African American Research, and was part of the founding team of Initiative for Institutional Anti-Racism and Accountability (IARA) at Harvard University. He has studied in four continents (Asia, Africa, Europe, North America), and is India’s first Dalit Ph.D. holder from an African university (University of the Witwatersrand, Johannesburg). He is an International Human Rights attorney by qualification from India and the UK.

Suraj has published over 100 essays, articles, and book reviews in multiple languages in the field of caste, race, ethnicity studies, and labor, migration in the global south. Currently, he is involved in developing a critical theory of Dalit and Black Studies. He has been nominated for India's highest literary award "Sahitya Akademi" and is a recipient of the "Dr. Ambedkar Social Justice Award" (Canada, 2019) and the "Rohit Vemula Memorial Scholar Award" (2018).

Suraj has worked with leading international organizations in Geneva, London, and New York. He is a co-convener of Dalit-Black Lives Matter symposium and the Dalit and Black Power Movement. He runs a monthly Ambedkar Lecture Series at Harvard. He is an associate editor of Southern Journal of Contemporary History.

His talk will discuss Dalit public and print sphere of the 19th – 20th century, the formation of Dalit consciousness and anti-Brahminism, the census and the role of the British in mismanaging this very important phase, and a critical take on postcolonial and subaltern scholarship. 

Dr. Munia Bhaumik: Translating Tagore in Latin America
Thursday, March 17, 2022
4:00 pm – 5:15 pm CEST

During the first half of the twentieth century, an epochal period defined by two world wars, fascism, and the British empire’s disintegration, a set of intertextual lyric routes circulate between Bengali, Spanish, and Portuguese-language poets (although none of them could read the other’s poetry in the original language). These “lyric routes” between the peripheral but high modernist metropoles of Buenos Aires, Calcutta, Havana, Mexico City, and Santiago are pivotal in reshaping key aesthetic debates and poetic experiments reflexively cognizant of the limits of European discourses of Westphalia and “civilization.” Moreover, the often playful translations of verse from a previous translation, rather than the language of the original text, render new poetic forms and philosophies of language for critical concern.

This lecture focuses on the specter of Rabindranath Tagore’s verse and celebrity in Latin America during a pivotal moment of world decolonization during the interwar period. As intellectual, art, and literary historians demonstrate, not just Tagore’s Nobel Prize recognized oeuvre and prose-poem Gitanjali, but a number of earlier writings, dramatic plays, doodles, and paintings come to yield enormous influence on major Latin American poets, philosophers, and intellectuals. Yet the translations and incorporations of Tagore’s poetic-philosophy by Gabriela Mistral, Pablo Neruda, Jose Lezama Lima, Victoria Ocampo, and (eventually) Octavio Paz are not mere passive translations but offer a critical reservoir of lyric transculturation registering a specifically modernist disenchantment with European modernity. At stake in this comparative framing is not just a story of reception between South Asia and Latin America, but critical reconfigurations of the political ideals of universality as world-making through poesis.

Munia Bhaumik is the Program Director of Mellon Social Justice Curricular Initiatives at the University of California, Los Angeles and an award-winning scholar of comparative literature, politics, and law. Her research and teaching critiques racial and gender inequities as well as the multiple social factors impacting whose lives count before the law. Dr. Bhaumik received her PhD in Comparative Literature from the University of California, Berkeley before joining the faculty at Emory University in Atlanta where she engaged with new Asian/Latinx immigrant and African American community voting rights alliances in the South, while also developing a vibrant undergraduate degree program in comparative literature and critical theory. Based on her research about noncitizens as the “uncounted,” data and democracy, as well as on poetry as political action across the Global South, she received the prestigious Stanford Humanities Center, Herman Melville Society, and Cornell Society for the Humanities faculty awards. Prior to entering academia, Dr. Bhaumik also spent a decade as a primarily Spanish-speaking labor/community organizer on the staff of leading progressive organizations in Los Angeles shaping national debates about social justice through direct action. Equally motivated by the humanities as by social movements, particularly the ethical dilemmas communities-of-color are mobilizing in this global (post)metropolis, her work brings to attention research protocols in alliance with the demands for abolition and noncitizen citizenship as well as multilingual, queer, migrant, worker, healthcare, and Black equal rights.

This is the third lecture in the Global Modernisms lecture series.  Global Modernisms is a collaboration among OSUN institutions that focuses on modernism’s transnational exchange, aiming to open up the modernist canon and integrate approaches to teaching and research on modernism.

 

Discussion, The Factory
7:00 pm – 9:00 pm CET/GMT+1
What are the promises, premises and pitfalls of studying art today? How different are art schools in the US compared to Germany? How does an art school like Städelschule react to and engage with the political, social and cultural challenges of our time? Join us in an open and informal conversation with Yasmil Raymond, Rector of the internationally-renowned Städelschule on these and many more topics.

Yasmil Raymond is an author and curator and since April 2020 Rector of the Städelschule and Director of Portikus. Raymond, who grew up in Puerto Rico, draws from many years of experience as a curator in US-museums before moving to Frankfurt. She was curator at The Museum of Modern Art, New York, at the Dia Art Foundation, and Associate Curator at the Walker Art Center, Minneapolis. At these institutions, she curated seminal exhibitions on artists such as Kara Walker, Thomas Hirschhorn, Tomas Saraceno, Tino Sehgal, Allora & Calzadilla, Yvonne Rainer, Franz Erhard Walther, Trisha Brown, Yoko Ono and Carl Andre. Yasmil Raymond received a BFA from the School of the Art Institute of Chicago in 1999, and an MA from the Center for Curatorial Studies, Bard College, in 2004.  
 

7:00 pm – 9:00 pm EST/GMT-5

Online Lecture 
7:30 pm – 9:30 pm CET/GMT+1
Every age has its Bacon, and all contain a grain of truth: Bacon the prophetic visionary of modern science and technology, Bacon the diehard empiricist and foe of theory, Bacon the exploiter of nature, Bacon the crafty statesman, Bacon the master of English prose. But who was Bacon in his own time and place? This lecture situates Bacon and his reformed natural philosophy back in his original historical context, a time of novelty and upheaval.

Prof. Dr. Lorraine Daston is Director emerita of the Max Planck Institute for the History of Science in Berlin, and visiting professor in the Committee on Social Thought at the University of Chicago.

This event is hosted by the Early Modern Science core and the Science and Religion Project, and supported by the Max Planck Institute for the History of Science. 

What does it mean today and how is it taking us closer to liberation?
Online Event  12:30 pm – 2:00 pm EST/GMT-5
With great thinkers and activists like Sojourner Truth, bell hooks, Angela Davis, Alice Walker, Audre Lorde, Toni Morrison, Kimberlé Crenshaw, and many more Black feminist thought has brought us concepts like Intersectionality, self-love as a radical act, identity politics, representation, misogynoir and many more many of which became buzz word that shapes current politics and activism.

An introduction to Black Feminist Thought, its successes, and its criticism.
Open to all who are interested!

  Bard College Berlin  7:30 pm – 9:30 pm CET/GMT+1

Online Lecture
 
7:30 pm – 9:30 pm CET/GMT+1
In 1194, the Egyptian philosopher and rabbinical authority Musa ibn Maymun (aka Maimonides, Rambam) responded to a series of queries by the Jewish community of southern France concerning the efficacy of astrology. This lecture will explore the religious and political dimensions of ibn Maymun's response within the context of how the astral sciences---both astronomy and astrology---were conceptualized in the medieval Islamic world.

Aaron Tugendhaft teaches history and philosophy at the Ramaz School in New York City. From 2018-2021, he taught in the core at Bard College Berlin, where he also served as inaugural director of the Science and Religion Project. He is the author of The Idols of ISIS: From Assyria to the Internet (Chicago, 2020) among other books.

This event is cohosted by the  Science and Religion Project and the Early Modern Science core, and supported by the Cairo Institute for Liberal Arts and Sciences (CILAS). 

The workshop is offered by P.E.A.C.E Int. and will be led by Mbolo Yufanyi Movuh Ph.D.
Online  12:30 pm – 2:00 pm CET/GMT+1
"The belief that African peoples, both on the continent and in the diaspora, share not merely a common history, but a common destiny".
An ideology formed by the ideas of many, including Steve Biko, Kwame Nkrumah, Marcus Garvey, Julius Nyerere, and Malcolm X, Pan-Africanists share a sense of a united African people and her diasporas.
A Workshop for African and Black students to explore how Pan-Africanism is relevant to them today.
 

The Factory, BCB Campus
9:00 am
Join us for a movement-packed morning with internationally renowned artist collective Gob Squad! This workshop offers an insight into the strategies that Gob Squad use when creating new works. The session will explore Gob Squad's approach to text, improvisation and game-play. Two members of the collective will introduce some of their methods which blend autobiographical, personal and the political.
 
The workshop will take place in the factory performance space as part of Nina Tecklenburg’s Postdramatic and Contemporary Theater in Berlin. Participation is limited to a total of 15 students. Please email to: [email protected] 
 
 
ABOUT GOB SQUAD
Hello. We are Gob Squad, a group of UK and German artists. We make performances and videos which search for beauty in the everyday, and look for words of wisdom from a passing stranger. We are an artists collective, the seven core members working collaboratively on the concept, direction and performance of our work. Other artists, performers and technicians are invited to collaborate on particular projects.
We try and explore the point where theater meets art, media and real life. As well as theatres and galleries, we place our work at the heart of urban life – in houses, shops, underground stations, car parks, hotels or directly on the street. Everyday life and magic, banality and utopia, reality and entertainment are all set on a collision course and the audience are often asked to step beyond their traditional role as passive spectators and bear witness to the results.
We started the company in Nottingham in 1994 but are now more or less based in Berlin, although we regularly make and present work in the UK, organized through our Nottingham office. Our work is regularly shown throughout Europe, and we’ve toured to all the continents apart from Antarctica.

  Bard College Berlin  7:30 pm – 9:00 pm CET/GMT+1

  Bard College Berlin  7:30 pm – 9:30 pm CET/GMT+1

Virtual Talk by Reinhard Fischer, Berliner Landeszentrale für politische Bildung
3:45 pm CET
The talk will look at the democratic setup of the German state and cover the different levels of politics that influence political decisions: Municipal level, State level, Federal level, and the European Union. Following the processes of political decision-making, we will also take a closer look at the relationship between the State and the civil society level. In Germany the State regulates and organizes many different areas: health, education or welfare. But there are public and private actors (welfare organizations, public media, foundations, unions, religious communities) that take over areas of public life, operate in the public interest and support the public to pursue a common goal independently from or in cooperation with the State. How does civic engagement and civil society action fit into these structures?

Register at [email protected] to attend virtually

Hybrid Lecture Series
7:30 pm CET
Jo Parkes is a freelance dance artist (D/UK). For over two decades, she has worked internationally with co-creative, participatory dance and creates installations, events, performances and videos. She is the founder and artistic director of Mobile Dance e.V. Mobile Dance offers art projects at the intersection of artistic and socio-political concerns. Mobile Dance has created projects in which hundreds of artists in Germany and the UK have been employed in participatory dance. 

In 1995, Jo received a Fulbright Scholarship to pursue her Master's degree in Choreography at the University of California (UCLA). She earned a degree (First Class) in English Literature and Modern Languages at the University of Oxford. In 2019, she won the Honorary Award in the German Dance Prize. Her most recent work, The Walking Projekt, received the IKARUS prize (DE) in 2021. From 2019 - 2021, Jo was on the board of Aktion Tanz: Tanz in Bildung und Gesellschaft e.V. and is currently visiting professor at HZT, Berlin (UdK/Ernst Busch).  

This event is part of the lecture series: "Dance and Community Building: Utopian Practice in the 21st Century" which is funded by the Mellon Consortium on Forced Migration, Displacement and Education.

Join on zoom >>

Online Discussion
7:30 pm CET
In 1793, Christian Konrad Sprengel first proved that many plants cannot reproduce without insects, and that the structure of the flowers lures, entices, and even coerces insects into their role as pollinators. While many theologians had argued from design to intelligent designer, Sprengel’s flowers introduced the fundamentally new idea of designed cooperation between species. The word ecology wouldn’t be coined for another 75 years, but nature suddenly seemed a lot more integrated. Not all naturalists were enthusiastic: Goethe, in particular, was horrified by the idea that the purpose of a living being could lie outside itself. We will think together about Sprengel’s methods and concept of science, about his conclusions about the Creator and final purposes, and about why his idea was so shocking and disturbing to some thinkers.

Stefani Engelstein is Professor of German Studies and of Gender, Sexuality, and Feminist Studies at Duke University.  Her work focuses on literature and science, aesthetics, gender, and political theory.  She is the author of Sibling Action: The Genealogical Structure of Modernity (Columbia University Press, 2017) and Anxious Anatomy: The Conception of the Human Form in Literary and Naturalist Discourse (SUNY Press, 2008), and co-editor of Contemplating Violence: Critical Studies in Modern German Culture (Rodopi Press, 2011)  She is currently working on two book projects as a Visiting Scholar at the Leibniz Center for Literary and Cultural Research in Berlin: German Idealism and the Making of the Opposite Sex and Reflections from Germany on Diversity and Violent Pasts: An Essay in Six Cemeteries.

This event is open to the BCB Community only. Participants will be expected to complete a set reading.

The Science and Religion Project at Bard College Berlin provides interested students with an opportunity to expand their knowledge of the history of science, the history of religions, and the issues that arise when the two are considered together. At the core of the project is a fellowship program for select students who have committed to participating in a series of text seminars over the course of the academic year. Led by world-renowned experts, these seminars focus on the careful study of works from antiquity to the present and from across the globe.

The project is under the direction of Professor of Political Thought Ewa Atanassow and BCB faculty Dr. Ross Shields. The BCB Science & Religion Project, is a part of the Oxford-led project "New Horizons for Science and Religion in Central and Eastern Europe" with support from the Templeton Foundation.

Stefani Engelstein –  The Wisdom behind Flowers and Bees: The Creation of Ecology in 1793
Tuesday, February 8, 2022 7:30 pm CET

In 1793, Christian Konrad Sprengel first proved that many plants cannot reproduce without insects, and that the structure of the flowers lures, entices, and even coerces insects into their role as pollinators. While many theologians had argued from design to intelligent designer, Sprengel’s flowers introduced the fundamentally new idea of designed cooperation between species. The word ecology wouldn’t be coined for another 75 years, but nature suddenly seemed a lot more integrated. Not all naturalists were enthusiastic: Goethe, in particular, was horrified by the idea that the purpose of a living being could lie outside itself. We will think together about Sprengel’s methods and concept of science, about his conclusions about the Creator and final purposes, and about why his idea was so shocking and disturbing to some thinkers.

Stefani Engelstein is Professor of German Studies and of Gender, Sexuality, and Feminist Studies at Duke University.  Her work focuses on literature and science, aesthetics, gender, and political theory.  She is the author of Sibling Action: The Genealogical Structure of Modernity (Columbia University Press, 2017) and Anxious Anatomy: The Conception of the Human Form in Literary and Naturalist Discourse (SUNY Press, 2008), and co-editor of Contemplating Violence: Critical Studies in Modern German Culture (Rodopi Press, 2011)  She is currently working on two book projects as a Visiting Scholar at the Leibniz Center for Literary and Cultural Research in Berlin: German Idealism and the Making of the Opposite Sex and Reflections from Germany on Diversity and Violent Pasts: An Essay in Six Cemeteries.

Aaron Tugendhaft – Heavenly Reason in the Medieval Islamic World
Thursday, February 17, 2022 7:30 pm – 9:30 pm
In 1194, the Egyptian philosopher and rabbinical authority Musa ibn Maymun (aka Maimonides, Rambam) responded to a series of queries by the Jewish community of southern France concerning the efficacy of astrology. This lecture will explore the religious and political dimensions of ibn Maymun's response within the context of how the astral sciences---both astronomy and astrology---were conceptualized in the medieval Islamic world.

Aaron Tugendhaft teaches history and philosophy at the Ramaz School in New York City. From 2018-2021, he taught in the core at Bard College Berlin, where he also served as inaugural director of the Science and Religion Project. He is the author of The Idols of ISIS: From Assyria to the Internet (Chicago, 2020) among other books.

This event is cohosted by the Science and Religion Project and the Early Modern Science core, and supported by the Cairo Institute for Liberal Arts and Sciences (CILAS).

Georg Toepfer — Unity or Diversity? Christian Origins of and Resistance to Valuing Diversity
Tuesday, April 5, 2022 7:30 pm – 9:00 pm 

The current discourse on diversity and its evaluation has not one root, but many. It ties together developments in the fields of biology and bioethics, aesthetics and economy, law and global justice. Somehow the concept ‘diversity’ has managed, in particular in the arena of politics, to bring the heterogenous problems associated with these diverse fields under one heading. An important background for this success story is the rich cultural history of ‘diversity’. It comprises ancient narratives about divine creation, paradise and Noah’s ark as well as political ideas of cultural pluralism, egalitarianism and non-hierarchical representation of individuals. In his talk, Toepfer will focus on the Christian elements in this long history. They refer, among other things, to a more respectful attitude toward animals than the Romans had in ancient times, to debates about the emergence of a “diversity” of ecclesiastical orders, each with different rules (diversitas statutorum), in Medieval times, and the “diversity images” in the physico-theological context of Early Modern times that put the logic of diversity into the visual sphere by showing an egalitarian, non-hierarchical representation of diverse living things.
 
Georg Toepfer is co-director of the research area “Lebenswissen” at the Leibniz-Center for Literary and Cultural Research (ZfL) in Berlin. He studied biology and philosophy and received his diploma in biology from the University of Würzburg, his PhD in philosophy from the University of Hamburg and a post-doctoral degree (habilitation) in philosophy from the University of Bamberg. His principal area of research is the history and philosophy of the life sciences, with a special focus on the the transfer of concepts between biology and other fields. Major publication: Historisches Wörterbuch der Biologie. Geschichte und Theorie der biologischen Grundbegriffe (3 vols., Metzler 2011).

Ross Shields – Mephisto on Method: Goethe the Scientist, Goethe the Poet
Tuesday, April 26, 2022 7:30 pm – 9:00 pm CEST
A Science and Religion Talk

The most celebrated author in the history of German letters, Johann Wolfgang von Goethe, considered the investigation of nature to be his true calling. And while some aspects of his scientific project can easily be dismissed as romantic (his polemic against Newton’s theory of light), others were obviously ahead of their time (his work on comparative anatomy, of which Darwin took notice). But is there a meaningful connection between Goethe’s poetic talent and his approach to nature? What role can intuition play in a discourse dominated by well-defined concepts? What was Goethe’s contribution to scientific debates concerning teleology and mechanism? analysis and synthesis? induction and deduction? This session will inquire into the relation between science and poetry by comparing a scene from Goethe’s Faust I, in which Mephistopholes discusses natural science, with Goethe’s own reflections on the natural world.
 
Ross Shields has been a guest professor at Bard College Berlin since 2019. In Fall of 2022 he will join the Institute for Cultural Inquiry in Berlin to develop a project on Wittgenstein’s theory of linguistic models. He is currently working on a monograph titled The Critique of Pure Feeling: Goethe Reading Kant.

Christoph F. E. Holzhey – Dis/enchanting Emergence: On Ilya Prigogine’s Science of Self-Organization
Tuesday, May 10, 2022 7:30 pm – 9:00 pm
A Science & Religion Project Talk

Nineteenth-century emergentism promised to mediate between mechanism and vitalism — that is, between the assumption that processes of the living are reducible to Newtonian physics and the claim that they require non-physical life forces or souls. Soon dismissed as neo-vitalist, it was re-habilitated in the 1970s through sciences of complexity, chaos, and self-organization. While emergence has become a popular notion that is mobilized in a host of different theories, disciplines, and contexts, its function remains highly ambiguous, oscillating between neo-vitalism and neo-mechanicism. Focusing on Ilya Prigogine, an influential protagonist and popularizer of the sciences of self-organization in the 1970s and 80s, and with a brief comparison to Francisco Varela, co-inventor of the notion of autopoiesis, the seminar explores some aspects of emergence’s bifurcation and multistability, including its relation to time and eternity, non-dualist thought, and the attempt to explain the mysteries of life and consciousness.

Christoph F. E. Holzhey is the founding director of the ICI Berlin Institute for Cultural Inquiry, which he has directed since 2006. He received a PhD in Theoretical Physics from Princeton University in 1993 with a dissertation on the entropy and information loss of black holes. At Columbia University, he studied German Literature and wrote a dissertation on paradoxical pleasures in aesthetics (PhD 2001). Returning to Germany, he was a postdoctoral research fellow at the Max Planck Institute for the History of Science in Berlin (2001-03) and at the Universität Siegen (2003-06) in the VW-project ‘Mystik und Moderne’. He has directed the interdisciplinary projects Tension/Spannung, ERRANS, and Reduction at ICI Berlin and (co-)edited several interdisciplinary volumes, including Biomystik: Natur – Gehirn – Geist (2007), Tension/Spannung (2010), Multistable Figures: On the Critical Potential of Ir/Reversible Aspect-Seeing (2014), De/Constituting Wholes: Towards Partiality Without Parts (2017), and Weathering: Ecologies of Exposure (2020).